being about thirteen years of age, with

And the poet goes on:—

Dr. Holmes’ coloring is invariably artistic. Nothing in his verse offends the eye or grates unpleasantly on the ear. He is a true musician, and his story, joke, or passing fancy is always joined to a measure which never halts. “The Voiceless,” perhaps, as well as “Under the Violets,” ought to be mentioned among the more tender verses which we have from his pen, in his higher mood.

His novels are object lessons, each one having been written with a well-defined purpose in view. But unlike most novels with a purpose, the three which he has written are nowise dull. The first of the set is “The Professor’s Story; or, Elsie Venner,” the second is “The Guardian Angel,” written when the author was in his prime, and the third is “A Mortal Antipathy,” written only a few years ago. In no sense are these works commonplace. Their art is very superb, and while they amuse, they afford the reader much opportunity for reflection. Elsie Venner is a romance of destiny, and a strange physiological condition furnishes the key-note and marrow of the tale. It is Holmes’ snake story, the taint of the serpent appearing in the daughter, whose mother was bitten by a rattle-snake before her babe was born. The traits inherited by this unfortunate offspring from the reptile, find rapid development. She becomes a creature of impulse, and her life spent in a New England village, at a ladies’ academy, with its social and religious surroundings, is described and worked out with rare analytical skill, and by a hand accustomed to deal with curious scientific phenomena. The character drawing is admirable, the episodes are striking and original, and the scenery, carefully elaborated, is managed with fine judgment. Despite the idea, which to some may at first blush appear revolting and startling, there is nothing sensational in the book. The reader observes only the growth and movement of the poison in the girl’s system, its effect on her way of life, and its remarkable power over her mind. Horror or disgust at her condition is not for one moment evoked. The style is pure and ennobling, and while our sympathies may be touched, we are at the same time fascinated and entertained, from the first page to the last. Of quite different texture is “The Guardian Angel,” a perhaps more readable story, so far as form is concerned, much lighter in character, and less of a study. There is more plot, but the range is not so lofty. It is less philosophical in tone than “Elsie Venner,” and the events move quicker. The scene of “The Guardian Angel” is also laid in an ordinary New England village, and the object of the Doctor-Novelist was to write a tale in which the peculiarities and laws of hysteria should find expression and development. In carrying out his plan, Dr. Holmes has achieved a genuine success. He has taught a lesson, and at the same time has told a deeply interesting story, lightened up here and there with characteristic humor and wit. The characters of Myrtle Hazard and Byles Gridley are drawn with nice discrimination, while the sketch of the village poet, Mr. Gifted Hopkins, is so life-like and realistic, that he has only to be named to be instantly recognized. He is a type of the poet who haunts the newspaper office, and belongs to every town and hamlet. His lady-love is Miss Susan Posey, a delicious creation in Dr. Holmes’ best manner. These two prove excellent foils for the stronger personages of the story, and afford much amusement. “A Mortal Antipathy” is less of a romance than the others. The reader will be interested in the description of a boat race which is exquisitely done.

In biographical writing, we have two books from Dr. Holmes, one a short life of Emerson, and the other a memoir of Motley. Though capable of writing a great biography like Trevelyan’s Macaulay or Lockhart’s Scott, the doctor has not yet done so. Of the two which he has written, the Motley is the better one. In neither, however, has the author arrived at his own standard of what a biography should be.

Mechanism in thought and morals,—a Phi-Beta-Kappa address, delivered at Harvard in 1870,—is one of Dr. Holmes’ most luminous contributions to popular science. It is ample in the way of suggestion and the presentation of facts, and though scientific in treatment, the captivating style of the essayist relieves the paper of all heaviness. A brief extract from this fine, thoughtful work may be given here:—

The literary reputation of Dr. Holmes will rest on the three great books which have made his name famous on two continents. Thackeray had passed his fortieth year before he produced his magnificent novel. Holmes, too, was more than forty when he began that unique and original book, “The Autocrat of the Breakfast Table,” one of the most thoughtful, graceful, and able investigations into philosophy and culture ever written. We have the author in every mood, playful and pathetic, witty and wise. Who can ever forget the young fellow called John, our Benjamin Franklin, the Divinity student, the school-mistress, the landlady’s daughter, and the poor relation? What characterization is there here! The delightful talk of the autocrat, his humor, always infectious, his logic, his strong common sense, illumine every page. When he began to write, Dr. Holmes had no settled