beautiful Dublin Mountains the city scatters itself about the sides of the River Liffey. To get from one place to another in Dublin is simplicity itself. The electric-tram system is equal to any in Europe, and excels most in the cheapness of its fares. The cars run through the principal streets and along the quay sides to the suburbs. A good view of the city may be had from the top of a tram on a fine day. Those who wish to suit their own convenience, however, will always avail themselves of the outside car. The jaunting car is to Dublin what the gondola is to Venice—at least an imaginative Irish Member of Parliament has said so, and that settles the matter. When selecting an "outside" take care that you secure one equipped with a pneumatic tyre. The Dublin driver is much maligned, he is generally courteous, and not without humour. The municipal authorities supply him with a list of fares and distances. He is bound to produce it should any difficulty arise as to the financial relations, which sometimes happens.

Photo—Lawrence, Dublin.

Shelbourne Hotel, Stephen's-green.

Dublin was an old fortress of the Danes. They held the whole eastern seaboard of Ireland until 1014 when Brian Boru defeated them and broke their power at the battle of Clontarf. Historic remains of the old city—the Ford of the Hurdles the Irish call it—there are none. The Danes, the Normans, the Elizabethan, the Cromwellian, the Jacobite, all made history in Dublin in their day, but the city as it stands is practically modern. Between the Rotunda, one of the finest maternity hospitals in the world, and St. Stephen's Green, the beautiful park presented to the citizens by Lord Ardilaun, the principal buildings in the city lie. The College Green, however, forms a natural centre from which to make a short tour. The magnificent portico of the Bank of Ireland—formerly the Irish House of Parliament—is characterized by surprising dignity of proportion. Visitors can witness the printing of bank notes. The Irish House of Lords, which remains unaltered, is an oblong room with recess for throne at one end. Within may be seen two valuable Dutch tapestries, the one representing the famous Siege of Derry, and the second the Battle of the Boyne. Immediately outside "The Old House at Home," as the historic building is affectionately called by Irishmen, is a noble statue of Henry Grattan. He was the people's darling from 1782, when the Volunteers mustered in College-green, up to 1800, when the Act of Union was passed. Behind Grattan stands the old leaden statue of William III., erected in 1701. This equestrian figure of "King Billy," as the prince of glorious, pious, and immortal memory is familiarly known, has been the centre of, in its time, much mischief and merriment. Up to 1822 His Majesty was annually decorated with orange ribbons to celebrate the anniversary of the Battle of the Boyne. This party demonstration was always resented by the populace, and King Billy came in for no end of ill-treatment. However, he has braved the battle and the breeze.

Turning from the Bank we face the University, in front of which stand fine bronze statues of its distinguished sons, Edmund Burke and Oliver Goldsmith. The University, unlike its sisters, Oxford and Cambridge, contains but a single college—that of the Holy and Undivided Trinity—founded by Adam Loftus in Elizabeth's reign. Visitors to the College should be shown the chapel halls, museum, and library, and grand quadrangles, including Lever's notorious "Botany Bay." While in the library the world-famous "Book of Kells" may be inspected, and the enduring qualities of its marvellous illuminations admired. The College park is very beautiful, and during the College races at midsummer presents quite a gala sight.

Photo—Lawrence, Dublin.

Dublin Castle.

In Dame-street most of the Irish banks have their offices. At the end of the street furthest from the College is the City Hall. The building was originally the Royal Exchange, but in the middle of the nineteenth century it was handed over to the Dublin Corporation. The Corinthian columns which form the portico are very handsome. The entrance is modern, the older structure having given way in "the troubled times," while a crowd of citizens were beguiling the time watching a public whipping of a malefactor from the steps. The centre hall is crowned with a decorated dome. The hall contains statues of O'Connell, Under-Secretary Drummond, Grattan, and Dr. Lucas, a publicist in eighteen-century Dublin. The Council Chamber is well furnished, and some of the portraits of former Lords Mayor are very fine. Immediately behind the City Hall is Dublin Castle, far from being the imposing structure those familiar with its history may suppose. The Lower Castle Yard is entered from Palace-street. It contains the Birmingham Tower, a modern structure replacing the fortress, some of the walls of which still stand, from which the fiery Red Hugh O'Donel, Prince of Tyrone, escaped. The Castle Chapel is beside the Tower, and permission to visit it is easily obtained. Among the things of interest in the chapel are the emblazoned arms of all the Irish viceroys. The wood work throughout is Irish oak, and there are ninety heads in marble to represent the sovereigns of England. St. Patrick's Hall, the Throne-room, and the Long Drawing-room are the most important of the State apartments. While in the vicinity of the Castle, St. Patrick's Cathedral should be visited. Founded so long ago as 1190, this cathedral, dedicated to the Apostle of Ireland, has had a chequered history. Mostly Early English in architecture, modern styles have been grafted on the building without consistency or unity of ideal. The monuments are many. Dean Swift's bears an inscription written by himself and breathing the hatred of oppression and love of liberty characteristic of the writer—

"Hic depositum est corpus
JONATHAN SWIFT, s. t. d.
Hujus Ecclesiae Cathedralis Decani
Ubi saeva indignatio
Ulterius cor lacerare nequit
Abe Viator
Et imitare si poteris
Strenuum, pro virili,
Libertatis vindicatorem,
Obiit 19° die mensis Octobris, A.D. 1745,
Anno Aetatis 78."

Hard by is a white marble slab in memory of her whose name must be for ever associated with that of Swift—"Stella." Ten minutes' walk through Patrick-street will bring one from St. Patrick's to the most interesting ecclesiastical structure in Dublin—Christ Church Cathedral. An old Danish foundation, fire and time laid hands upon the original building. Its restoration is a triumph of architectural genius in the reproduction of thirteenth-century English Gothic. Strongbow's tomb is the famous monument of the place. The Crypt contains, besides other antiquities, the old City stocks, which is some three centuries old. Other places worth seeing in the city are the Four Courts, the Custom House, the Pro-Cathedral, Marlborough-street, St. Michan's Church and Churchyard, and the Church of