"Can't you see that my heart's breaking, too?" She looked him in the face, shaking her head, sadly. "No, I can't see that." [See p. 29]

Contents

Illustrations

THE LETTER OF THE CONTRACT

It was strange to think that if, on finishing her coffee in her room, she had looked in on the children, as she generally did, instead of going down to the drawing-room to write a note, her whole life might have been different. "Why didn't I?" was the question she often asked herself in the succeeding years, only to follow it with the reflection: "But perhaps it would have happened in any case. Since the fact was there, I must have come to know it—in the long run."

The note was an unimportant one. She could have sent it by a servant at any minute of the day. The very needlessness of writing it at once, so that her husband could post it as he went to his office, gave to the act something of the force of fate.

Everything that morning, when she came to think of it, had something of the force of fate. Why, on entering the drawing-room, hadn't she gone straight to her desk, according to her intention, if it wasn't that fate intervened? As a matter of fact, she went to the oriel window looking down into Fifth Avenue, with vague thoughts of the weather. It was one of those small Scotch corner windows that show you both sides of the street at once. It was so much the favorite conning-spot of the family that she advanced to it from habit.

And yet, if she had gone to her desk, that girl might have disappeared before the lines of the note were penned. As it was, the girl was there, standing as she had stood on other occasions—three or four, at least—between the two little iron posts that spaced off the opening for foot-passengers into the Park. She was looking up at the house in the way Edith had noticed before—not with the scrutiny of one who wishes to see, but with the forlorn patience of the unobtrusive creature hoping to be seen.

In a neat gray suit of the fashion of 1904 and squirrel furs she was the more unobtrusive because of a background of light snow. She was pathetically unobtrusive. Not that she seemed poor; she suggested, rather, some one lost or dazed or partially blotted out. People glanced at her as they hurried by. There were some who turned and glanced a second time. She might have been a person with a sorrow—a love-sorrow. At that thought Edith's heart went out to