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قراءة كتاب Aesop's Fables A New Revised Version From Original Sources
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Aesop's Fables A New Revised Version From Original Sources
Æsop's Fables
A NEW REVISED VERSION
FROM ORIGINAL SOURCES
WITH UPWARDS OF 200 ILLUSTRATIONS
BY
HARRISON WEIR, JOHN TENNIEL, ERNEST GRISET
AND OTHERS
NEW YORK
FRANK F. LOVELL & COMPANY
142 and 144 Worth Street
Copyright, 1884,
By R. WORTHINGTON.
LIFE OF ÆSOP.
The Life and History of Æsop is involved, like that of Homer, the most famous of Greek poets, in much obscurity. Sardis, the capital of Lydia; Samos, a Greek island; Mesembria, an ancient colony in Thrace; and Cotiæum, the chief city of a province of Phrygia, contend for the distinction of being the birthplace of Æsop. Although the honor thus claimed cannot be definitely assigned to any one of these places, yet there are a few incidents now generally accepted by scholars as established facts, relating to the birth, life, and death of Æsop. He is, by an almost universal consent, allowed to have been born about the year 620 B.C., and to have been by birth a slave. He was owned by two masters in succession, both inhabitants of Samos, Xanthus and Jadmon, the latter of whom gave him his liberty as a reward for his learning and wit. One of the privileges of a freedman in the ancient republics of Greece was the permission to take an active interest in public affairs; and Æsop, like the philosophers Phædo, Menippus, and Epictetus, in later times, raised himself from the indignity of a servile condition to a position of high renown. In his desire alike to instruct and to be instructed, he travelled through many countries, and among others came to Sardis, the capital of the famous king of Lydia, the great patron in that day, of learning and of learned men. He met at the court of Crœsus with Solon, Thales, and other sages, and is related so to have pleased his royal master, by the part he took in the conversations held with these philosophers, that he applied to him an expression which has since passed into a proverb, "μᾶλλον ὁ Φρύξ"—"The Phrygian has spoken better than all."
On the invitation of Crœsus he fixed his residence at Sardis, and was employed by that monarch in various difficult and delicate affairs of state. In his discharge of these commissions he visited the different petty republics of Greece. At one time he is found in Corinth, and at another in Athens, endeavoring, by the narration of some of his wise fables, to reconcile the inhabitants of those cities to the administration of their respective rulers, Pariander and Pisistratus. One of these ambassadorial missions, undertaken at the command of Crœsus, was the occasion of his death. Having been sent to Delphi with a large sum of gold for distribution among the citizens, he was so provoked at their covetousness that he refused to divide the money, and sent it back to his master. The Delphians, enraged at this treatment, accused him of impiety, and, in spite of his sacred character as ambassador, executed him as a public criminal. This cruel death of Æsop was not unavenged. The citizens of Delphi were visited with a series of calamities, until they made a public reparation of their crime; and "The blood of Æsop" became a well-known adage, bearing witness to the truth that deeds of wrong would not pass unpunished. Neither did the great fabulist lack posthumous honors; for a statue was erected to his memory at Athens, the work of Lysippus, one of the most famous of Greek sculptors. Phædrus thus immortalizes the event:—
Servumque collocarunt æterna in basi:
Patere honoris scirent ut cuncti viam;
Nec generi tribui sed virtuti gloriam.
These few facts are all that can be relied on with any degree of certainty, in reference to the birth, life, and death of Æsop. They were first brought to light, after a patient search and diligent perusal of ancient authors, by a Frenchman, M. Claude Gaspard Bachet de Mezeriac, who declined the honor of being tutor to Louis XIII. of France, from his desire to devote himself exclusively to literature. He published his life of Æsop, Anno Domini 1632. The later investigations of a host of English and German scholars have added very little to the facts given by M. Mezeriac. The substantial truth of his statements has been confirmed by later criticism and inquiry.
It remains to state, that prior to this publication of M. Mezeriac, the life of Æsop was from the pen of Maximus Planudes, a monk of Constantinople, who was sent on an embassy to Venice by the Byzantine Emperor Andronicus the elder, and who wrote in the early part of the fourteenth century. His life was prefixed to all the early editions of these fables, and was republished as late as 1727 by Archdeacon Croxall as the introduction to his edition of Æsop. This life by Planudes contains, however, so small an amount of truth, and is so full of absurd pictures of the grotesque deformity of Æsop, of wondrous apocryphal stories, of lying legends, and gross anachronisms, that it is now universally condemned as false, puerile, and unauthentic. It is given up in the present day, by general consent, as unworthy of the slightest credit.
ÆSOP'S FABLES.
The Wolf Turned Shepherd.
A wolf, finding that the sheep were so afraid of him that he could not get near them, disguised himself in the dress of a shepherd, and thus attired approached the flock. As he came near, he found the shepherd fast asleep. As the sheep did not run away, he resolved to imitate the voice of the shepherd. In trying to do so, he only howled, and awoke the shepherd. As he could not run away, he was soon killed.
Those who attempt to act in disguise are apt to overdo it.
The Stag at the Pool.
A stag saw his shadow reflected in the water, and greatly admired the size of his horns, but felt angry with himself for having such weak feet. While he was thus contemplating himself, a Lion appeared at the pool. The Stag betook himself to flight, and kept himself with ease at a safe distance from the Lion, until he entered a wood and became entangled with his horns. The Lion quickly came up with him and caught him. When too late he thus reproached himself: "Woe is me! How have I deceived myself! These feet which would have saved me I despised, and I gloried in these antlers which have proved my destruction."
What is most truly valuable is often underrated.