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قراءة كتاب The Angel of Death

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The Angel of Death

The Angel of Death

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دار النشر: Project Gutenberg
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character, whether hortatory or didactic, whether satirical or humorous, always found natural and easy expression in language which was as direct as it was graceful and easily understood.

At the comparatively early age of thirty years, Wallin had taken his place in the front rank of the scholars and public men of his day; and whatever honors were in the gift of his admiring countrymen, were freely showered upon him. Of these honors we mention only a few.

In 1810, he was elected a member of the Swedish Academy; and on several occasions he was raised by acclamation to the proud position of chairman and orator of that learned body. In 1815, he was made Knight of the Royal Order of the North Star; and in the same year he became Dom-prost, an office next in order to the Bishop's, and was honored with a seat in Parliament. In 1818, he was made Pastor Primarius, and President of the Consistory of Stockholm; and about this time he became an active and useful member of the Royal Musical Academy. In 1824, he was raised to the dignity of Bishop of the Church, and became commander of the Royal Order of the North Star and honorary member of the Royal Academy of Literature, History and Antiquities. Of this high body he was four times elected Chairman. In 1828, he was elected member of the Royal Academy of Sciences; ten years later he was made Praeses. In 1830, he was elected Court Preacher, and Praeses or President of the Royal Consistory. In 1837, his honors culminated. He was elected a member of the Upsala association for the promotion of Science; also member of the Serafimer Order, a distinction rarely conferred except on royal persons and princes of the blood, when he adopted as his motto, "In Omnipotenti Vinces." In the same year, he became archbishop of Sweden and pro-chancellor of the University of Upsala.

The "Angel of Death," singularly characteristic of the author, immediately after its publication took its place in the front rank of the poetic productions of the language. The poem has never ceased to be popular. It is issued each successive year in thousands, and in all sorts of editions,—some of the recent editions de luxe are marvels of costly taste and typographic skill. His poetic productions are numerous, and they are all of a high order of merit. The "Angel of Death," however, partly on account of the undying interest of the subject, and partly, also, because of its bold and daring thought and vigorous expression, is that by which he is best known, and with which his name is destined to be indissolubly linked.

Wallin is remembered as a great churchman, as well as scholar and poet. As a preacher, he had few if any equals. Of dignified aspect, gifted with a rich sonorous voice, and visibly impressed at all times with the solemn character of his mission, he presented the very ideal of the pulpiteer; and, whenever and wherever he appeared, he was attended by admiring crowds composed of all ranks and classes of the people.[C] As a hymn-writer he had also great success; and to his taste and skill, the Swedish Church is indebted for its finest collection of sacred songs.[D] How gracefully Tegner refers to him in his poem, "The Children of the Lord's Supper," every reader of Longfellow is well aware:

"Hark! then roll forth at once the mighty tones of the organ,
Hover like voices from God, aloft like invisible spirits;
Like as Elias in heaven, when he cast from off him his mantle,
So cast off the soul its garment of earth, and with one voice,
Chimed in the congregation, and sang an anthem immortal
Of the sublime Wallin, of David's Harp in the North-land."

For thirty-one years, Wallin occupied a place, prouder, in many respects, than the Swedish throne itself,—recognized and honored by his countrymen as their greatest scholar, their greatest preacher, and one of their greatest poets. In June, 1839, in his sixtieth year, the angel of death, of whom he had written so well, approached him with his sad summons; and, amid the regrets and sorrows of a whole nation, his lofty spirit took its flight to those purer regions, in which, in imagination, it already long had dwelt. He was buried in the new cemetery in Stockholm, which he himself had consecrated; and his grave is adorned with a large and appropriate monument.

At the first anniversary meeting of the Swedish Academy, after his death, Bishop Tegner read a memorial poem highly eulogistic of the deceased, and which ended as follows:

"And, tire, as it speeds along,
The lightly flying Swedish song;
Then let its weary wings be rested,
Against thy grave—and soar anew
To starry realms again, to you,
With prestige by the Learned Circle vested,
Thou bard like few! Prime speaker uncontested!"[E]

[A] The Swedish Academy is composed of eighteen men, selected from among the most learned and literary men of the country, and is the highest tribunal to pass upon the merits of poetical essays and works of literature in general; and the very fact, that a person has been awarded a prize by this Academy, is alone sufficient to insure for him an imperishable name in the annals of Swedish literature.

[B]

"Du väktare i skyn! Är natten ännu lång?
Vi tro ej stjernans ljus, ej månans stilla gång
Vi trodde uppå dig. Så upplys jordens slägten!
Är natten ännu lång? Och kommer morgonväkten?"

[C] His great popularity with the masses naturally caused them to apply to him for all sorts of information and advice, with full confidence that he knew how to assist and advise in all matters. As an example of his oft peculiar way of treating queer questions, and yet satisfying the questioner, the following may be related: For about twenty years a number of writs and fore-tellings had frightened credulous people with the prediction that the world would perish on a certain given date. As the time drew near that date Wallin was besieged for information as to the validity of the said prediction. To the constantly repeated question, "Is it true,

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