must confess I was rather curious—Besides, Musellaro lent me your exquisite "Story of the Hermaphrodite" and made me a present of your etching "Sleep"—a proof copy—a real gem. You have a most ardent admirer in me—please remember that.'

She spoke with little pauses in between. Her voice was so warm and insinuating in tone that it almost had the effect of a caress, and her glance had that unconsciously voluptuous and disturbing expression which instantly kindles the desire of every man on whom it rests.

'Cavaliere Sakumi!' announced the servant, as the eighth and last guest made his appearance.

He was one of the secretaries to the Japanese Legation, very small and yellow, with prominent cheek-bones and long, slanting, bloodshot eyes over which the lids blinked incessantly. His body was disproportionately large for his spindle legs, and he turned his toes in as he walked. The skirts of his coat were too wide, there was a multitude of wrinkles in his trousers, his necktie bore visible evidence of an unpractised hand. It was as if a daimio had been taken out of one of those cuirasses of iron and lacquer, so like the shell of some monstrous crustacean, and thrust into the clothes of a European waiter. And yet, with all his ungainliness and apparent stupidity there was a glint of malice in his slits of eyes and a sort of ironical cunning about the corners of his mouth.

Arrived in the middle of the room, he bowed low. His gibus slipped from his hand and rolled over the floor.

At this, the Baroness d'Isola, a tiny blonde with a cloud of fluffy curls all over her forehead, vivacious and grimacing as a young monkey, called to him in her piping voice:

'Come over here, Sakumi—here, beside me.'

The Japanese cavalier advanced with a succession of bows and smiles.

'Shall we see the Princess Issé this evening?' asked Donna Francesca d'Ateleta, who had a mania for gathering in her drawing-rooms all the most grotesque specimens of the exotic colonies of Rome, out of pure love of variety and the picturesque.

The Asiatic replied in a barbarous jargon, a scarcely intelligible compound of English, French, and Italian.

For a moment everybody was speaking at once—a chorus through which now and then the fresh laughter of the Marchesa rang like silver bells.

'I am sure I have seen you before—I cannot remember when and I cannot remember where, but I am certain I have seen you,' Andrea Sperelli was saying to the duchess as he stood before her. 'When I saw you going upstairs in front of me, a vague recollection rose up in my mind, something that took shape from the rhythm of your movements as a picture grows out of a melody. I did not succeed in making the recollection clear, but when you turned round, I felt that your profile answered incontestably to that picture. It could not have been a divination, therefore it must have been some obscure phenomenon of memory. I must have seen you somewhere before—who knows—perhaps in a dream—perhaps in another world, a previous existence—'

As he pronounced this last decidedly hackneyed, not to say silly remark, Andrea laughed frankly as if to forestall the lady's smile, whether of incredulity or irony. But Elena remained perfectly serious. Was she listening, or was she thinking of something else? Did she accept that kind of speech, or was she, by her gravity, amusing herself at his expense? Did she intend assisting him in the scheme of seduction he had begun with so much care, or was she going to shut herself up in indifference and silence? In short, was she or was she not the sort of woman to succumb to his attack? Perplexed, disconcerted, Andrea examined the mystery from all sides. Most men, especially those who adopt bold methods of warfare, are well acquainted with this perplexity which certain women excite by their silence.

A servant threw open the great doors leading to the dining-room.

The Marchesa took the arm of Don Filippo del Monte and led the way.

'Come,' said Elena, and it seemed to Andrea that she leaned upon his arm with a certain abandon—or was it merely an illusion of his desire?—perhaps. He continued in doubt and suspense, but every moment that passed drew him deeper within the sweet enchantment, and with every instant he became more desperately anxious to read the mystery of this woman's heart.

'Here, cousin,' said Francesca, pointing him to a place at one end of the oval table, between the Baron d'Isola and the Duchess of Scerni with the Cavaliere Sakumi as his vis-à-vis. Sakumi sat between the Baroness d'Isola and Filippo del Monte. The Marchesa and her husband occupied the two ends of the table, which glittered with rare china, silver, crystal and flowers.

Very few women could compete with the Marchesa d'Ateleta in the art of dinner giving. She expended more care and forethought in the preparation of a menu than of a toilette. Her exquisite taste was patent in every detail, and her word was law in the matter of elegant conviviality. Her fantasies and her fashions were imitated on every table of the Roman upper ten. This winter, for instance, she had introduced the fashion of hanging garlands of flowers from one end of the table to the other, on the branches of great candelabras, and also that of placing in front of each guest, among the group of wine glasses, a slender opalescent Murano vase with a single orchid in it.

'What a diabolical flower!' said Elena Muti, taking up the vase and examining the orchid which seemed all blood-stained.

Her voice was of such rich full timbre that even her most trivial remarks acquired a new significance, a mysterious grace, like that King of Phrygia whose touch turned everything to gold.

'A symbolical flower—in your hands,' murmured Andrea, gazing at his neighbour, whose beauty in that attitude was really amazing.

She was dressed in some delicate tissue of palest blue, spangled with silver dots which glittered through antique Burano lace of an indefinable tint of white inclining to yellow. The flower, like something evil generated by a malignant spell, rose quivering on its slender stalk out of the fragile tube which might have been blown by some skilful artificer from a liquid gem.

'Well, I prefer roses,' observed Elena, replacing the orchid with a gesture of repulsion, very different from her former one of curiosity. She then joined in the general conversation.

Donna Francesca was speaking of the last reception at the Austrian Embassy.

'Did you see Madame de Cahen?' asked Elena. 'She had on a dress of yellow tulle covered with humming birds with ruby eyes—a gorgeous dancing bird-cage. And Lady Ouless—did you notice her?—in a white gauze skirt draped with sea-weed and little red fishes, and under the sea-weed and fish another skirt of sea-green gauze—Did you see it?—a most effective aquarium!' and she laughed merrily.

Andrea was at a loss to understand this sudden volubility These frivolous and malicious things were uttered by the same voice which, but a few moments, ago had stirred his soul to its very depths; they came from the same lips which, in silence, had seemed to him like the mouth of the Medusa of Leonardo, that human flower of the soul rendered divine by the fire of passion and the anguish of death. What then was the true essence of this creature? Had she perception and consciousness of her manifold changes, or was she impenetrable to herself and shut from her own mystery? In her expression, her manifestation of herself, how much was artificial and how much spontaneous? The desire to fathom this secret pierced him even through the delight experienced by the proximity of the woman whom he was beginning to love. But his wretched habit of analysis for ever prevented him losing sight of himself, though every time