قراءة كتاب The Three Brides, Love in a Cottage, and Other Tales

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The Three Brides, Love in a Cottage, and Other Tales

The Three Brides, Love in a Cottage, and Other Tales

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دار النشر: Project Gutenberg
الصفحة رقم: 3

class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">THE SILVER HAMMER.

302 THE CHRIST CHURCH CHIMES. 316 THE POLISH SLAVE. 320 OBEYING ORDERS. 331 THE DEACON'S HORSE. 335 THE CONTRABANDISTA. 339 THE STAGE-STRUCK GENTLEMAN. 351 THE DIAMOND STAR. 355 THE GAME OF CHANCE. 373 THE SOLDIER'S SON. 382 TAKING CHARGE OF A LADY. 391 THE NEW YEAR'S BELLS. 397 THE OLD YEAR AND THE NEW. 407

THE GOLDSMITH'S DAUGHTER.

A LEGEND OF MADRID.

Many, many years ago, in those "good old times" so much bepraised by antiquaries and the laudatores temporis acti,—the good old times, that is to say, of the holy office, of those magnificent autos when the smell of roasted heretics was as sweet a savor in the nostrils of the faithful, as that of Quakers done remarkably brown was to our godly Puritan ancestors,—there dwelt in the royal city of Madrid a wealthy goldsmith by the name of Antonio Perez, whose family—having lost his wife—consisted of a lovely daughter, named Magdalena, and a less beautiful but still charming niece, Juanita. The housekeeping and the care of the girls were committed to a starched old duenna, Donna Margarita, whose vinegar aspect and sharp tongue might well keep at a distance the boldest gallants of the court and camp. For the rest, some half dozen workmen and servitors, and a couple of stout Asturian serving wenches made up the establishment of the wealthy artisan. As the chief care of the latter was to accumulate treasure, his family, while they were denied no comfort, were debarred from luxury, and, perhaps, fared the better from this very frugality of the master. Yet in the stable, which occupied a portion of the basement story of his residence,—the other half being devoted to the almacen, or store,—there were a couple of long-tailed Flemish mares, and a heavy, lumbering chariot; and in the rear of the house a garden, enclosed on three sides with a stone wall, and comprising arbors, a fountain, and a choice variety of fruits and flowers.

One evening, the goldsmith's daughter and her cousin sat in their apartment, on the second story, peeping out through the closed "jalousies," or blinds, into the twilight street, haply on the watch for some gallant cavalier, whose horsemanship and costume they might admire or criticize. Seeing nothing there, however, to attract their attention, they turned to each other.

"Juanita," said the goldsmith's daughter, "I believe I have secured an admirer."

"An admirer!" exclaimed the pretty cousin. "If your father and dame Margarita didn't keep us cooped here like a pair of pigeons, we should have, at least, twenty apiece. But what manner of man is this phœnix of yours? Is he tall? Has he black eyes, or blue? Is he courtier or soldier?"

"He is tall," replied Magdalena, smiling; "but for his favor, or the color of his eyes, or quality, I cannot answer. His face and figure shrouded in a cloak, his sombrero pulled down over his eyes, he takes up his station against a pillar of the church whenever I go to San Ildefonso with my duenna, and watches me till mass is ended. I have caught him following our footsteps. But be he gentle or simple, fair or dark, I know not."

"A very mysterious character!" cried Juanita, laughing, "like unto the bravo of some Italian tale. Jesu Maria!" she exclaimed, springing to the window, "what goodly cavalier rides hither? His mantle is of three-pile velvet, and he wears golden spurs upon his heels.

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