to pluck them up again and find new earth to which to cling.

She might have married a dozen times during her youth had not her conscience deterred her from deserting her father and the children left to her care. In fact one persistent swain who refused to take "No" for an answer had begged Celestina to wait and pray over the matter.

"I never trouble the Lord with things I can settle myself," replied she firmly. "I can't go marryin' an' that's all there is to it."

Other offers had been declined with the same characteristic firmness until now the golden season of mating-time was past, and although she was still a pretty little woman the stamp of spinsterhood was unalterably fixed upon her.

Wilton, in the meantime, had long ago lost sight of the uncomplaining self-sacrifice it had previously lauded and explained Celestina Morton's unwedded state by declaring that she was too "easy goin'" to make anybody a good wife. This criticism came, perhaps, more loudly from the female faction of the town than from the male. However that may be, the stigma, merited or unmerited, had become so firmly branded upon Celestina that it could not be effaced. She may to some extent have brought it upon herself, for certain it was that she never kicked against the pricks or tried to shape her circumstances more in accordance with her liking. Undoubtedly had she accepted her lot less meekly she might have commanded a greater measure of attention and sympathy; still, if she had not been of a more or less plastic nature and surrendered herself patiently to her destiny it is a question whether she would have survived at all.

It was this mutability, this power to detach herself from her environment and view it with the stoical indifference of a spectator that caused Wilton with its harsh New England standards, to characterize Celestina as "easy goin'." In fact, this popularly termed "flaw" in her make-up was what had acted as an open sesame to every door at which she knocked and had kept a roof above her head. She had been just sixty years of age when Willie Spence's sister had died and left him alone in the wee cottage on the Harbor Road, and all Wilton had begun to speculate as to what was to become of him. Willie was as dependent as an infant; the village gossips who knew everything knew that. From childhood he had been looked after,—first by his mother, then by his aunt, and lastly by his sister; and when death had removed in succession all three of these props, leaving the little old man at last face to face with life, his startled blue eyes had grown large with terror. What was to become of him now? Not only did Willie himself helplessly raise the interrogation but so did all Wilton.

Of course he could go and board with the Eldridges but that would mean renting or selling the silver-gray cottage where he had dwelt since birth and would be a tragic severing of all ties with the past; moreover, and a fact more potent than all the rest, it would mean dismantling the house of the web that for years he had spun, the symbols of dreams that had been his chief delight. Should he go to the Eldridges there could be no more inventing, for Jan's wife was a hard, practical woman who had scant sympathy with Willie's "idees." Nevertheless one redeeming consideration must not be lost sight of—she was a famous cook, a very famous cook; and poor Willie, although he cared little what he ate, was incapable of concocting any food at all. But the strings, the strings! No, to go to live with Jan and Mrs. Eldridge was not to be thought of.

It was just at this psychological juncture, when Willie was choosing 'twixt flesh and spirit, that he saw Celestina Morton standing like a vision in the sunshine that spangled his doorway. She said she knew how lonely he must be and therefore she had come to make a friendly call and tidy up the house or mend for him anything that needed mending. With this simple introduction she had taken off her hat and coat, donned an ample blue-and-white pinafore, and set to work. Fascinated Willie watched her deft movements. Now and then she smiled at him but she did not speak and neither did he; nor, he noticed, did she disturb his strings or comment on their inconvenience. When twilight came and the hour for her departure drew near Willie stationed himself before the peg from which dangled her shabby wraps and stubbornly refused to have her hat and cloak removed from the nail. There, figuratively speaking, they had hung ever since, the inventor reasoning that life without this paragon of capability was a wretched and profitless adventure.

In justifying his sudden decision to Janoah Eldridge, Willie had merely explained that he had hired Celestina because she was so comfortable to have around, a recommendation at which Wilton would have jeered but which, perhaps, in the eyes of the Lord was quite as praiseworthy as that which her more hidebound but less accommodating sisters could have boasted. For disorder and confusion never kept Celestina awake nights or prevented her from partaking of three hearty meals a day as it would have Abbie Brewster or Deborah Howland. So long as things were clean, their being an inch or two, or even a foot, out of plumb did not worry the new inmate of the gray house an iota. And when Willie was balked in an "idee" that had "kitched him," and left half-a-dozen strings and wires swinging in mid-air for weeks together, Celestina would patiently duck her head as she passed beneath them and offer no protest more emphatic than to remark:

"Them strings hangin' down over the sink snare me every time I wash a dish. Ain't you calculatin' ever to take 'em down, Willie?"

The reply vouchsafed would be as mild as the suggestion:

"I reckon they ain't there for eternity, Tiny," the inventor would respond. "Like as not both you an' me will live to see 'em out of the way."

That was all the satisfaction Celestina would get from her feeble complaints; it was all she ever got. Yet in spite of the exasperating response she adored Willie who had been to her the soul of kindliness and courtesy ever since she had come to the bluff to live. He might forget to come to his meals,—forget, in fact, whether he had eaten them or not; he might venture forth into the village with one gray sock and one blue one; or when part way to the post-office become lost in reverie and return home again without ever reaching his destination. Such incidents had happened and were likely to happen again. Nevertheless, notwithstanding his absentmindedness, he was never too much absorbed to maintain toward Celestina an old-fashioned deference very appealing to one accustomed to being ignored and slighted.

The impulse, it was quite obvious, was prompted less by conventionality than by a knightliness of heart, and Celestina, who had never before been the recipient of such courtesies, found herself inexpressibly touched by the trifling attentions. Often she speculated as to whether this mental attitude toward all womanhood was one Willie himself had evolved or whether it was the result of standards instilled into his sensitive consciousness by the women who had been his companions through life,—his mother, his aunt, his sister. Whichever the case there was no question that the old man's bearing toward her placed her on a pinnacle where gossip was silenced, and transformed her humble ministrations from those of a hireling into acts of graciousness and beauty.

Moreover to live in the same house with such an optimist was no ordinary experience. Well Celestina remembered the day when at dinner the little old man had choked violently, turning purple in the face in his fight for breath. She had rushed to his side, terror-stricken, but between his spasms of coughing the inventor had gasped out:

"Why make so much fuss over what's gone down the wrong way, Tiny? Think—of—the—things—I've—swallered—all—these—years—that have—gone down—right!"

The observation was characteristic of Willie's creed of life. He never emphasized the exceptions but always the big,