me when they can," she replied, with a smile.

"Here, you!" cried Dawson, addressing himself to the man in uniform— "you go away. Voetsaak, see! You mind your own business, and get out."

The officer drawled something in his own tongue, which was, of course, unintelligible to Dawson, but it had the effect of annoying him strangely.

"You little beast!" he said, and knocked the man down with his fist.

"Run," hissed the woman at his elbow—"run before he can get up. No, not that way. To the church and out by another way!"

She caught his hand, and together they raced across the square and in through the big door.

There were a few people within, most sleeping on the benches and along the floor by the walls. In the chancel there were others, masked by the lights, busy with some offices. A wave of sudden song issued from among them as Dawson and the woman entered, and gave way again to the high, nervous voice of a map that stood before the altar. All along the sides of the church was shadow, and the woman speedily found a little arched door.

"Come through the middle of it," she whispered urgently to Dawson, as she packed her loose skirts together in her hand—"cleanly through the middle; do not rub the wall as you come."

He obeyed and followed her, and they were once more in the darkness of an alley.

"It was the door of the lepers," she explained, as she let her skirts swish down again. "See, there is the light by the sea!"

The wind came cleanly up the alley, and soon they were at its mouth, where a lamp flickered in the breeze. Dawson drew a deep breath, and tucked the image under his arm. His palm was sore with the roughness of its head.

"Some one is passing," said the woman in a low tone. "Wait here till they are by."

Footsteps were approaching along the front, and very soon Dawson heard words and started.

"What is it!" whispered the woman, her breath on his neck.

"Listen!" he answered curtly.

The others came within the circle of the lamp—a girl and two men.

"I do hope he's found my idol," the girl was saying.

Dawson stepped into the light, and they turned and saw him.

"Why, here he is," exclaimed Miss Paterson shrilly.

He raised his hat to the woman who stood at the entrance to the alley—raised it as he would have raised it to a waitress in a bun- shop, and went over to the people from the second-class saloon.

"I found it," he said, lifting the image forward, and brushing with his hand at the foulness of blood and hair upon it. "But I was almost thinking I should miss the boat."

II

THE SENSE OF CLIMAX

It was in the fall of the year that Truda Schottelius on tour came to that shabby city of Southern Russia. Nowadays, the world remembers little of her besides her end, which stirred it as Truda Schottelius could always stir her audience; but in those days hers was a fame that had currency from Paris to Belgrade, and the art of drama was held her debtor.

It was soon after dawn that she looked from her window in the train, weary with twelve hours of traveling, and saw the city set against the pale sky, unreal and remote like a scene in a theatre, while about it the flat land stretched vacant and featureless. The light was behind it, and it stood out in silhouette like a forced effect, and Truda, remarking it, frowned, for of late she found herself impatient of forced effects. She was a pale, slender, brown-haired woman, with a small clear, pliant face, and some manner of languor in all her attitudes that lent them a slow grace of their own and did not at all impair the startling energy she could command for her work. While she looked out at the city there came a tap at the door of her compartment, and her maid entered with tea. Behind her, a little drawn in that early hour, came Truda's manager, Monsieur Vaucher.

"Madame finds herself well?" he asked solicitously, but shivering somewhat. "Madame is in the mood for further triumphs?"

Truda gave him a smile. Monsieur Vaucher was a careful engineer of her successes, a withered little middle-aged Parisian, who had grown up in the mechanical service of great singers and actors. There was not a tone in his voice, not a gesture in his repertory, that was not an affectation; and, with it all, she knew him for a man of sterling loyalty and a certain simplicity of heart.

"We are on the point of arriving," went on Monsieur Vaucher. "I come to tell Madame how the ground lies in this city. It is, you see, a place vexed with various politics, an arena of trivialities. In other words, Madame, the best place in the world for one who is—shall we say?—detached."

Truda laughed, sipping her warm tea.

"Politics have never tempted me, my friend," she replied.

Monsieur Vaucher bowed complaisantly.

"Your discretion is frequently perfect," he said. "And if I suggest that here is an occasion for a particular discretion, it is only because I have Madame's interests at heart. Now, the chief matters of dispute here are——"

Truda interrupted him. "Please!" she said. "It does not matter at all. And think! Politics before breakfast. I am surprised at you, Monsieur Vaucher."

The little man shrugged. "It is as Madame pleases," he said.
"However, here we are at the station; I will go to make all ready."

Truda had a wide experience of strange towns, and preserved yet some interest in making their acquaintance. At that early hour the streets were sparsely peopled; the city was still at its toilet. A swift carriage, manned by a bulky coachman of that spacious degree of fatness which is fashionable in Russia, bore her to her hotel along wide monotonous ways, flanked with dull buildings. It was all very prosaic, very void of character; it did not at all engage her thoughts, and it was in weariness that she gained her rooms and disposed herself for a day of rest before the evening's task.

Another woman might have gathered depression and the weakness of melancholy from this dullness of arrival, following on the dullness of travel; but a great actress is made on other lines. A large audience was gathered in the theatre that night to make acquaintance with her, for her coming was an event of high importance. Only one box was empty—that of the Governor of the city, a Russian Prince whom Truda had met before; it was understood that he was away, and could not return till the following day.

But for the rest the house was full; its expectancy made itself felt like an atmosphere till the curtain went up and the play began to shape itself. Audiences, like other assemblies of people, have their racial characteristics; it was the task of Truda to get the range, as it were—to find the measure of their understanding; and before the first act was over she had their sympathy. The rest was but the everyday routine of the stage, that grotesque craft wherein delicate emotions are handled like crowbars, and only the crude colors of life are visible. It was a success—even a great success, and nobody save Truda had an inkling that there was yet something to discover in the soul of a Russian audience.

At her coming forth, the square was thick with people under the lights, and those nearest the stage-door cheered her as she passed to her carriage. But Truda was learned in the moods of crowds, and in her reception she detected a perfunctory note, as though the people who waved and shouted had turned from graver matters to notice her. She