You are here

قراءة كتاب Giles Corey, Yeoman: A Play

تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

‏اللغة: English
Giles Corey, Yeoman: A Play

Giles Corey, Yeoman: A Play

تقييمك:
0
No votes yet
دار النشر: Project Gutenberg
الصفحة رقم: 2

warrant she didn't! I know you would, Ann.

Olive. Nancy! [A noise is heard outside.

Phœbe. Oh, what's that noise? What is coming?

Enter Giles Corey, panting. He flings the door to violently and slips the bolt.

Nancy. Massy! what's after ye?

Phœbe. Oh, Uncle Corey, what's the matter?

Giles. The matter is there be too many evil things abroad nowadays for a man to be out after nightfall. When things that can be hit by musket balls lay in wait, old Giles Corey is as brave as any man; but when it comes to devilish black beasts and black men that musket balls bound back from— What! you here, Ann Hutchins? What be you out after dark for?

Ann. I came over to see Olive, Goodman Corey.

Giles. You'd best stayed by your own hearth if you've got one. Young women have no call to be out gadding after dark in these times.

Phœbe. Oh, Uncle Corey, something did frighten Ann as she came through the wood. A black beast, with horns and a tail and eyes like balls of fire, jumped out of the bushes at her, and bade her sign the book in a dreadful voice.

Giles. What! Was't so, Ann?

Ann. I know not. There was something.

Olive (laughing). 'Twas naught but Ann's own shadow that her fear gave a voice and a touch to. Say naught to frighten Ann, father; she is the most timorous maid in Salem Village now.

Giles. There is some wisdom in fear nowadays. You make too light of it, lass.

Olive (laughing). Nay, father, I'll turn to and hang up my own shadow in the chimbly-place for a witch, an you say so.

Giles. This be no subject for jest. Said you the black beast spoke to you, Ann?

Ann. I know not. Once I thought I heard Olive calling. I know not what I heard.

Giles. You'd best have stayed at home. Where is your mother, Olive?

Olive. She has gone to Goodwife Bishop's with a basket of eggs.

Giles. Gone three miles to Goodwife Bishop's this time of night? Is the woman gone out of her senses?

Olive. She is not afraid.

Giles. I'll warrant she is not afraid. So much the worse for her. Mayhap she's gone riding on a broomstick herself. How is the cat?

Olive. She is better.

Giles. She was taken strangely, if your mother did make light of it. And the ox, hath he fell down again?

Olive. Not that I have heard.

Giles. The ox was taken strangely, if your mother did pooh at it. The ox was better when she went out of the yard.

Phœbe. There's Aunt Corey now. Who is she talking to?

Enter Martha Corey.

Phœbe. Who were you talking to, Aunt Corey?

Martha. Nobody, child. Good-evening, Ann.

Phœbe. I heard you talking to somebody, Aunt Corey.

Martha. Be quiet, child. I was talking to nobody. You hear too much nowadays. [Takes off her cloak.

Nancy. Mayhap she hears more than folk want her to. I heard a voice too, a gruff voice like a pig's.

Giles. I thought I heard talking too. Who was it, Martha?

Martha. I tell you 'twas no one. Are you all out of your wits? [Gets some knitting-work out of a cupboard and seats herself.

Phœbe. Weren't you afraid coming through the wood, Aunt Corey?

Martha (laughing). Afraid? Why, no, child. Of what should I be afraid?

Giles. I trow there's plenty to be afraid of. How did you get home so quick? 'Tis a good three miles to Goody Bishop's.

Martha. I walked at a good speed.

Giles. I thought perhaps you galloped a broomstick.

Martha. Nay, goodman, I know not how to manage such a strange steed.

Giles. I thought perhaps one had taught you, inasmuch as you have naught to say against the gentry that ride the broomstick of a night.

Martha. Fill not the child's head with such folly. How fares your mother, Ann?

Ann. Well, Goodwife Corey.

Giles. She lacks sense, or she would have kept her daughter at home. Out after nightfall, and the woods full of the devil knoweth what.

Martha. Nay, goodman, there be no danger. The scouts are in the fields.

Giles. I meant not Injuns. There be worse than Injuns. There be evil things and witches!

Martha (laughing). Witches! Goodman, you are a worse child than Phœbe here.

Giles. I tell ye, wife, you talk like a fool, ranting thus against witches. I would you had been where I have been to-night, and heard the afflicted maids cry out in torment, being set upon by Sarah Good and Sarah Osborn. I would you had seen Mercy Lewis strangled almost to death, and the others testifying 'twas Sarah Good thus afflicting her. But I'll warrant you'd not have believed them.

Martha (laughing). That I would not, goodman. I would have said that the maids should be sent home and soundly trounced, then put to bed, with a quart bowl of sage tea apiece.

Giles. Talk so if you will. One of these days folk will say you be a witch yourself. You were ever hard-skulled, and could knock your head long against a truth without being pricked by it. Hold out if you can, when only this morning the ox and the cat were took so strangely here in our own household.

Martha. Shame on you, goodman! The ox and the cat themselves would laugh at you. The cat ate a rat, and it did not set well on her stomach, and the ox slipped in the mire in the yard.

Nancy. 'Twas more than that. I know, I know.

Giles. Laugh if you will, wife. Mayhap you know more about it than other folk. You never could abide the cat. I am going to bed, if I can first go to prayer. Last night the words went from me strangely! But you will laugh at that. [Lights a candle. Exit.

Phœbe. Aunt Corey, may I eat an apple?

Martha. Not to-night. 'Twill give you the nightmare.

Phœbe. No, 'twill not.

Martha. Be still!

There is a knock. Olive opens the door. Enter Paul Bayley. Ann starts up.

Paul. Good-evening, goodwife. Good-evening, Olive. Good-evening, Ann. 'Tis a fine night out.

Ann. I must be going; 'tis late.

Olive. Nay, Ann, 'tis not late. Wait, and Paul will go home with you through the wood.

Ann. I must be going.

Paul (hesitatingly). Then let me go with you, Mistress Ann! I can well do my errand here later.

Ann. Nay, I can wait whilst you do the errand, if you are speedy. I fear lest the delay would make you ill at ease.

Martha (quickly). There is no need, Paul. I will go with Ann. I want to borrow a hood pattern of Goodwife Nourse on the way.

Paul. But will you not be afraid, goodwife?

Martha. Afraid, and the moon at a good half, and only a short way to go?

Paul. But you have to go through the wood.

Martha. The wood! A stretch as long as this room—six ash-trees, one butternut, and a birch sapling thrown in for a witch spectre. Say no more, Paul. Sit you down and keep Olive company. I will go, if only for the sake of showing these silly little hussies that there is no call for a gospel woman with prayer in her heart to be afraid of anything but the wrath of God. [Puts a blanket over her head.

Ann. I want no company at all, Goodwife Corey.

Phœbe. Aunt Corey, let me go, too; my stint is done.

Martha. Nay, you must to bed, and Nancy too. Off with ye, and no words.

Nancy. I'm none so old that I must needs be sent to bed like a babe, I'd have you know that, Goody Corey. [Sets away apple pan; exit, with Phœbe following sulkily.

Martha. Come, Ann.

Ann. I want no

Pages