The Project Gutenberg EBook of The Art Of Writing & Speaking The English Language, by Sherwin Cody

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Title: The Art Of Writing & Speaking The English Language Word-Study

Author: Sherwin Cody

Release Date: December 2, 2007 [EBook #19719]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK THE ART OF WRITING ***

Produced by Andrew Hodson

Language = USA English. Characters with { } around them show those added as there are some mistakes in the book & for other reasons & ¤¬ִªЪđəפּזłһ$ show the extras of #-.abdegilns. (I changed mathematical & meter (rhythmic arrangement of syllables in verse) but maybe they are correct and the others are wrong). I did not change Shak{e}spe{a}re, mortgagəor & some words in lists. Broad a has 1 dot before & 1 under instead of 2 dots under it & the character ұ should have its line over the letter y. This arrow sign ‎ after a word shows that the next 1 should start the next column. “Special SYSTEM Edition” brought from frontispiece. The 2nd. book of “Composition & Rhetoric” is also in this file.

THE ART σƒ WRITING & SPEAKING ךђℓ ENGLISH LANGUAGE

SHERWIN CODY

Special S Y S T E M Edition

WORD-STUDY

The Old Greek Press Chicago New{ }York Boston

Revised Edition.

Copyright,1903,

By SHERWIN CODY.

Note. The thanks of the author are due to Dr. Edwin H. Lewis, of the Lewis Institute, Chicago, and to Prof. John F. Genung, Ph. D., of Amherst College, for suggestions made after reading the proof of this series.

CONTENTS.

THE ART OF WRITING AND SPEAKING THE ENGLISH LANGUAGE.

GENERAL INTRODUCTION… 7

WORD-STUDY

INTRODUCTION——THE STUDY OF SPELLING

CHAPTER I. LETTERS AND SOUNDS {VOWELS CONSONANTS EXERCISES THE DICTIONARY}

CHAPTER II. WORD-BUILDING {PREFIXES}

CHAPTER III. WORD-BUILDING———Rules and Applications {EXCEPTIONS}

CHAPTER IV. PRONUNCIATION

CHAPTER V. A SPELLING DRILL

APPENDIX

The Art of Writing and Speaking the English Language

GENERAL INTRODUCTION

If there is a subject of really universal interest and utility, it is the art of writing and speaking one's own language effectively. It is the basis of culture, as we all know; but it is infinitely more than that: it is the basis of business. No salesman can sell anything unless he can explain the merits of his goods in effective English (among our people), or can write an advertisement equally effective, or present his ideas, and the facts, in a letter. Indeed, the way we talk, and write letters, largely determines our success in life.

Now it is well for us to face at once the counter-statement that the most ignorant and uncultivated men often succeed best in business, and that misspelled, ungrammatical advertisements have brought in millions of dollars. It is an acknowledged fact that our business circulars and letters are far inferior in correctness to those of Great Britain; yet they are more effective in getting business. As far as spelling is concerned, we know that some of the masters of literature have been atrocious spellers and many suppose that when one can sin in such company, sinning is, as we might say, a “beauty spot”, a defect in which we can even take pride.

Let us examine the facts in the case more closely. First of all, language is no more than a medium; it is like air to the creatures of the land or water to fishes. If it is perfectly clear and pure, we do not notice it any more than we notice pure air when the sun is shining in a clear sky, or the taste of pure cool water when we drink a glass on a hot day. Unless the sun is shining, there is no brightness; unless the water is cool, there is no refreshment. The source of all our joy in the landscape, of the luxuriance of fertile nature, is the sun and not the air. Nature would be more prodigal in Mexico than in Greenland, even if the air in Mexico were as full of soot and smoke as the air of Pittsburg{h}, or loaded with the acid from a chemical factory. So it is with language. Language is merely a medium for thoughts, emotions, the intelligence of a finely wrought brain, and a good mind will make far more out of a bad medium than a poor mind will make out of the best. A great violinist will draw such music from the cheapest violin that the world is astonished. However is that any reason why the great violinist should choose to play on a poor violin; or should one say nothing of the smoke nuisance in Chicago because more light and heat penetrate its murky atmosphere than are to be found in cities only a few miles farther north? The truth is, we must regard the bad spelling nuisance, the bad grammar nuisance, the inártistic and rambling language nuisance, precisely as we would the smoke nuisance, the sewer-gas nuisance, the stock-yards' smell nuisance. Some dainty people prefer pure air and correct language; but we now recognize that purity is something more than an esthetic fad, that it is essential to our health and well-being, and therefore it becomes a matter of universal public interest, in language as well as in air.

There is a general belief that while bad air may be a positive evil influence, incorrect use of language is at most no more than a negative evil: that while it may be a good thing to be correct, no special harm is involved in being incorrect. Let us look into this point.

While language as the medium of thought may be compared to air as the medium of the sun's influence, in other respects it is like the skin of the body; a scurvy skin shows bad blood within, and a scurvy language shows inaccurate thought and a confused mind. And as a disease once fixed on the skin reacts and poisons the blood in turn as it has first been poisoned by the blood, so careless use of language if indulged reacts on the mind to make it permanently and increasingly careless, illogical, and inaccurate in its thinking.

The ordinary person will probably not believe this, because he conceives of good use of language as an accomplishment to be learned from books, a prim system of genteel manners to be put on when occasion demands, a sort of superficial education in the correct thing, or, as the boys would say, “the proper caper.” In this, however, he is mistaken. Language which expresses the thought with strict logical accuracy is correct language, and language which is sufficiently rich in its resources to express thought fully, in all its lights and bearings, is effective language. If the writer or speaker has a sufficient stock of words and forms at his disposal, he has only to use them in a strictly logical way and with sufficient fulness to be both correct and effective. If his mind can always be trusted to work accurately, he need not know a word of grammar except what he has imbibed unconsciously in getting his stock of words and expressions. Formal grammar is purely for