tag="{http://www.w3.org/1999/xhtml}a">183-195
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| CHAPTER XIX. |
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| COMING AND GOING. |
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| Ben Drake's visit—the welcome of Frank—Mrs. Martin's |
| questions—surprise at learning that Ben is a Christian—going |
| to the prayer-meeting—Frank surprised to hear Ben speak—goes to tell |
| Nat the next morning—their conversation—Ben calls around—announcement |
| that Webster would speak in Boston—Nat's resolve |
| to hear him—the walk to Boston—the speech—Nat's observation |
| and remarks—power of the human voice—hearing Edward |
| Everett—walks to hear other speakers—learned much of the use |
| of language and oratory by observation—so with Robert Bloomfield—the |
| charm of the voice |
196-205 |
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| CHAPTER XX. |
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| GOSSIP. |
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| Talk which Nat created—scene in the sewing circle—use of spare |
| moments—boys who read their leisure moments not get into |
| mischief—old Mrs. Lane on education—her ideas about his |
| going to hear Webster and Everett and the book in his pocket—how |
| much time he saves a day for reading—wants more boys |
| like Nat—his going to the party—sympathy for the slighted—explanation |
| of the scene—waiting upon the slighted girls—the |
| effect of it—Nat's decision, independence, and kind-hearted |
| nature enabled him to do it—like Robert Burns in this respect |
206-213 |
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| CHAPTER XXI. |
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| GOING TO THE THEATRE. |
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| Nat's desire to witness a tragedy played—resolve to go and hear |
| Booth—talk with his companions—what would be said—the |
| evening of his visit—the play—after conversation with his |
| companions—the bar—why vices connected with theatres—can they |
| be severed from it—Nat wants to hear more—at home at one |
| o'clock—outside remarks afterwards—his course criticized—went |
| a number of times thereafter—his object in going good—yet |
| it was not safe—-the Roman youth at the amphitheatre—so |
| with theatre-goers—theatres always been schools of vice—acts |
| of Congress against—vain attempt to make theatres respectable |
| in Boston—the legend of Tertullian—the actor Macready exposed |
| the vice of theatres—Judge Bulstrode's charge—Sir |
| Matthew Hale's experience in boyhood—opinion of the infidel |
| Rousseau |
214-225 |
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| CHAPTER XXII. |
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| THE DRAMATIC SOCIETY. |
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| The proposition—how it was met—they undertake it—how the |
| theatre creates love of such amusement—the nephew who became |
| an actor by hearing—playing Macbeth—make their own scenery—Nat |
| wrote constitution—evening of the organization—evening |
| of the first play—a success—remarks of Mr Graves adverse |
| to such performances—talk in the village—remarks of old Mrs. |
| Lane—why Nat does it—conversation with Charlie—Nat opposed |
| to being an actor—desire to be a statesman |
226-234 |
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| CHAPTER XXIII. |
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| THE SURPRISE. |
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| The news—discussion in the town lyceum—occasioned by the |
| dramatic society—the question "Are dramatical exhibitions beneficial |
| to society?"—the evening of the debate—Nat goes—Mr. |
| Bryant's remarks on the low origin of theatres—remarks of another |
| on the immorality of actors—of another on the profane and |
| vulgar parts of plays—seven thousand indecent sentences in |
| English plays—King James the First—Addison's view—the |
| class of persons who patronize theatres—Nat's excitement—Frank's |
| question—Nat's attention—rises to speak—the surprise |
| of the audience—his argument and eloquence astonished all—remark |
| of Dr. Holt—reminds us of Patrick Henry—description |
| of his first plea—his triumph—Charlie's view—Nat's argument |
| changed no one's view—his eloquence they admired—invited |
| to join town lyceum—the dramatic society dead |
235-250 |
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| CHAPTER XXIV. |
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| ANOTHER STEP. |
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| Making a new study—conversation with Charlie—Nat's new plans—study |
| furniture—manual labor—Charlie's opinion—excessive |
| reading bad—using what is learned—Coleridge's description of |
| readers—difference between Nat and Charlie—Burke's Essay on |
| the Sublime and Beautiful—a bit of humor—using the library of |
| Harvard College—his walks thither—power of concentrating |
| thoughts—Hugh Miller fighting imaginary battles with shells—Cary |
| made a missionary by reading voyages of Captain Cook—Nat's |
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