on us a heart-warming fire. We hustled for home, knowing that the Chinook would make short work of the snow. In fact, we had not covered more than half the distance before the prairie began to show brown here and there, where it lay thin between mountainous drifts. We sang and howled all the way to the sheds, feeling fine.

Here Steve left us, to go to the house, while Oscar and I unloaded the sleighs.

Suddenly I felt uncomfortable, for no reason in this world. The land about us was rejoicing with the booming of that kind, warm wind, yet a sharp uneasiness stopped me and forced me to raise my head. For three-quarters of a circle nothing met my eyes but the vanishing snow-drifts. I reached the house; nothing wrong there. Steve was walking briskly out toward us, smoking his pipe. Then the corrals—all right, number one, two, three, four—Lord have mercy!

"Oscar!" I shrieked, and snatched him to his feet. He rose, bewildered and half angry, then looked to where I pointed.

Through the centre of number four corral tripped Sally, dear little timid Sally, glad to be out in this lovely air, her eyes and mind on Oscar doubtless, and in the same corral, shut off from her sight by a projection of the sheds, stood Geronimo. And he saw her, too, for as she waved a hand to us, he bared his great teeth and clashed them together. The earth seemed to rock and sink from me. Every soul on the ranch was told to keep away from the corral with the two buffalo skulls over the gates, a warning sufficiently big and gruesome to stop anyone. What fatal lapse of memory had struck the girl?

She was beyond help. We were all of two hundred yards away, and Steve still farther; she was not a quarter of that from the brute. If we shouted, if we moved, we might bring her end upon her—and such an end! When I thought of that dainty, pretty little woman beneath those hoofs, I felt a hideous sickness. The man beside me said, "My God! My mistake!" A corral opened on each side of the box stall in which Geronimo was confined. One of these was usually empty, a reserve. It was into this that Oscar had turned the horse. The other was the corral of the skulls.

Geronimo leaped out. The girl halted, stark, open-mouthed, every sign of life stricken from her at a blow. Geronimo sprang high and snapped at nothing, in evil play before the earnest. It was horrible. We could do neither harm nor good now, so we ran for the spot. It was down hill from us to them. I doubt that anything on two legs ever covered distance as we did, for all the despair. Geronimo reared and stood upon his hind feet, as straight as a man. He advanced, striking, looming above his victim. "All over," I thought, and tried to take my eyes away. I could not.

At that instant a white-hatted, gaunt, tall figure rushed from the stable door, a shovel in its hand, straight between the girl and her destruction. There he stood, with his partly weapon raised, unflinching. An oath came to my lips and a hot spot to my throat at the sight. No eye ever saw a braver thing.

At this, a dip in the ground and the eight-foot fence of the corral shut out all within. God knows how we got over that fence. I swear I think we leaped it. I have no memory of climbing, but I do recall landing on the other side in a swoop.

Geronimo had old Charley in his teeth, shaking him like a rat.

"Steve!" I called, "Steve!" And then Oscar and I charged at the wicked brute with our pitchforks. All that followed is a tangled, bad dream of hurry, fear, yells, oaths, and myself stabbing, stabbing, stabbing with the pitchfork. Then a gun cracked somewhere, a black mass toppled toward me that knocked me sprawling—and all was still. I sat for a moment, smiling foolishly and fumbling for my hat. Steve raised me by the arm. He still had his revolver in his hand, and his glance on the dead stallion. He asked me if I was hurt, and I said yes. He asked me where, and I said that made no difference. Then, as I came to a little more, I said I guessed I wasn't hurt, and looked around. Oscar had Sally in his arms. The tears were running down his cheeks, and he moved his head from side to side, like a man in agony. Her head was buried in his breast, her hands locked around his neck. It was well with them, evidently. But limp upon the ground, his forehead varnished red, lay old Charley.

We turned him over tenderly, wiping the blood away. Steve's lips quivered as he put his hand on the old man's heart. He kept it there a long time. Then he said huskily, "He's gone!" At the words the sound eye of the victim popped open with a suddenness that made my heart throw a somersault. It was as sane, calm, and undisturbed an optic as ever regarded the world.

"G-a-w-n H—l!" said Charley.

We laughed and wiped our eyes with our coat sleeves, and got the old boy to his feet.

"Same old Texas," said he, feeling of his head (the hoof had scraped, instead of smashing), "slightly disfiggered, but still in the ring."

He caught sight of the lovers. "Hello!" he said. "Oscar's made his ante good at last—bad hawse works as well as Injuns." We started to lead him by the pair.

"Naw, boys," he commanded. "Take me 'round 't'uther way. That gal don't want to see me now, all bloody and mussed up like this."

It was useless to attempt making a hero of Charley.

Billy the Buck

I fancy I assume an impregnable position in saying that real poetry is truth, presented in its most vivid and concise form. If the statement stands, I request that every line of English verse containing the words "Timid deer," or referring in any way to a presumed gentle, trusting, philanthropic disposition in the beast, be at once revised or expurgated. I shall not except the works of William Shakespeare. When the melancholy Jaques speaks of one of these ferocious animals, saying, "The big round tears coursed one another down his innocent nose in piteous chase," I believe Jaques lied; or, if he lied not, and the phenomenon occurred as reported, that the tears were tears of rage because the deer could not get at Jaques, and as an extension, if he had gotten at Jaques, he would have given said Jaques some cold facts to be contemplative about. After my experience, if I should see any misguided person making friendly advances to one of these horned demons, I should cry, "Whoa!" as Cassandra did to the wood horse of the Greeks, and probably with the same result. They would not falter until they had gathered bitter experience with their own hands.

Why? This is why. One day, when I was working on a Dakota ranch, the boss, a person by the name of Steve, urged me to take an axe, go forth, and chop a little wood, which I did.

The weather was ideal. A Dakota fall. Air vital with the mingled pleasant touch of frost and sun, like ice-cream in hot coffee, and still as silence itself. I had a good breakfast, was in excellent health and spirits; the boss could by no means approach within a mile unperceived, and everything pointed to a pleasant day. But, alas! as the Copper-lined Killelu-bird of the Rockies sings, "Man's hopes rise with the celerity and vigour of the hind leg of the mule, only to descend with the velocity of a stout gentleman on a banana peel."

On reaching the grove of cottonwoods I sat down for a smoke and a speculative view of things in general, having learned at my then early age that philosophy is never of more value than when one should be doing something else.

I heard a noise behind me, a peculiar noise, between a snort and a violent bleat. Turning, I saw a buck deer, and, from the cord and bell around his neck, recognised him as one Billy, the property of Steve's eldest boy. He was spoken of as a pet.

This was the touch needed to complete my Arcadia; the injection of what, at the time, I considered to be poetry into the excellent prose of open air life. Who could see that graceful, pretty creature, and remain unmoved? Not I, at all events. I fancied myself as a knight of old in the