1816

37 Exterior of the Chapel of St. Luke from the East 40 A Norman Capital 46 The Nave, looking East 47 The Choir Screen and Organ from the Nave 50 The North Aisle of Nave, looking West 56 The East Walk of the Cloisters 58 The Cloisters from the Garth 59 The Prior's Door 63 The Choir and Presbytery 65 A Stall in the Choir 67 The Choir and Presbytery in 1816 69 The Choir Stalls at the beginning of the Nineteenth Century 70 The Choir, looking West 72 Detail of the Presbytery Clerestory and Vaulting 74 The Choir Apse 77 Detail of the Clerestory, North Transept 80 The South Aisle of Presbytery, looking East 81 Norman Work in the Lantern of Tower 83 The Ante-Reliquary Bridge Chapel 84 Doorway and Screen between South Transept and Aisle of Presbytery 88 View across the Apse from the Chapel of St. Luke 89 The Resurrection: from the Painted Retable formerly in the Jesus Chapel 93 Norwich Castle 99 The Guildhall 103 Monument of Bishop Goldwell 107 The Pelican Lectern in the Choir 110 Pull's Ferry 112 PLAN OF THE CATHEDRAL 113

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Table of Contents
[3]

NORWICH CATHEDRAL

CHAPTER I
HISTORY OF THE FABRIC OF THE CATHEDRAL CHURCH OF THE HOLY TRINITY OF NORWICH

Norwich Cathedral stands on the site of no earlier church: it is to-day, in its plan and the general bulk of its detail, as characteristically Norman as when left finished by the hand of Eborard, the second bishop of Norwich.

The church was founded by Herbert de Losinga, the first bishop, as the cathedral priory of the Benedictine monastery in Norwich (a sketch of its constitution at this period will be found in the Notes on the Diocese); the foundation-stone was laid in 1096