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قراءة كتاب Van Dyck: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation

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Van Dyck: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation

Van Dyck: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation

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دار النشر: Project Gutenberg
الصفحة رقم: 6

Gallery, The Hague

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Her dignity and self-possession make her seem older than the twenty-two years with which the inscription on the portrait credits her. But the face is that of one who has just passed from maidenhood to young womanhood. Life lies before her, and with sweet seriousness she builds her air castles of the future. Thus far she has been carefully guarded from the evil of the world, and her heart is as pure as that of "the lily maid of Astolat." For social triumphs she would care nothing, though her beauty could not fail to draw an admiring throng about her. Vanity and coquetry are altogether foreign to her nature. She is, rather, of a poetic and dreamy temperament. Perhaps it is the fragile quality of her beauty which gives an almost wistful expression to the face. She is like a delicate flower which a chill wind would blast.

The costume interests us as a study of bygone fashions, and is painted with exquisite care for detail. The pointed bodice is as stiff as a coat of mail, like that so long in vogue at the court of Spain. Perhaps the Spanish occupation of the Netherlands may have brought the corset with it. Certainly it is not conducive to an easy carriage; only a graceful figure like this could wear it without awkwardness. The slashed sleeves are made full, and tied at the elbows with bows. The wide collar and cuffs are edged with beautiful Flemish lace points. The feather fan and the strings of pearls about the throat and wrists might form a part of any modern costume. It strikes us, however, as a very singular fashion for a lady to wear a large seal ring on the thumb.

We notice how simply the hair is dressed, brushed loosely from the face and knotted at the back, with a jewel gleaming at one side. Compared with the elaborate coiffures worn by great ladies in some historical periods, this style is delightfully artistic. Altogether the entire manner of dressing is perfectly suited to the wearer.


II

THE REST IN EGYPT

We often read in history of the rejoicing throughout a kingdom over the birth of a prince: messengers are sent from place to place to proclaim the glad news, congratulations and gifts follow, every possible care is taken for the nurture and protection of the precious young life.

The story of the childhood of Jesus reads somewhat like that of a prince, in spite of his lowly surroundings. Though he was born in a manger, a herald angel announced the glad tidings of his coming. Though the people of Bethlehem took no note of the event, a multitude of the heavenly host sang "Glory to God in the highest, on earth peace, good-will to men." Wise men from the East made a long journey to find the young child. The lore of the stars had taught them that he was a king, and they brought gifts worthy of royalty, gold, and frankincense, and myrrh.

It was these visitors who were the innocent cause of the child's first danger. In seeking him out they had gone to King Herod at Jerusalem, asking, "Where is he that is born King of the Jews?" These inquiries made the monarch very uneasy. He had no mind to lose his crown. To prevent the appearance of any possible rival he determined upon summary measures. "He sent forth and slew all the children that were in Bethlehem, and in all the coasts thereof, from two years old and under." By this terrible massacre he thought to do away with the child Jesus.

But the Prince of Peace was protected by stronger guards than ever surrounded the cradle of an earthly prince. A warning message was sent to save the child from the impending danger. "The angel of the Lord appeareth to Joseph in a dream, saying, Arise, and take the young child and his mother, and flee into Egypt, and be thou there until I bring thee word: for Herod will seek the young child to destroy him."

"When he arose, he took the young child and his mother by night, and departed into Egypt."[1] The journey was long and wearisome, but the mother Mary was young, and strong in courage, and Joseph was a sturdy defender. As for the babe, what mattered it to him whether he slept in a manger, or under the trees by the wayside? He was safe in his mother's arms.

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