of Venice, "A Daniel come to judgment; yea, a Daniel." But in these latter days we rarely read the story of Susanna, and Shakespeare's line is not understood by one play-goer in fifty.

When the diminutive Zaccheus climbed into a shade tree which graced a town lot in Jericho he gave the translators for "the Most High and Mighty Prince James" another puzzle, for they put him on record as going up into a sycamore tree. We had always supposed that this was because the sycamore's habit of shedding its bark made smooth climbing for Zaccheus. But scientific commentators tell us now that it was not a sycamore tree, but a hybridized fig-mulberry!

But all this is digression. The best time to begin keeping that New Year's nature resolution is now, when the oaks are seen in all their rugged majesty, when the elms display their lofty, graceful, vase-like forms, and when every other tree of the forest exhibits its peculiar beauty of trunk, and branch, and twig. Often January is a most propitious month for the tenderfoot nature-lover. Such was the year which has just passed. During the first part of the month the weather was almost springlike; so bright and balmy that a robin was seen in an apple-tree, and the brilliant plumage of the cardinal was observed in this latitude. Green leaves, such as wild geranium, strawberry and speedwell, were to be found in abundance beneath their covering of fallen forest leaves. Scouring rushes vied with evergreen ferns in arresting the attention of the rambler. In one sheltered spot a clump of catnip was found, fresh, green, and aromatic, as if it were July instead of January.

Sunday, the sixth, was a day of rare beauty and enticement. Well might the recording angel forgive the nature lover who forgot the promises made for him by his sponsors that he should "hear sermons," and who fared forth into the woods instead, first reciting "The groves were God's first temples," and then softly singing, "When God invites, how blest the day!"

They err who think the winter woods void of life and color. Pause for a moment on the broad open flood-plain of the river, the winter fields and meadows stretching away in gentle slopes on either side. There are but few trees, but they have had room for full development and are noble specimens. All is gaiety. A blue-jay screams from a broad-topped white ash which is so full of winged seeds that it looks like a mass of foliage. The sable-robed king of the winter woods, the American crow, in the full vigor of his three-score years, maybe, (he lives to be a hundred) caws lustily from the bare white branches of a big sycamore, that queer anomaly of the forest which disrobes itself for the winter. The merry chickadees divide their time between the rustling, ragged bark of the red birches and the withered heads of heath-aster and blue vervain below. In the one they get the meat portion of their midday meal, and in the other the cereal foods. No wonder they are sleek and joyous.

A few steps farther and we leave this broad alluvial bottom to enter the cañon through which the river, ages ago, began to cut its course. These ridges of limestone, loess and drift rise a hundred feet or more above the level of the plain from which the river suddenly turns aside. They are thickly covered with timber. There is no angel with a flaming sword to keep you from passing into this winter paradise! The river bank is lined with pussy willows; they gleam in the sunshine like copper. Farther back there are different varieties of dogwood, some with delicate green twigs and some a cherry red. The wild rose and the raspberry vines add their glossy purplish and cherry red stems to the color combination, and a contrast is afforded by the silvery gray bark of stray aspens. A still softer and more beautiful shade of silver gray is seen in the big hornet's nest of last year which still hangs suspended from a low sugar maple. On all of these the sunlight plays and makes a wondrous color symphony. "Truly the light is sweet and a pleasant thing it is for the eyes to behold the sun." To be sure, this colorful arrangement of the stems and twigs is not brilliant, like the flaming vermilion blossoms of the Lobelia cardinalis in August, the orange yellow of the rudbeckias in September, or the wondrous blue of the fringed gentian in early October. It is more like the delicate tints and shadings of an arts and crafts exhibition, stained leather, hammered copper and brass, art canvas, and ancient illuminated initials in monks' missals. The tempered winter sunlight is further softened by the trees; as it illuminates the soft red rags of the happy old birch it seems sublimated, almost sanctified and spiritual, like that which filters through rich windows in cathedrals, and makes a real halo around the heads of sweet-faced saints.

There are strange sounds for January. All the winter birds are doing their share in the chorus and orchestra; crows, jays, woodpeckers, nut-hatches, juncos, tree-sparrows. But suddenly a woodpecker begins a new sound,—his vernal drumming! Not the mere tap, tap, tap, in quest of insects, but the love-call drumming of the nidification season, nearly three months ahead of time.

Swollen by recent rains, the river is two feet higher than usual. There is a sheet of ice on either shore, but the water swiftly flows down the narrow channel in the middle with a sound halfway between a gurgle and a roar, mingled anon with the sound of grinding cakes of ice. Suddenly away up at the bend of the river there is a sharp crack, like the discharge of a volley of musketry. Swiftly it comes down the ice, passes your feet with a distinct tremor, and your eyes follow the sound down the river until the two walls of the cañon meet in the perspective. In a small way you know how it would feel to hear the rumble of an approaching seismic shock. Only there was no terror in this. It was the laughter of the sunbeam fairies as they loosened the architecture of "the elfin builders of the frost."

The recent rains have vivified the mosses clinging to the gray rocks which jut out, halfway up the slope. Very tender and beautiful is their vivid shade of green. Winter and summer, the mosses are always with us. When the last late aster has faded, the last blue blossom of the gentian changed to brown, the green mosses still remain. And the more they are studied, the more fascinating they become. Take some home and examine them with a hand lens, then with a microscope. You will be charmed with the exquisite finish of their most minute parts. Nature glories in the artistic excellence of infinitesimal workmanship. The most beautiful part of her handiwork is that which is seen through a microscope. There is beauty, beauty everywhere; the crystals of the snow, the cell structure of the leaf, the scales of the butterfly's wing, the pedicels, capsules and cilia of these mosses. No wonder that many distinguished men have been led to give their whole lives to the study of mosses and have felt well repaid.

Here are Nature's only two elementary forms of growth, the cell and the crystal, wrestling for the mastery over each other in a life and death struggle. The moss is built up of cell, the rock of crystal forms. Below this Devonian limestone, its crystals sparkling in the sunshine, with its coral fossils, its fragments of crinoids, and its broken shells of brachiopods, down through the Devonian, the Silurian, the Ordovician, and the Cambrian rocks, down to the original crust formed when first the earth began to cool, if any there be remaining; all these miles of rocks are inorganic,