September 25th, 2889, being the day set for his resurrection, it was proposed to Mr. Smith that he should permit the second part of the experiment to be performed at his residence this evening.

"Agreed. Be here at ten o'clock," answered Mr. Smith; and with that the day's audience was closed.

Left to himself, feeling tired, he lay down on an extension chair. Then, touching a knob, he established communication with the Central Concert Hall, whence our greatest maestros send out to subscribers their delightful successions of accords determined by recondite algebraic formulas. Night was approaching. Entranced by the harmony, forgetful of the hour, Smith did not notice that it was growing dark. It was quite dark when he was aroused by the sound of a door opening. "Who is there?" he asked, touching a commutator.

Suddenly, in consequence of the vibrations produced, the air became luminous.

"Ah! you, Doctor?"

"Yes," was the reply. "How are you?"

"I am feeling well."

"Good! Let me see your tongue. All right! Your pulse. Regular! And your appetite?"

"Only passably good."

"Yes, the stomach. There's the rub. You are over-worked. If your stomach is out of repair, it must be mended. That requires study. We must think about it."

"In the meantime," said Mr. Smith, "you will dine with me."

As in the morning, the table rose out of the floor. Again, as in the morning, the potage, rôti, ragoûts, and legumes were supplied through the food-pipes. Toward the close of the meal, phonotelephotic communication was made with Paris. Smith saw his wife, seated alone at the dinner-table, looking anything but pleased at her loneliness.

"Pardon me, my dear, for having left you alone," he said through the telephone. "I was with Dr. Wilkins."

"Ah, the good doctor!" remarked Mrs. Smith, her countenance lighting up.

"Yes. But, pray, when are you coming home?"

"This evening."

"Very well. Do you come by tube or by air-train?"

"Oh, by tube."

"Yes; and at what hour will you arrive?"

"About eleven, I suppose."

"Eleven by Centropolis time, you mean?"

"Yes."

"Good-by, then, for a little while," said Mr. Smith as he severed communication with Paris.

Dinner over, Dr. Wilkins wished to depart. "I shall expect you at ten," said Mr Smith. "To-day, it seems, is the day for the return to life of the famous Dr. Faithburn. You did not think of it, I suppose. The awakening is to take place here in my house. You must come and see. I shall depend on your being here."

"I will come back," answered Dr. Wilkins.

Left alone, Mr. Smith busied himself with examining his accounts—a task of vast magnitude, having to do with transactions which involve a daily expenditure of upward of $800,000. Fortunately, indeed, the stupendous progress of mechanic art in modern times makes it comparatively easy. Thanks to the Piano Electro-Reckoner, the most complex calculations can be made in a few seconds. In two hours Mr. Smith completed his task. Just in time. Scarcely had he turned over the last page when Dr. Wilkins arrived. After him came the body of Dr. Faithburn, escorted by a numerous company of men of science. They commenced work at once. The casket being laid down in the middle of the room, the telephote was got in readiness. The outer world, already notified, was anxiously expectant, for the whole world could be eye-witnesses of the performance, a reporter meanwhile, like the chorus in the ancient drama, explaining it all viva voce through the telephone.

"They are opening the casket," he explained. "Now they are taking Faithburn out of it—a veritable mummy, yellow, hard, and dry. Strike the body and it resounds like a block of wood. They are now applying heat; now electricity. No result. These experiments are suspended for a moment while Dr. Wilkins makes an examination of the body. Dr. Wilkins, rising, declares the man to be dead. 'Dead! 'exclaims every one present. 'Yes,'