congenial arts, such as light embroidery, wood-carving or repoussé, by means of which they become familiar with the elements of more serious and substantial work. Having found out by practical experience, in teaching upwards of two thousand children for several years, that the practice of such easy work, or the development of the constructive faculty, invariably awakened the intellectual power or intelligence, I began to study the subject of the development of the mind in general. My first discovery after this was that Memory, whether mental, visual, or of any other kind, could, in connection with Art, be wonderfully improved, and to this in time came the consideration that the human Will, with all its mighty power and deep secrets, could be disciplined and directed, or controlled with as great care as the memory or the mechanical faculty. In a certain sense the three are one, and the reader who will take the pains, which are, I trust, not very great, to master the details of this book, will readily grasp it as a whole, and understand that its contents form a system of education, yet one from which the old as well as young may profit.

It is worth noting that, were it for nervous invalids alone, or those who from various causes find it difficult to sleep, or apply the mind to work, this book would be of unquestionable value. In fact, even while writing this chapter, a lady has called to thank me for the substantial benefit which she derived from my advice in this respect. And, mindful of the fact that Attention and Unwearied Perseverance are most necessary to succeed in such processes as are here described, I have taken pains to show or explain how they may be rendered more attractive, tolerable, and habitual to the fickle or light-minded; this, too, being a subject which has been very little considered from a practical point of view.

But, above all things, I beg the reader, laying aside all prejudice or preconceived opinion, and neither believing nor disbelieving what he reads, to simply try it—that is to test it in his own person to what degree he can influence his will, or bring about subsequent states of mind, by the very easy processes laid down. If I could hope that all opinion of my book would be uttered only by those who had thus put it to the test, I should be well assured as to its future.

And also I beg all readers, and especially reviewers, to note that I advise that the auto-suggestive process, by aid of sleep, shall be discontinued as soon as the experimenter begins to feel an increase in the power of the will; the whole object of the system being to acquire a perfectly free clear Will as soon as possible. Great injustice was done, as regards the first edition of this work, by a very careless though eminent critic, who blamed the author for not having done what the latter had carefully recommended in his book.

There are four stages of advance towards the truth: firstly, Disbelief; secondly, Doubt, which is, in fact, only a fond advance towards Disbelief; thirdly, Agnosticism, which is Doubt mingled with Inquiry; and, finally, pure and simple Inquiry or Search, without any preconceived opinion or feeling whatever. It is, I trust, only in the spirit of the latter, that I have written; therefore I say to the reader, Neither, believe nor disbelieve in anything which I have said, but, as it is an easy thing to try, experiment for yourself, and judge by the result. In fact, as a satisfactory and conclusive experiment will not require more time, and certainly not half the pains which most people would expend on reading a book, I shall be perfectly satisfied if any or all my critics will do so, and judge the system by the result.

INTRODUCTION.

    "Unto many Fortune comes while sleeping."—Latin Proverb.

    "Few know what is really going on in the world."—American Proverb.

It is but a few years since it suddenly struck the gay world of comic dramatists and other literary wits, that the Nineteenth Century was drawing to an end, and regarding it as an event they began to make merry over it, at first in Paris, and then in London and New York, as the fin-de-siècle. Unto them it was the going-out of old fashions in small things, such as changes in dress, the growth of wealth, or "the mighty bicycle," with a very prevalent idea that things "are getting mixed" or "checquered," or the old conditions of life becoming strangely confused. And then men of more thought or intelligence, looking more deeply into it, began to consider that the phrase did in very truth express far more serious facts. As in an old Norman tale, he who had entered as a jester or minstrel in comic garb, laid aside his disguise, and appeared as a wise counsellor or brave champion who had come to free the imprisoned emperor.

For it began to be seen that this fin-de-siècle was developing with startling rapidity changes of stupendous magnitude, which would ere long be seen "careering with thunder speed along," and that all the revolutions and reforms recorded in history were only feeble or partial, scattered or small, compared to the world-wide unification of human interests, led by new lights, which has begun to manifest itself in every civilized country. That well nigh every person or real culture, or education guided by pure science, has within a very few years advanced to a condition of liberal faith which would have been in my university days generally reprobated as "infidelity," is not to be denied, and the fact means, beyond all question, that according to its present rate of advance, in a very few years more, this reform will end in the annulling of innumerable traditions, forms of faith and methods. Upharsin is writ on the wall.

More than this, is it not clear that Art and Romance, Poetry and Literature, as hitherto understood or felt, are either to utterly vanish before the stupendous advances of science, or what is perhaps more probable, will, coalescing with it, take new forms, based on a general familiarity with all the old schools or types? A few years ago it seemed, as regarded all æsthetic creation, that man had exhausted the old models, and knew not where to look for new. Now the aim of Art is to interest or please, by gratifying the sense or taste for the beautiful or human genius in making; also to instruct and refine; and it is evident that Science is going to fulfill all these conditions on such a grand scale in so many new ways, that, when man shall be once engaged in them, all that once gratified him in the past will seem as childish things, to be put away before pursuits more worthy of manly dignity. If Art in all forms has of late been quiet, it has been because it has drawn back like the tiger in order to make the greater bound.

One of the causes why some are laying aside all old spiritualism, romance and sentiment, is that their realisation takes up too much time, and Science, which is the soul of business, seeks in all things brevity and directness. It is probable that the phrase, "but to the point," has been oftener repeated during the past few years, than it ever was before, since Time begun, of which directness I shall have more to say anon.

And this is the end to which these remarks on the fin-de-siècle were written, to lay stress upon the fact that with the year Nineteen Hundred we shall begin a century during which civilized mankind will attain its majority and become manly, doing that which is right as a man should, because it is right and for no other reason, and shunning wrong for as good cause. For while man is a child he behaves well, or misbehaves, for reasons such as the fear of punishment or hope of reward, but in a manly code no reasons are necessary but only a persuasion or conviction that anything is right or wrong, and a principle which is as the earth unto a seed.

For as the world is going on, or getting to be, it is very evident that as it is popularly said, "he who will tell a lie