ITALY.

XXIX. Triforium Window in the Church of S. Gregorio, Bari, Italy.

XXIX.

TRIFORIUM WINDOW IN THE CHURCH OF S. GREGORIO, BARI, ITALY.

The Byzantine architects used pierced stonework with great effect both in exterior and interior detail. The examples here shown are rather crude, but effective in the relative scale of parts.

XXX. Window in the Apse of the Cathedral, Bari, Italy.

XXX.

WINDOW IN THE APSE OF THE CATHEDRAL, BARI, ITALY.

The ornament about this window, especially that in the long panel below it and upon the cyma of the soffit above, is Byzantine in character, while the columns, with the exception of the capital of the one at the left, are much more Romanesque.

XXXI. A Window in Bittonto, Italy.

XXXI.

A WINDOW IN BITTONTO, ITALY.

This is not an especially beautiful example, but is an illustration of the direct and vigorous treatment of the early barbarian Romanesque builders.

XXXII. Window in the Apse of the Cathedral, Bittonto, Italy.

XXXII.

WINDOW IN THE APSE OF THE CATHEDRAL, BITTONTO, ITALY.

In this case the beautiful and delicate Byzantine leafage can be seen on the mouldings of the arch above the window. As in several of the preceding examples, there is a curious mixture of the two styles.

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