قراءة كتاب Horses Nine Stories of Harness and Saddle

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Horses Nine
Stories of Harness and Saddle

Horses Nine Stories of Harness and Saddle

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دار النشر: Project Gutenberg
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reflectively to Calico, "but I reckon you'll get used to Ajax and the music-chariot before the season's over. Leastways, you're bound to be an ornament to the grand entry."

Calico's life with the Grand Occidental began abruptly and vigorously. The driver of the band-wagon knew his business. Even when half asleep he could see loose traces. After Calico had heard the long lash whistle about his ears a few times he concluded that it was best to do his share of the pulling.

And what pulling it was! There were six horses of them, Calico being one of the swings, but on an uphill grade that old chariot was the most reluctant thing he had ever known. Uncle Enoch's stone-boat, which Calico had once held to be merely a heart-breaking instrument of torture, seemed light in retrospect. Often did he look reproachfully at the monstrous combination of gilded wood and iron. Why need band-wagons be made so exasperatingly heavy? The atrociously carved Pans on the corners, with their scarred faces and broken pipes, were cumbersome enough to make a load for one pair of horses, all by themselves. Calico would think of them as he was straining up a long hill. He could almost feel them pulling back on the traces in a sort of wooden stubbornness. And when the team rattled the old chariot down a rough grade how he hoped that two or three of the figures might be jolted off. But in the morning, when the show lot was reached and the travelling wraps taken off the wagons, there he would see the heavy shouldered Pans all in their places as hideous and as permanent as ever.

It was a hard and bitter lesson which Calico learned, this matter of keeping one's tugs tight. Uncle Enoch had spared the whip, but in the heart of Broncho Bill, who drove the band-wagon, there was no leniency. Ready and strong was his whip hand, and he knew how to make the blood follow the lash. No effort did he waste on fat-padded flanks when he was in earnest. He cut at the ears, where the skin is tender. He could touch up the leaders as easily as he could the wheel-horses, and when he aimed at the swings he never missed fire.

Travelling with a round top Calico found to be no sinecure. The Grand Occidental, being a wagon show, moved wholly by road. The shortest jump was fifteen miles, but often they did thirty between midnight and morning; and thirty miles over country highways make no short jaunt when you have a five-ton chariot behind you. The jump, however, was only the beginning of the day's work. No sooner had you finished breakfast than you were hooked in for the street parade, meaning from two to four miles more.

You had a few hours for rest after that before the grand entry. Ah, that grand entry! That was something to live for. No matter how bad the roads or how hard the hills had been Calico forgot it all during those ten delightful minutes when, with his heart beating time to the rat-tat-tat of the snare drum, he swung prancingly around the yellow arena.

It all began in the dressing-tent with a period of confusion in which horses were crowded together as thick as they could stand, while the riders dressed and mounted in frantic haste, for to be late meant to be fined. At last the ring-master clapped his hands as sign that all was in readiness. There was a momentary hush. Then a bugle sounded, the flaps were thrown back and to the crashing accompaniment of the band, the seemingly chaotic mass unfolded into a double line as the horses broke into a sharp gallop around the freshly dug ring.

The first time Calico did the grand entry he felt as though he had been sucked into a whirlpool and was being carried around by some irresistible force. So dazed was he by the music, by the hum of human voices and by the unfamiliar sights, that he forgot to rear and kick. He could only prance and snort. He went forward because the rider of the outside horse dragged him along by the bridle rein. Around and around he circled until he lost all sense of direction, and when he was finally shunted out through the dressing-tent flaps he was so dizzy he could scarcely stand.

For a horse accustomed to shy at his own shadow this was heroic treatment. But it was successful. In a month you could not have startled Calico with a pound of dynamite. He would placidly munch his oats within three feet of the spot where a stake-gang swung the heavy sledges in staccato time. He cared no more for flapping canvas than for the wagging of a mule's ears. As for noises, when one has associated with a steam calliope one ceases to mind anything in that line. Old Ajax, it was true, remained a terror to Calico for weeks, but in the end the horse lost much of his dread for the ancient pachyderm, although he never felt wholly comfortable while those wicked little eyes were turned in his direction. Hereditary instincts, you know, die hard.

During those four months in which the Grand Occidental flitted over the New England circuit from Kenduskeag, Me., to Bennington, Vt., there came upon Calico knowledge of many things. The farm-horse to whom Bangor's market-square had been full of strange sights became, in comparison with his former self, most sophisticated. He feared no noise save that sinister whistle made by Broncho Bill's long lash. The roaring sputter of gasoline flares was no more to him than the sound of a running brook. He had learned that it was safe to kick a mere canvasman when you felt like doing so, but that a real artist, such as a tumbler or a trapeze man, was to be respected, and that the person of the ring-master was most sacred. Also he acquired the knack of sleeping at odd times, whenever opportunity offered and under any conditions.

When he had grown thus wise, and when he had ceased to stumble over guy-ropes and tent-stakes, Calico received promotion. He was put in as outside horse of the leading pair in the grand entry. He was decorated with a white-braided cord bridle with silk rosettes and he wore between his ears a feather pompon. All this was very fine and grand, but there was so little of it.

After it was all over, when the crowds had gone, the top lowered and the stakes pulled, he was hitched to the leaden-wheeled band-wagon to strain and tug at the traces all through the last weary half of the night. But when fame has started your way, be you horse or man, you cannot escape. Just before the season closed Calico was put on the sawdust. This was the way of it.

A ninety-foot top, you know, carries neither extra people nor spare horses. The performers must double up their acts. No one is exempt save the autocratic high-bar folk, who own their own apparatus and dictate contracts. So with the horses. The teams that pull the pole-wagon, the chariots and the other wheeled things which a circus needs, must also figure in the grand entry and in the hippodrome races. Even the ring-horses have their share of road-work in a wagon show.

To the dappled grays used by Mlle. Zaretti, who was a top-liner on the bills, fell the lot of pulling the ticket-wagon, this being the lightest work. It was Mlle. Zaretti's habit to ride one at the afternoon show, the other in the evening. So when the nigh gray developed a shoulder gall on the day that the off one went lame there arose an emergency. Also there ensued trouble for the driver of the ticket-wagon. First he was tongue lashed by Mademoiselle, then he was fined a week's pay and threatened with discharge by the manager. But when the increasing wrath of the Champion Lady Equestrienne of America led her to demand his instant and painful annihilation the worm turned. The driver profanely declared

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