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قراءة كتاب The Return

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‏اللغة: English
The Return

The Return

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دار النشر: Project Gutenberg
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shouted up at the truncated steeple: "Atherton, sound 'All Clear!'"

A horn up in the belfry began blowing, apparently to advise the people who had run from the fields into the forest that there was no danger.

They went through the open doorway of the old stone church and entered the big room inside. The building had evidently once been gutted by fire, two centuries ago, but portions of the wall had been restored. The floor had been replaced by one of rough planks, and there was a plank ceiling at about ten feet.

The room was apparently used as a community center. There were a number of benches and chairs, all very neatly made; and along one wall, out of the way, ten or fifteen long tables had been stacked, the tops in a pile and the trestles on the tops.

The walls were decorated with trophies of weapons—a number of M-12 rifles and M-16 submachine-guns, all in good, clean condition; a light machine rifle; two bazookas. Among them were cruder weapons, stone-and metal-tipped spears and clubs, the work of the wild men of the woods.

A stairway led to the second floor, and it was up this stairway that the man who bore the title of Toon Leader conducted them, to a small room furnished with a long table, a number of chairs, and several big wooden chests bound with iron.

"Sit down, gentlemen," the Toon Leader invited, going to a cupboard and producing a large bottle stoppered with a corncob and a number of small cups.

"It's a little early in the day," he went on, "but this is a very special occasion.

"You smoke a pipe, I take it?" he asked Altamont. "Then try some of this, of our own growth and curing."

He extended a doeskin moccasin, which seemed to be the tobacco container.

Altamont looked at the thing dubiously, then filled his pipe from it.

The oldster drew his pistol, pushed a little wooden plug into the vent, added some tow to the priming, and, aiming at the wall, snapped it. Evidently, at time the formality of plugging the vent had been overlooked: there were a number of holes in the wall there.

This time, however, the pistol didn't go off. The old man shook out the smoldering tow, blew it into flame, and lit a candle from it, offering the light to Altamont.

Loudons got out a cigar and lit it from the candle; the others filled and lighted pipes. The Toon Leader reprimed his pistol, then holstered it, took off his belt and laid it aside, an example the others followed.

They drank ceremoniously, and then seated themselves at the table. As they did, two more men entered the room. They were introduced as Alexander Barrett, the gunsmith and Stanley Markovitch, the distiller.

The Toon Leader began by asking, "You come, then, from the west?"

"Are you from Utah?" the gunsmith interrupted, suspiciously.

"Why, no, we're from Arizona. A place called Fort Ridgeway," Loudons said.

The others nodded, in the manner of people who wish to conceal ignorance. It was obvious that none of them had ever heard of Fort Ridgeway, or Arizona either.

"You say you come from a fort? Then the wars aren't over yet?" Sarge Hughes asked.

"The wars have been over for a long time. You know how terrible they were. You know how few in all the countries were left alive," Loudons said.

"None that we know of, beside ourselves and the Scowrers, until you came," the Toon Leader said.

"We have found only a few small groups, in the whole country, who have managed to save anything of the Old Times. Most of them lived in little villages and cultivated land. A few had horses or cows. None, that we have ever found before, made guns and powder for themselves. But they remembered that they were men, and did not eat one another.

"Whenever we find a group of people like this, we try to persuade them to let us help them."

"Why?" the Toon Leader asked. "Why do you do this for people that you have never met before? What do you want from them—from us—in return for your help?"

He was speaking to Altamont, rather than to Loudons. It seemed obvious that he believed Altamont to be the leader and Loudons the subordinate.

"Because we are trying to bring back the best of the Old Times," Altamont told him. "Look, you have had troubles, here. So have we, many times. Years when the crops didn't ... didn't...." He looked at Loudons, aware that his partner should be talking now, and also suddenly aware that Loudons had recognized the situation and left the leadership up to him....

"... years that the crops failed. Years of storms, or floods. Troubles with those beast-men in the woods.

"And you were alone, as we were, with no one to help.

"We want to put all men who are still men in touch with one another, so that they can help each other in trouble, and work together.

"If this isn't done, everything that makes men different from beasts will soon be no more."

"He's right. One of us, alone, is helpless," the Reader said. "It is only in the Toon that there is strength. He wants to organize a Toon of all Toons."

"That's about it. We are beginning to make helicopters, like the one Loudons and I came in. We'll furnish your community with one or more of them. We can give you a radio, so that you can communicate with other communities. We can give you rifles and machine guns and ammunition, to fight the—the Scowrers, did you call them? And we can give you atomic engines, so that you can build machines for yourselves."

"Some of our people,—Alex Barrett here, the gunsmith, and Stan Markovitch, the distiller, and Harrison Grant, the iron-worker—get their living by making things. How'd they make out, after your machines came in here?" Verner Hughes asked.

"We've thought of that. We had that problem with other groups we've helped," Loudons said. "In some communities, everybody owns everything in common and so we don't have much of a problem. Is that the way you do it, here?"

"Well, no. If a man makes a thing, or digs it out of the ruins, or catches it in the woods, it's his."

"Then we'll work out some way. Give the machines to the people who are already in a trade, or something like that. We'll have to talk it over with you and with the people concerned."

"How is it you took so long finding us?" Alex Barrett asked. "It's been two hundred or so years since the Wars."

"Alex! You see but you do not observe!" The Toon Leader rebuked. "These people have their flying machines, which are highly complicated mechanisms. They would have to make tools and machines to make them, and tools and machines to make those tools and machines. They would have to find materials, often going in search of them. The marvel is not that they took so long, but that they did it so quickly."

"That's right," Altamont said. "Originally, Fort Ridgeway was a military research and development center. As the country became disorganized, the Government set this project up to develop ways of improvising power and transportation and communication methods and extracting raw materials. If they'd had a little more time, they might have saved the country.

"As it was, they were able to keep themselves alive, and keep something like civilization going at the Fort, while the whole country was breaking apart around them.

"Then, when the rockets stopped falling, they started to rebuild. Fortunately, more than half the technicians at the Fort were women, so there was no question of them dying out.

"But it's only been in the last twenty years that we've been able to make nuclear-electric engines, and this is the first time any of us have gotten east of the Mississippi."

"How did your group manage to survive?" Loudons asked. "You call it the Toon. I suppose that's what the word platoon has become, with time. You were, originally, a military platoon?"

"Pla-toon!" the white-bearded man said. "Of all the unpardonable stupidities! Of course that's what it was. And the title, Tenant, was originally lieu-tenant. I know that, though we

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