قراءة كتاب From the Ball-Room to Hell

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From the Ball-Room to Hell

From the Ball-Room to Hell

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دار النشر: Project Gutenberg
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arouse any more passion in her than you could in a putty man. To waltz with such as she is not what I go for."

Or, another says: "Ah! but that beautiful Miss Smith is a daisy. She is posted. This waltzing is the greatest thing in the world. While you are whirling one of these dear creatures, if you do the thing correctly, you can whisper in her ear things she would shoot you for saying at any other time, but she likes it all the same. They take to it naturally enough if they are properly taught. If you don't know just how it is done go to a dancing master, or any professional dancer. They know, and they will soon let you know. You will soon become a waltzer and thus find out what there is in it."

Such remarks, and worse than these, (remarks unfit to publish even in this plainly written book) are made, my fair young ladies, after the ball, about you by the very young men who, at the dance, you thought so nice and who are so considered. I am ashamed to say in by-gone days, I have been among these young men myself, and I know that to hear them give free expression, loose-tongued, to the lewd emotions and sensual pleasures in which they indulge while in your embrace, is almost as common as the waltz itself.

I repeat what I have said before, that I do not refer to rough, uncultured men, but to those who are looked upon by society as most polished, refined and desirable young men.

If it be true that a woman, however innocent in thought, is the subject of such vile comment, if there is the barest possibility that it may be true, is it not also true that if she is possessed of a remnant of delicacy, she will shrink from exposing herself to such comment, and flee from places of dancing as from a den of vipers?


CHAPTER VI.

THE APPROVAL OF SOCIETY IS NO PROOF AGAINST THE DEGRADATION.

I know that there are many who will contend that I have some selfish or spiteful motive in writing thus strongly in condemnation of the waltz. Many will doubtless claim that the waltz is very moral and healthful, is indulged in by the best people of every land, seemingly tolerated by all, and that he who raises his voice against it does so from other motives than a disinterested desire to warn his fellow-men against it.

I admit that it is indulged in by a great multitude (not of the best) but the most aristocratic society people. But does the fact that society has permitted itself to be carried by storm into a toleration of the modern dance make the dance any less degrading and sinful. No more so, it seems to me, than does the fact of the universal use of alcohol make its effect less harmful or make it any the less a destroyer of homes, happiness and character.

No, its universality does not prove its morality, and it is certain that results prove conclusively its immorality, and all who try to make it out otherwise, are either those who know nothing at all about it and are unwilling to believe that such an evil could be in their midst without their knowledge, or those who know and practice the abominations, but enjoy it far too well to confess what they know. These last will be loudest in their clamor against this book and its author, and in their profession of perfect innocence.

They believe themselves to be the sole possessors of the secret which makes the waltz their pet amusement. They do not mean that their secret shall be divulged, and they seize every opportunity of praising the "beauty and variety" of the waltz. Its "health giving exercise," "its innocent amusement" and its grace-giving qualities. Grace-giving, forsooth. The grace of the harlot, to my mind, is not the most desirable possession.

I have known many and many a non-dancing mother to encourage her child to learn to dance, because she wanted her to become graceful, and in many a case that daughter has lost grace, health, virtue and all that a woman holds dear. If you have a choice of a saloon for your son, and a so-called select dancing school for your daughter, I beseech you, in the name of God, place your son in the saloon, but keep your daughter out of the dancing school.

If you wish her to become graceful there are schools of physical culture which are much better adapted to the development of health and grace, and much less to the development of vile passions and depraved natures. What I have said before will be no surprise to those who waltz, though, of course, they will feign great surprise, ignorance, and innocence of it all.

But dancing schools are often made use of in a way that is not so well known. Professional thieves often frequent these places. Many of them are perfect dancers and good conversationalists. They appear most respectable and are, of course, so considered, since they are found in the select school, where references are required.

They gain admittance to the school either by practising fraud upon the dancing master, or inducing him to practice fraud upon the public by admitting such a man for a liberal compensation, to what he advertises to be a select school.

When once in a school it is an easy matter to form the acquaintance of the wives and daughters of wealthy men.

To these he makes himself most agreeable, as he well knows how to do, and, if possible, manages by some means or other, to get an invitation to call. If he fails, he makes some excuse to call without an invitation. During his calls he manages, if opportunity presents itself, to seize some valuables; if not he will locate them, to be called for upon some future dark night, and he is quite safe from arrest, for even if suspected he knows that the ladies of the house who have been seen with him in public would only bring disgrace upon themselves by arresting for theft a man upon whose breast they often reclined in public.

This, however, is of small account. If it was the only evil connected with dancing, this book would never have been written. The loss of earthly possessions is of little consequence when compared with the loss of health, happiness, purity and virtue.

I simply tell you this to show you how many evils a dancing master is cognizant of in connection with dancing, that the generality of people know little or nothing about.

Some one has said that few people know better than the dancing master and saloon keeper, how many souls are sent through the port holes of hell between the ages of fourteen and twenty by these two agencies of the devil.

And he is right.

The heart of the dancing master must be even harder than that of the saloon keeper, for while the saloon keeper must witness the harmful and disgraceful indulgence of men, principally, he knows that there is a chance that it may prove only a harmful indulgence.

But the man who can constantly see pure and lovely women being whirled to a disgrace from which she can never recover must have a heart hard indeed. Yet this is what I have witnessed and helped to perpetuate by teaching dancing. Still I heedlessly continued in the business, until something occurred which set me to thinking.

I met on a train, while leaving town, one day a young woman, who, a few months before, had been a member of my select dancing academy. She had been ruined there, and was one of the discarded ones when the school was closed for a few weeks, as all dancing-schools have to be every little while, to get rid of those girls who have met with a fate similar to hers.

I entered into conversation with her and found she could no longer endure being shunned and

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