قراءة كتاب The King's Men: A Tale of To-morrow
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three cheers for the Member of Parliament for Nottingham. The response, ringing from thousands of hearts, made Mary Lincoln leap to her feet.
Her father sat still, looking toward the open window beneath which was the tumult.
"Father," said Mary, calling him so for the first time in her life; "they have nominated you. You will not refuse?"
"No," he said, almost mournfully. "I shall accept—and leave you again."
"Never again," she cried, "my own dear father. I shall go with you to London. Oh, I am so proud of you!"
And Richard Lincoln accepted the nomination, and was elected. His name rallied throughout the whole country the men who had its good at heart.
But the demagogue was raised to the highest place in the Republic, and his party would have grown drunken with exultation had they not been deterred by the solid front and the stern character of the opposition, the leader of which from the first meeting of the new Parliament was Richard Lincoln.
CHAPTER III.
MY LADY'S CHAMBER.
The seashore in late November is never cheerful. The gray, downcast skies sadden the sympathetic ocean; the winds cut to the marrow, and the yellow grass and bare trees make the land as sad-colored as the sea. But even at this season a walk along the cliff upon which Ripon House stands is invigorating, if the walker's blood is young. The outlook toward the water is bluff and bold and the descent sheer.
A neat, gravelled path conforming to the line of the coast divides the precipice from the smooth, closely-cropped lawn which sweeps down from the terrace of the ancient mansion. Ripon House is an imposing, spacious pile. It bears marks of the tampering of the last century when the resuscitated architecture of Queen Anne threatened to become ubiquitous.
A vast plantation of stately trees originally shut out the buildings on three sides from the common gaze, but the exigencies of the lawn-tennis court and the subsequent destitution of the late earl, who renounced his wood fire the last of all the luxuries then appurtenant to a noble lineage, have sadly thinned the splendid grove. Nor is the domain void of historic interest. Here was the scene of the crowning festivity of the pleasure-loving Victorian era when the nobility of the United Kingdom gathered to listen to a masque by Sir William Gilbert and Sir Arthur Sullivan in aid of a fund to erect a statue to the memory of one John Brown, a henchman of the sovereign.
But what boots in this age of earnest activity more than a trivial reference to the selfish splendor of a superstitious past? To-day is to-day, and the nails on the coffin-lid of the last Hanoverian would scarcely be of silver, so many hungry mouths are to be fed.
Geoffrey Ripon on the morning following his reflections was sauntering along the gravel path which bordered the cliff. He was reading the half-penny morning paper, in which he had just come upon a paragraph describing the discovery by the police of a batch of infernal machines supposed to have been sent over from America by friends of the Royalists. Among the emissaries captured he read the name of Cedric Ruskin, an old schoolfellow and great-grandson to an art critic of that surname who flourished in former days by force of his own specific gravity. Pained at the intelligence, he sighed heavily, and was on the point of sitting down upon a rustic bench close at hand when a melodious, gladsome voice hallooing his name broke in upon his meditation. He looked up and perceived Miss Maggie Windsor skipping down the lawn with charming unconventionality.
"Lord Brompton, Lord Brompton."
He raised his hat and stood waiting for the girl, whose motions were marvellously graceful, especially if her large and vigorous physique be considered. No sylph could have glided with less awkwardness, and yet a spindle more closely resembles the bole of a giant oak than Maggie Windsor the frail damsels who bent beneath the keen blasts of New England a hundred years ago. Her countenance disclosed all the sprightly intelligence which her great-grandmother may have possessed, but her glowing cheeks and bright blue eyes told of a constitution against which nervous prostration fulminated in vain. Nor were the bang or bangle of a former generation visible in her composition. But here a deceptive phrase deserves an explanation. "Composition" is an epithet which, least of all, is applicable. Miss Windsor's perfections of whatever kind were wholly natural.
A St. Bernard dog of superb proportions gambolled at her side.
"I thought it was you," she said. "I am very glad to see you again."
"And I, Miss Windsor, to see you." They shook hands with cordiality. "And how do you like your new lodgings?" he inquired.
"Ah, Lord Brompton, I was afraid you would feel nettled that we capitalists should possess your grand old homestead. My purpose in swooping down upon you in this unceremonious style was to ask you to make yourself quite at home in the place. Consider it your own if you will."
"What would your father say to such an arrangement, I wonder?" he asked, glancing at her.
"Oh," she laughed, "papa monopolizes everybody and everything else, but I monopolize him. But you look serious, Lord Brompton, and less complacent, if I may use the expression, than when we met last. Dear old Paris. That was two years ago."
"Ought I to look complacent after reading in the newspaper that my old schoolmate, Cedric Ruskin, has been arrested on a charge of high treason?"
"Alas! poor Cedric!—no, that was Yorick. Down, Bayard, down," she cried to her dog.
"A great many things may happen in two years, Miss Windsor. When chance first brought us together, I was a landed proprietor, and the heir of a noble lineage. To-day I am a beggar at the feet of fatherless wealth."
"Excuse me, Lord Brompton, I have a father."
"Did I say I was at your feet, Miss Windsor?"
"You are the same clever creature as ever," she answered. "But I am beginning to believe you are in earnest. Is it possible that you are the Lord Brompton who told me once that fate's quiver held no shaft to terrify a philosopher? 'Dust to dust, and what matters it whether king or chaos rule?' Those were your words. I warned you then, but you laughed me to scorn—"
"And now you are deriding me."
"You are unjust. I met you with a proffer of hospitality, but you would none of it."
"Am I not to dine with you this evening?"
"True. Then as a further instance that you are still a stoic, come now and exhibit to me the treasures and secrets of Ripon House. I have got no farther than the picture gallery as yet. There is an ancestor of George the Third's time whose features are the prototype of yours—the same dreamy eye—the same careless smile—the same look of being petted. You remember I always said you had been spoiled by petting."
She led the way across the lawn, with Bayard bounding close at hand.
"I am sure there must be secret galleries and haunted chambers and all sorts of dreadful places. I telephoned to Mr. Jawkins to inquire, but he answered, 'Not as I know of, miss.' I suppose he is so fearfully practical he wouldn't care if a real ghost met him in a remote wing."
"What a pity we didn't live in the last century when people still gave ghosts the benefit of the doubt," said Lord Brompton, sadly. "Now we are certain that there never were any."
"But we may still run across a skeleton in a closet," said the girl.
"Oh, yes. But who, by the way, is Mr. Jawkins?"
"Have you never heard of Mr. Jarley Jawkins, the