Miss Burton had no real affection for me. Then I was puzzled by her spasmodic attentions when my father was in the room, and her rough repulses when I "bothered" her at less appropriate moments. I got tired of her, too, of the sound of her voice, of her black hair and unchanging red cheeks. And from the day that I caught her beating Rubens for lying on the edge of her dress, I lived in terror of her. Those rolling black eyes had not a pleasant look when the lady was out of temper. And was she really to be the new mistress of the house? To take the place of my fair, gentle, beautiful mother? That wave of household gossip which for ever surges behind the master's back was always breaking over me now, in expressions of pity for the motherless child of "the dear lady dead and gone."

"I don't like black hair," I announced one day at luncheon; "I like beautiful, shining, golden hair, like poor mamma's."

"Don't talk nonsense, Reginald," said my father, angrily, and shortly afterwards I was dismissed to the nursery.

If I had only had my childish memory to trust to, I do not think that I could have kept so clear a remembrance of my mother as I had. But in my father's dressing-room there hung a water-colour sketch of his young wife, with me—her first baby—on her lap. It was a very happy portrait. The little one was nestled in her arms, and she herself was just looking up with a bright smile of happiness and pride. That look came full at the spectator, and perhaps it was because it was so very lifelike that I had (ever since I could remember) indulged a curious freak of childish sentiment by nodding to the picture and saying, "Good-morning, mamma," whenever I came into the room. Such little superstitions become part of one's life, and I freely confess that I salute that portrait still! I remember, too, that as time went on I lost sight of the fact that it was I who lay on my mother's lap, and always regarded the two as Mamma and Sister Alice—that ever-baby sister whom I had once kissed, and no more. I generally saw them at least once a day, for it was my privilege to play in my father's dressing-room during part of his toilet, and we had a stereotyped joke between us in reference to his shaving, which always ended in my receiving a piece of the creamy lather on the tip of my nose.

But it was one evening when the shadow hanging over the household was deepest upon me, that I slipped unobserved out of the drawing-room where Miss Burton was "performing" on my mother's piano, and crept slowly and sadly upstairs. I went slowly, partly out of my heavy grief, and partly because I carried Rubens in my arms. Had not the lawyer kicked him because he lay upon the pedal? I was resolved that after such an insult he should not so much as have the trouble of walking upstairs. So I carried him, and as I went I condoled with him.

"Did the nasty man kick him? My poor Ru, my darling, dear Ru! The pedal is yours, and not his, and the whole house is yours, and not his nor Miss Burton's; and oh, I wish they would go!"

As I whined, Rubens whined; as I kissed him he licked me, and the result was unfavourable to balance, and I was obliged to sit down on a step. And as I sat I wept, and as I wept that overpowering mother-need came over me, which drives even the little ragamuffin of the gutter to carry his complaints to "mother" for comfort and redress. And I took up Rubens in my arms again, sobbing, and saying, "I shall go to Mamma!" and so weeping and in the darkness we crept into the dressing-room.

I could see nothing, but I knew well where "Mamma" was, and standing under the picture, I sobbed out my incoherent complaint.

"Good-evening, Mamma! Good-evening, Sister Alice! Please, Mamma, it's me and Rubens." (Sobs on my part, and frantic attempts by Rubens to lick every inch of my face at once.) "And please, Mamma, we're very miser-r-r-r-rable. And oh! please, Mamma, don't let papa marry Miss Burton. Please, please don't, dear, beautiful, golden Mamma! And oh! how we wish you could come back! Rubens and I."

My voice died away with a wail which was dismally echoed by Rubens. Then, suddenly, in the darkness came a sob that was purely human, and I was clasped in a woman's arms, and covered with tender kisses and soothing caresses. For one wild moment, in my excitement, and the boundless faith of childhood, I thought my mother had heard me, and come back.

But it was only Nurse Bundle. She had been putting away some clothes in my father's bedroom, and had been drawn to the dressing-room by hearing my voice.

I think this scene decided her to take some active steps. I feel convinced that in some way it was through her influence that a letter of invitation was despatched the following day to Aunt Maria.

CHAPTER IV

AUNT MARIA—THE ENEMY ROUTED—LONDON TOWN

Aunt Maria was my father's sister. She was married to a wealthy gentleman, and had a large family of children. It was from her that we originally got Nurse Bundle; and anecdotes of her and of my cousins, and wonderful accounts of London (where they lived), had long figured conspicuously in Mrs. Bundle's nursery chronicles.

Aunt Maria came, and Uncle Ascott came with her.

It is not altogether without a reason that I speak of them in this order. Aunt Maria was the active partner of their establishment. She was a clever, vigorous, well-educated, inartistic, kindly, managing woman. She was not exactly "meddling," but when she thought it her duty to interfere in a matter, no delicacy of scruples, and no nervousness baulked the directness of her proceedings. When she was most sweeping or uncompromising, Uncle Ascott would say, "My dear Maria!" But it was generally from a spasm of nervous cowardice, and not from any deliberate wish to interrupt Aunt Maria's course of action. He trusted her entirely.

Aunt Maria was very shrewd, and that long interview with Nurse Bundle in her own room was hardly needed to acquaint her with the condition of domestic politics in our establishment. She "took in" the Burtons with one glance. The ladies "fell out" the following evening. The Burtons left Dacrefield the next morning, and at lunch Aunt Maria "pulled them to pieces" with as little remorse as a cook would pluck a partridge. I never saw Miss Eliza Burton again.

Aunt Maria did not fondle or spoil me. She might perhaps have shown more tenderness to her brother's only and motherless child; but, after Miss Burton, hers was a fault on the right side. She had a kindly interest in me, and she showed it by asking me to pay her a visit in London.

"It will do the child good, Regie," she said to my father. "He will be with other children, and all our London sights will be new to him. I will take every care of him, and you must come up and fetch him back. It will do you good too."

"To be sure!" chimed in Uncle Ascott, patting me good-naturedly on the head; "Master Reginald will fancy himself in Fairy Land. There are the Zoological Gardens, and Madame Tussaud's Waxwork Exhibition, and the Pantomime, and no one knows what besides! We shall make him quite at home! He and Helen are just the same age, I think, and Polly's a year or so younger, eh, mamma?"

"Nineteen months," said Aunt Maria, decisively; and she turned once more to my father, upon whom she was urging certain particulars.

It was with unfeigned joy that I heard my father say,

"Well, thank you, Maria. I do think it will do him good. And I'll certainly come and look you and Robert up myself."

There was only one drawback to my pleasure, when the much anticipated time of my first visit to London came. Aunt