secured a practical monopoly in the trade through Armenia and Rhodes.... It was from banking, however, that Florence derived most of her wealth. For some time her bankers controlled the financial markets of the world. Most of the great loans made by sovereigns during this period, for carrying on wars or for other purposes, were made through the agency of Florentine bankers. Even Venetian merchants were glad to appeal to her banks for loans. In the fifteenth century Florence had eighty great banking-houses, many of which had branches in every part of the world."[2]

It is evident, therefore, that the sagacious Anastasio Vespucci had mapped out a great career for the son whom he had chosen to recreate the fortunes of his house. He was to be a banker, a diplomat; eventually he might attain, like the greatest of the Medici, to the station and dignities of a merchant prince. To this end the worthy Georgio Antonio ever strove, and as he found his nephew a tractable and studious pupil, he congratulated himself and his family that in Amerigo they had the individual who was to restore the prestige of their ancient name.

But alas! the sequel proved that Friar Georgio was too ambitious, and had overshot the mark. In his desire to turn out a finished product, a scholar that should be a credit to his school and an ornament to his family, he not only inculcated the essentials for a commercial education, but, as has already been mentioned, led his eager follower into the wider fields of astronomy and cosmography. All he knew—and that included all the ancients knew—of these abstruse sciences he imparted to Amerigo, and in the end, so far as we can judge, the young man became more proficient in them than any other person of his age and time. So it eventuated that those studies, which were intended merely as subsidiary to the more serious pursuit, became the prime factors in shaping his career. They were his stepping-stones to greatness, as were his mercantile transactions; but, anticipating somewhat the events of his later life, we shall find that they did not conduce to the acquisition of wealth.

"In Florence," says the author previously quoted, "more than in any other Italian city during the Middle Ages, was displayed the direct influence of commerce upon the developments of all the finer elements of material and immaterial civilization. She was the Athens of Italy, and her art, literature, and science was the brightest gleam of intellectual light that was seen in Europe during that age. It was from Florence, more than from any other source, that came the awakening influence known as the Renaissance."

This truth we see exemplified in the formative period of Amerigo Vespucci's life, for, in order to become qualified to adorn the high position of a prince of commerce, he was as carefully trained as if to fill a prelate's chair or grasp the helm of state. So reluctant was his uncle, the good old monk Georgio, to relinquish his talented nephew to the world, that we find them in company as late as 1471, as attested by this letter, written in Latin by Amerigo to his father, in October of that year:

"To the Excellent and Honorable Signor Anastasio Vespucci.

"Honored Father,—Do not wonder that I have not written to you within the last few days. I thought that my uncle would have satisfied you concerning me, and in his absence I scarcely dare to address you in the Latin tongue, blushing even at my deficiencies in my own language. I have, besides, been industriously occupied of late in studying the rules of Latin composition, and will show you my book on my return. Whatever else I have accomplished, and how I have conducted myself, you will have been able to learn from my uncle, whose return I ardently desire, that, under his and your own joint directions, I may follow with greater facility both my studies and your kind precepts.

"George Antonio, three or four days ago, gave a number of letters to you to a good priest, Signor Nerotto, to which he desires your answer. There is nothing else that is new to relate, unless that we all desire greatly to return to the city. The day of our return is not yet fixed, but soon will be, unless the pestilence should increase and occasion greater alarm, which may God avert!

"He, George Antonio, commends to your consideration a poor and wretched neighbor of his, whose only reliance and means are in our house, concerning which he addresses you in full. He asks you, therefore, that you would attend to his affairs, so that they may suffer as little as possible in his absence.

"Farewell, then, honored father. Salute all the family in my behalf, and commend me to my mother and all my elder relatives.

"Your son, with due obedience,
"Amerigo Vespucci."[3]

The cause of Amerigo's absence from Florence was, it is said, the terrible plague which swept over that city and for a time paralyzed its activities. All who were able fled to the country, and, Friar Georgio's school having been broken up by the scattering of his pupils, he and Amerigo retired to their family estate, at or near Peretola, there to await the subsidence of the epidemic.

II

AMERIGO'S FRIENDS AND TEACHERS

1470-1482

Florence, in Vespucci's day, was the home of genius, of culture, and of art. Amerigo, doubtless, was acquainted with some of her sons whose fame, like his own, has endured to the present day, and will last for all time. The great Michael Angelo, who was born at or near Florence in 1475, and whose patron was Lorenzo the Magnificent, was his contemporary, although the artist and