they love more than their own lives.

They wish to bestow upon her every accomplishment which modern society demands, so when it is announced that Prof. —— will open his select dancing academy they hasten to place her under his instruction.

At first she seems shocked at the manner in which he embraces her to teach her the latest waltz.

It is her first experience in the arms of a strange man, with his limbs pressed to hers, and in her natural modesty she shrinks from so familiar a touch. It brings a bright flush of indignation to her cheek as she thinks what an unladylike and indecent position to assume with a man who, but a few hours before, was an utter stranger, but she says to herself: "This is the position every one must take who waltzes in the most approved style—church members and all—so of course it is no harm for me." She thus takes the first step in casting aside that delicate God-given instinct which should be the guide of every pure woman in such matters.

She is very bright and learns rapidly, but a few weeks have passed before she is able to waltz well, and is surrounded by the handsomest and most gallant men in the room, who flatter her until her head is quite turned. She has entirely overcome her delicacy about being embraced in public for half an hour by strange men. In fact she rather likes it now. She wonders all day, before dancing school, if that handsome man who dances so "elegantly" and says such nice things to her, will ask her to dance with him to-night, and finds herself dreaming of how delightful it would be to feel his arm about her.

The evening at last comes; the uninteresting square dances are gone through with, and the music of the waltz begins. Her partner is the Apollo of her day dreams. He presses her close to his breast, and they glide over the floor together as if the two were but one.

When she raises her eyes, timidly at first, to that handsome but deceitful face, now so close to her own, the look that is in his eyes as they meet hers, seems to burn into her very soul. A strange, sweet thrill shakes her very being and leaves her weak and powerless and obliged to depend for support upon the arm which is pressing her to himself in such a suggestive manner, but the sensation is a pleasant one and grows to be the very essence of her life.

If a partner fails, through ignorance or innocence, to arouse in her these feelings, she does not enjoy the dance, mentally styles him a "bore," and wastes no more waltzes on him. She grows more bold, and from being able to return shy glances at first, is soon able to meet more daring ones until, with heart beating against heart, hand clasped in hand, and eyes looking burning words which lips dare not speak, the waltz becomes one long, sweet and purely sensual pleasure.

The more profitable things upon which she has been accustomed to spend her time and thought, lose all attraction for her, and during the time which intervenes between dancing school evenings, she feeds her romantic passion on novels, unfit for any person to read, and which would have been without special interest to her before she entered the dancing school. She spends much thought upon those things which tend to develop her lower nature, for "as a man thinketh, so is he." She has never before had a thought she would not willingly express to her mother. But now she thinks of and discusses with her girl friends of the dancing school, subjects which she would shrink from mentioning to her mother.

O, foolish girl, if she had but remembered that her best friend was her mother, and that thoughts she could not express to her were thoughts in which she should never indulge, what untold sorrow and shame she might have been spared.

She graduates from the academy and is caught into the whirl of society, and her life becomes what is called one round of pleasure—one round certainly of parlor dances, social hops and grand balls with champaign dinners and early goings home (early in the morning, of course).

This evening there is to be a ball of unusual grandeur. The last of the season of gaiety, and the closing of the dancing-school term. Our friend will surely be present. Let us attend. What a scene of beauty, gayety and splendor. It must have been of just such scenes the poet wrote:

"There was a sound of revelry by night,
And Belgium's capital had gathered then—
Her beauty and chivalry"—

But see, there is our friend of the dancing academy just entering on the arm of her devoted father. Three months have passed since we first met her. She is much changed, yet one can scarcely see in what the change consists. The face is the same, yet not the same. There is just the shadow of coarseness in it, a little less of frank innocence and true refinement, and a trace, not exactly of ill-health, but a want of freshness. This last is, however, well concealed by the use of cosmetics, and she is still a very beautiful girl, and the fond father's heart swells with pride as he sees the handsomest and most fashionable gentlemen of the ball-room press eagerly forward to ask her hand for the different dances of the evening.

Her father remains for a few of the square dances, but soon retires, knowing that his fair daughter will not want for attention from—gentlemen whose attentions he is sure must be desirable, certainly desirable, why not? Are these admirers not rich and handsome, and do they not move in the highest society. Ah, foolish father, how little he knows of the ways of ball-room society.

But let us turn our attention again to the dancers, at two o'clock next morning. This is the favorite waltz, and the last and most furious of the night, as well as the most disgusting. Let us notice, as an example, our fair friend once more.

She is now in the vile embrace of the Apollo of the evening. Her head rests upon his shoulder, her face is upturned to his, her bare arm is almost around his neck, her partly nude swelling breast heaves tumultuously against his, face to face they whirl on, his limbs interwoven with hers, his strong right arm around her yielding form, he presses her to him until every curve in the contour of her body thrills with the amorous contact. Her eyes look into his, but she sees nothing; the soft music fills the room, but she hears it not; he bends her body to and fro, but she knows it not; his hot breath, tainted with strong drink, is on her hair and cheek, his lips almost touch her forehead, yet she does not shrink; his eyes, gleaming with a fierce, intolerable lust, gloat over her, yet she does not quail. She is filled with the rapture of sin in its intensity; her spirit is inflamed with passion and lust is gratified in thought. With a last low wail the music ceases, and the dance for the night is ended, but not the evil work of the night.

The girl whose blood is hot from the exertion and whose every carnal sense is aroused and aflame by the repetition of such scenes as we have witnessed, is led to the ever-waiting carriage, where she sinks exhausted on the cushioned seat. Oh, if I could picture to you the fiendish look that comes into his eyes as he sees his helpless victim before him. Now is his golden opportunity. He must not miss it, and he does not, and that beautiful girl who entered the dancing school as pure and innocent as an angel three months ago returns to her home that night robbed of that most precious jewel of womanhood—virtue!

When she awakes the next morning to a realizing sense of her