recorded—namely, the preservation from insult of Wykeham's chantry. This was the work of a Colonel Fiennes, who had been educated at Wykeham's College at Winchester. The protests of the inhabitants seem to have finally induced Waller to call off his fanatical troops from their work of destruction and violation. What might have happened to the cathedral, had this not been done, it is quite impossible to imagine. "Of the brass torn from the violated monuments" in 1644 "might have been built a house as strong as the brazen towers of old romances" (Ryves's "Mercurius Rusticus" quoted by Milner).

Here the architectural history of Winchester Cathedral practically ends. We find tombs and memorial brasses of all dates, but until the modern restorations nothing of importance affected the actual appearance of the church. Among the few examples of Jacobean work to be seen within, the nave pulpit can hardly be classed, since it was brought from New College Chapel at Oxford as late as 1884. The two statues of James I. and Charles I. by the west door are the work of Hubert le Sueur, who came to England in 1628. The urns which were supposed in the last century to decorate the reredos have long ago been removed, as has also the gilt Jacobean canopy which formerly disfigured the centre of this screen; but Benjamin West's "Raising of Lazarus" still remains above the altar.

This century's work in the cathedral is not very formidable in its extent. All of it is mentioned elsewhere in this book, and it is sufficient here to say that the erection of Sir G. Scott's choir-screen and the restoration of the reredos are the most noticeable "modern" features, though the latter was carried out on the old lines as nearly as was thought advisable. Sir G. Scott's additions to Winchester have by no means given universal satisfaction, severe language having been applied to them by more than one expert. The most recent alterations have consisted chiefly of a very necessary, though costly, strengthening of the nave roof. This work is, of course, invisible from the ground level, but can be reached from the stair in the south transept. A repair of the organ has also been provided for, and new glass has been inserted in the large south window of the Lady Chapel, in memory of Bishop Thorold.