قراءة كتاب Dead Man's Plack and an Old Thorn

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Dead Man's Plack and an Old Thorn

Dead Man's Plack and an Old Thorn

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دار النشر: Project Gutenberg
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her marriage. One who is a better judge in such matters than I am or than any one at this table, not excepting the king, seeing that he is not only gifted with the serpent's wisdom but with that creature's cold blood as well.

Edgar heard him frowningly, then ended the discussion by rising, and silence fell on the company, for all saw that he was offended. But he was not offended with them, since they knew nothing of his and Athelwold's secret, and what they thought and felt about his friend was nothing to him. But these fatal words about Elfrida's beauty had pierced him with a sudden suspicion of his friend's treachery. And Athelwold was the man he greatly loved—the companion of all his years since their boyhood together. Had he betrayed him in this monstrous way—wounding him in his tenderest part? The very thought that such a thing might be was like a madness in him. Then he reflected—then he remembered, and said to himself: Yes, let me follow his teaching in this matter too, as in the other, and exercise caution and look before I leap. I shall look and look well and see and judge for myself.

The result was that when his boon companions next met him there was no shadow of displeasure in him; he was in a peculiarly genial mood, and so continued. And when his friend returned he embraced him and gently upbraided him for having kept away for so long a time. He begged him to remember that he was his one friend and confidant who was more than a brother to him, and that if wholly deprived of his company he would regard himself as the loneliest man in the kingdom. Then in a short time he spoke once more in the same strain, and said he had not yet sufficiently honoured his friend before the world, and that he proposed visiting him at his own castle to make the acquaintance of his wife and spend a day with him hunting the boar in Harewood Forest.

Athelwold, secretly alarmed, made a suitable reply, expressing his delight at the prospect of receiving the king, and begging him to give him a couple of days' notice before making his visit, so as to give him time to make all preparation for his entertainment.

This the king promised, and also said that this would be an informal visit to a friend, that he would go alone with some of his servants and huntsmen and ride there one day, hunt the next day and return to Salisbury on the third day. And a little later, when the day of his visit was fixed on, Athelwold returned in haste with an anxious mind to his castle.

Now his hard task and the most painful moment of his life had come. Alone with Elfrida in her chamber he cast himself down before her, and with his bowed head resting on her knees, made a clean breast of the whole damning story of the deceit he had practised towards the king in order to win her for himself. In anguish and shedding tears he implored her forgiveness, begging her to think of that irresistible power of love she had inspired in him, which would have made it worse than death to see her the wife of another—even of Edgar himself—his friend, the brother of his soul. Then he went on to speak of Edgar, who was of a sweet and lovable nature, yet capable of a deadly fury against those who offended him; and this was an offence he would take more to heart than any other; he would be implacable if he once thought that he had been wilfully deceived, and she only could now save them from certain destruction. For now it seemed to him that Edgar had conceived a suspicion that the account he had of her was not wholly true, which was that she was a handsome woman but not surpassingly beautiful as had been reputed, not graceful, not charming in manner and conversation. She could save them by justifying his description of her—by using a woman's art to lessen instead of enhancing her natural beauty, by putting away her natural charm and power to fascinate all who approached her.

Thus he pleaded, praying for mercy, even as a captive prays to his conqueror for life, and never once daring to lift his bowed head to look at her face; while she sat motionless and silent, not a word, not a sigh, escaping her; and she was like a woman carved in stone, with knees of stone on which his head rested.

Then, at length, exhausted with his passionate pleading and frightened at her silence and deadly stillness, he raised his head and looked up at her face to behold it radiant and smiling. Then, looking down lovingly into his eyes, she raised her hands to her head, and loosening the great mass of coiled tresses let them fall over him, covering his head and shoulders and back as with a splendid mantle of shining red gold. And he, the awful fear now gone, continued silently gazing up at her, absorbed in her wonderful loveliness.

Bending down she put her arms round his neck and spoke: Do you not know, O Athelwold, that I love you alone and could love no other, noble or king; that without you life would not be life to me? All you have told me endears you more to me, and all you wish me to do shall be done, though it may cause your king and friend to think meanly of you for having given your hand to one so little worthy of you.

She having thus spoken, he was ready to pour forth his gratitude in burning words, but she would not have it. No more words, she said, putting her hand on his mouth. Your anxious day is over—your burden dropped. Rest here on the couch by my side, and let me think on all there is to plan and do against to-morrow evening.

And so they were silent, and he, reclining on the cushions, watched her face and saw her smile and wondered what was passing in her mind to cause that smile. Doubtless it was something to do with the question of her disguising arts.

What had caused her to smile was a happy memory of the days with Athelwold before their marriage, when one day he came in to her with a leather bag in his hand and said: Do you, who are so beautiful yourself, love all beautiful things? And do you love the beauty of gems? And when she replied that she loved gems above all beautiful things, he poured out the contents of his bag in her lap—brilliants, sapphires, rubies, emeralds, opals, pearls in gold setting, in bracelets, necklets, pendants, rings and brooches. And when she gloated over this splendid gift, taking up gem after gem, exclaiming delightedly at its size and colour and lustre, he told her that he once knew a man who maintained that it was a mistake for a beautiful woman to wear gems. Why? she asked, would he have then wholly unadorned? No, he replied, he liked to see them wearing gold, saying that gold makes the most perfect setting for a woman's beauty, just as it does for a precious stone, and its effect is to enhance the beauty it surrounds. But the woman's beauty has its meeting and central point in the eyes, and the light and soul in them illumines the whole face. And in the stone nature simulates the eye, and although without a soul its brilliant light and colour make it the equal of the eye, and therefore when worn as an ornament it competes with the eye, and in effect lessens the beauty it is supposed to enhance. He said that gems should be worn only by women who are not beautiful, who must rely on something extraneous to attract attention, since it would be better to a homely woman that men should look at her to admire a diamond or sapphire than not to look at her at all. She had laughed and asked him who the man was who had such strange ideas, and he had replied that he had forgotten his name.

Now, recalling this incident after so long a time, it all at once flashed into her mind that Edgar was the man he had spoken of; she knew now because, always secretly watchful, she had noted that he never spoke of Edgar or heard Edgar spoken of without a slight subtle change in the expression of his face, also, if he spoke, in the tone of his voice. It was the change that comes into the face, and into the tone, when one remembers or speaks of the person most loved in all the world. And she remembered now that he had that changed expression and tone of voice, when he had spoken of the man whose name he

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