قراءة كتاب Artificial Light: Its Influence upon Civilization
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Artificial Light: Its Influence upon Civilization
huddled in his cave as daylight wanes. Impelled by the restless spirit of progress, this primitive being grasped the opportunity which fire afforded to extend his activities beyond the boundaries of daylight. The crude art upon the walls of his cave was executed by the flame of a smoking fagot. The fire on the ledge at the entrance to his abode became a symbol of home, as the fire on the hearth has symbolized home and hospitality throughout succeeding ages. The accompanying light and the protection from cold combined to establish the home circle. The ties of mated animals expanded through these influences to the bonds of family. Thus light was woven early into family life and has been throughout the ages a moralizing and civilizing influence. To-day the residence functions as a home mainly under artificial light, for owing to the conditions of living and working, the family group gathers chiefly after daylight has failed.
From the pine knot of primitive man to the wonderfully convenient light-sources of to-day there is a great interval, consisting, as appears retrospectively, of small and simple steps long periods apart. Measured by present standards and achievements, development was slow at first and modern man may be inclined to impatience as he views the history of light and human progress. But the achievements of early centuries, which appear so simple at the present time, were really great accomplishments when considered in the light of the knowledge of those remote periods. Science as it exists to-day is founded upon proved facts. The scientist, equipped with a knowledge of physical and chemical laws, is led by his imagination into the darkness of the unexplored unknown. This knowledge illuminates the pathway so that hypotheses are intelligently formed. These evolve into theories which are gradually altered to fit the accumulating facts, for along the battle area of progress there are innumerable scouting-parties gaining secrets from nature. These are supported by individuals and by groups, who verify, amplify, and organize the facts, and they in turn are followed by inventors who apply them. Liaison is maintained at all points, but the attack varies from time to time. It may be intense at certain places and other sectors may be quiet for a time. There are occasional reverses, but the whole line in general progresses. Each year witnesses the acquirement of new territory. It is seen that through the centuries there is an ever-growing momentum as knowledge, efficiency, and organization increase the strength of this invading army of scientists and inventors.
The burning fagot rescued mankind from the shackles of darkness, and the grease-lamp and tallow-candle have done their part. Progress was slow in those early centuries because the great minds of those ages philosophized without a basis of established facts: scientific progress resulted more from an accumulation of accidental discoveries than by a directed attack of philosophy supported by the facts established by experiment. It was not until comparatively recent times, at most three centuries ago, that the great intellects turned to systematically organized scientific research. Such men as Newton laid the foundation for the tremendous strides of to-day. The store of facts increased and as the attitude changed from philosophizing to investigating, the organized knowledge grew apace. All of this paved the way for the momentous successes of the present time.
The end is not in sight and perhaps never will be. The unexplored region extends to infinity and, judged by the past, the momentum of discovery will continue to increase for ages to come, unless the human race decays through the comfort and ease gained from utilizing the magic secrets which are constantly being wrested from nature. Among the achievements of science and invention, the production and application of artificial light ranks high. As an influence upon civilization, no single achievement surpasses it.
Without artificial light, mankind would be comparatively inactive about one half its lifetime. To-day it has been fairly well established that the human organism can flourish on eight hours' sleep in a period of twenty-four hours. Another eight hours spent in work should settle man's obligation to the world. The remaining hours should be his own. Artificial light has made such a distribution of time possible. The working-periods in many cases may be arranged in the interests of economy, which often means continuous operations. The sun need not be considered when these operations are confined to interiors or localized outdoors.
Thus, artificial light has been an important factor in the great industrial development of the present time. Man now burrows into the earth, navigates under water, travels upon the surface of land and sea, and soars among the clouds piloted by light of his own making. Progress does not halt at sunset but continues twenty-four hours each day. Building, printing, manufacturing, commerce, and other activities are prosecuted continuously, the working-shifts changing at certain periods regardless of the rising or setting sun. Adequate artificial lighting decreases spoilage, increases production, and is a powerful factor in the prevention of industrial accidents.
It has ever been true since the advent of artificial light that the intellect has been largely nourished after the completion of the day's work. The highly developed artificial lighting of the present time may account for much of the vast industry of publication. Books, magazines, and newspapers owe much to convenient and inexpensive artificial light, for without it fewer hours would be available for recreation and advancement through reading. Schools, libraries, and art museums may be attended at night for the betterment of the human race. The immortal Lincoln, it is said, gained his early education largely by the light of the fireplace. But all were not endowed with the persistence of Lincoln, so that illiteracy was more common in his day than in the present age of adequate illumination.
The theatrical stage not only depends for its effectiveness upon artificial light but owes its existence and development largely to this agency. In the moving-picture theater, pictures are projected upon the screen by means of it and even the production of the pictures is independent of daylight. These and a vast number of recreational activities owe much, and in some cases their existence, to artificial light.
Not many centuries ago the streets at night were overrun by thieves and to venture outdoors after dark was to court robbery and even bodily harm. In these days of comparative safety it is difficult to realize the influence that abundant illumination has had in increasing the safety of life and property. Maeterlinck in his poetical drama, "The Bluebird," appropriately has made Light the faithful companion of mankind. The Palace of Night, into which Light is not permitted to enter, is the abode of many evils. Thus the poet has played upon the primitive instincts of the impressiveness of light and darkness.
By combining the symbolism of light, color, and darkness with the instincts which have been inherited by mankind from its superstitious ancestry of the age of mythology, another field of application of artificial light is opened. Light has gradually assumed such attributes as truth, knowledge, progress, enlightenment. Throughout the early ages light was more or less worshiped and thus artificial lights became woven in many religious ceremonies. Some of these have persisted to the present time. The great pageants of peace celebrations and world's expositions appropriately feature artificial light. In drawing upon the potentiality of the expressiveness and impressiveness of light and color, artificial light is playing a major part. Doubtless the future