he sat musing rather sadly while she was dressing, and Lenichen had fallen asleep again, she pointed to the little peaceful sleeping face, the flaxen hair curling over the dimpled arm, and she said:

"That is thy thanks—just that the little one is happy. The dear Heavenly Father cares more, I think, for such thanks than for any other; just to see the flowers grow, just to hear the birds sing to their nestlings, just to see His creatures good and happy, because of His gifts. Those are about the best thanks for Him and for us."

But Gottlieb looked up inquiringly.

"Yet He likes us to say 'Thank you,' too? Did you not say all the Church services, all the beautiful cathedral itself, is just the people's 'Thank you' to God? Are we not going to church just to say 'Thank you,' to-day?"

"Yes, darling," she said. "But the 'thank you' we mean to say is worth little unless it is just the blossom and fragrance of the love and content always in the heart. God cares infinitely for our loving Him, and loves us to thank Him if we do. He does not care at all for the thanks without the love, or without the content."

And as she spoke these words, Mother Magdalis was preaching a little sermon to herself also, which made her eyes moisten and shine.

So she took courage, and contrived to persuade the children and herself that the bread-and-water breakfast that Christmas Eve morning had something quite festive about it.

And when they had finished with a grace which Gottlieb sang, and Lenichen lisped after him, she told him to take the little sister on his knee and sing through his songs and hymns, while she arrayed herself in the few remnants of holiday dress left her.

And as she cleaned and arranged the tiny room, her heart was lighter than it had been for a long time.

"I ought to be happy," she said to herself, "with music enough in my little nest to fill a church."

When Gottlieb had finished his songs, and was beginning them over again, there was a knock at the door, and the face of old Hans, the dwarf, appeared at the door, as he half opened it.

"A good Christmas to thee and thy babes, Mother Magdalis! Thy son is born indeed with a golden spoon in his mouth," croaked old Hans in his hoarse, guttural voice.

The words grated on Magdalis. Crooked Hans' jokes were apt to be as crooked as his temper and his poor limbs, and to give much dissatisfaction, hitting on just the sore points no one wanted to be touched.

She felt tempted to answer sharply, but the sweet Christmas music had got into her heart, and she only said, with tears starting to her eyes:

"If he was, neighbor, all the gold was lost and buried long ago."

"Not a bit of it!" rejoined Hans. "Didn't I hear the gold ring this very instant? The lad has gold in his mouth, I say! Give him to me, and you shall see it before night."

She looked up reproachfully, the tears fairly falling at what she thought such a cruel mockery from Hans, who knew her poverty, and had never had from her or hers the rough words he was too used to from every one.

"The golden days are over for me," was all she said.

"Nay! They have yet to begin," he replied. "Your Berthold left more debtors than you know, Frau Magdalis. And old Hans is one of them. And Hans never forgets a debt, black or white. Let the lad come with me, I say. I know the choir-master at the cathedral. And I know he wants a fine high treble just such as thy Gottlieb's, and will give anything for it. For if he does not find one, the Cistercians at the new convent will draw away all the people, and we shall have no money for the new organ. They have a young Italian, who sings like an angel, there; and the young archduchess is an Italian, and is wild about music, and lavishes her gifts wherever she finds it good."

Magdalis looked perplexed and troubled.

"To sell the child's voice seems like selling part of himself, neighbor," she said at length; "and to sell God's praises seems like selling one's own soul."

"Well, well! Those are thy proud burgher notions," said Hans, a little nettled. "If the Heavenly Father pleases to give thee and the little ones a few crumbs for singing His matins and evensong, it is no more than He does for the robins, or, for that matter, for the very ravens, such as me, that croak to Him with the best voice they have."

At these words, Gottlieb, who had been listening very attentively, gently set little Lenichen down, and, drawing close to Hans, put his little hand confidingly in his.

"I will go with neighbor Hans, mother!" he said, decisively. "The dear Lord himself has sent him."

"Thou speakest like a prophet," said the mother, smiling tenderly at his oracular manner, "a prophet and a king in one. Hast thou had a vision? Is thy will indeed the law of the land?"

"Yes, mother," he said, coloring, "the dear Lord Jesus has made it quite plain. I asked Him, if we were not good enough for Him to send us an angel, to send us one of His ravens, and He has sent us Hans!"

Hans laughed, but not the grim, hoarse laugh which was habitual to him, and which people compared to the croaking of a raven; it was a hearty, open laugh, like a child's, and he said:

"Let God's raven lead thee, then, my lad, and the mother shall see if we don't bring back the bread and meat."

"I did not ask for meat," said Gottlieb, gravely, "only for bread."

"The good God is wont to give more than we either desire or deserve," croaked Hans, "when He sets about giving at all."

II.

There was no time to be lost.

The services of the day would soon begin, and Hans had set his heart on Gottlieb's singing that very day in the cathedral.

The choir-master's eyes sparkled as he listened to the boy; but he was an austere man, and would not utter a word to make the child think himself of value.

"Not bad raw material," he said, "but very raw. I suppose thou hast never before sung a note to any one who understood music?"

"Only for the mother and the little sister," the child replied in a low, humbled tone, beginning to fear the raven would bring no bread after all, "and sometimes in the litanies and the processions."

"Sing no more for babes and nurses, and still less among the beggars in the street-processions," pronounced the master, severely. "It strains and vulgarizes the tone. And, with training, I don't know but that, after all, we might make something of thee—in time, in time."

Gottlieb's anxiety mastered his timidity, and he ventured to say:

"Gracious lord! if it is a long time, how can we all wait? I thought it would be to-day! The mother wants the bread to-day."

Something in the child's earnest face touched the master, and he said, more gently:

"I did not say you might not begin to-day. You must begin this hour, this moment. Too much time has been lost already."

And at once he set about the first lesson, scolding and growling about the child setting his teeth like a dog, and mincing his words like a fine lady, till poor Gottlieb's hopes more than once sank very low.

But, at the end of a quarter of an hour's practice, the artist in the choir-master entirely overcame the diplomatist.

He behaved like a madman. He took the child in his arms and hugged him, like a friendly bear; he set him on the table and made him sing one phrase again and again, walking round and round him, and rubbing his hands and laughing with delight; and, finally, he seized him and bore him in triumph to the kitchen, and said to his housekeeper:

"Ursula, bring out the finest goose and the best preserves and puddings you have. We must feast the whole choir, and, may be, the dean and chapter. The archduke and the young archduchess will be here at Easter. But we shall be ready for them. Those beggarly Cistercians haven't a chance. The lad has the voice of an angel, and the ear—the ear—well, an ear as good as my