revelation. When instances such as these occur on the part of any of the older nations of the world, it will do for them to boast of a civilization superior to ours; but until their faith is shown by their works, suffering humanity the world over will accord to us the palm. Nor will it answer to ascribe to us an unworthy motive in this matter—a desire to win credit in the eyes of the world. An individual might, with some degree of plausibility, fall under such an imputation, but a great people does not move spontaneously and unitedly in one direction from such a motive, since none but a pure and just principle can produce unity in the masses. Such an unworthy and degrading motive is the property of individuals, not of nations, even if it were possible for such an idea to be conceived at one and the same time by a multitude of minds. No! it was the spontaneous expression of a deep and pervading principle of American society—of American humanity—a free outpouring of the American heart; and as such it will stand upon the page of history as the evidence of a civilization behind none of its age.

Nor is this the only mark of the moral awakening of our people. Instances are every day appearing in our midst of this truest of charity, not the least of which are the 'wood processions' of the Western cities and towns; those long lines of wagons laden with fuel and provisions for the families of the absent soldiers, whose sole object and motive is the comfort of those whose protectors and supporters are sustaining the country's honor in the field; evidences more striking than the founding of charitable institutions or benevolent societies, since the latter may, and too often does, arise from the most selfish and vainglorious motive, while in the former the individual is lost in the many who press eagerly to bear their part in a noble work, in this spontaneous outpouring of true and heartfelt benevolence. From this same spirit arises the wonderful success which attends the efforts of sanitary commissions and soldiers' aid associations in alleviating the sufferings and softening the privations of our soldiers in the field. With such evidences constantly appearing before our eyes of the deep and noble feelings of the American heart, who can doubt that our civilization is a progressive one, our enlightenment equal? Who can doubt the capacity of the American people for good, or look with foreboding upon our future?

Another important sign of the times, as evincing our advancing civilization, is the revival of art in our midst. In the midst of all our bustle and toil and eager strife for gain, there has ever been a something wanting to the completeness of our life, a something to fill and satisfy that yearning of the soul for æsthetic beauty, which is at once an evidence of its progress and its capacity for diviner things. Too long have we been absorbed by the desires of our animal nature, in whose pursuit there is little gratification to that finer portion of our inner selves which will not be silenced by anything short of the deepest degradation. The people—the great people—need something—something higher, more ennobling, more tender—to fill the vacant spot in their hearts and homes, to preserve the balance between the animal and the spiritual part of their lives, and to clothe their surroundings with a higher and holier significance than can arise from the events and associations of the work-day life. In art the missing link is found, and whether it be the simple ballad in the evening circle or the modest print that graces the humble cottage walls—and the humbler the habitation the deeper the manifestation, because the more touching—it is but the expression of the people's appreciation of the needs, the capacities, and the holier aspirations of the better part of humanity. Hence the revival of art has a deep significance; it is something more than a forced, an exotic, and hence ephemeral growth; it is the manifestation of the awakening of the people to the æsthetic sentiment; it is the actual result of the intellectual and moral needs of society; it is in itself the striving of a great people for the beautiful and true. And as such it has a broad and deep foundation in the godlike in human nature, which shall insure not only its permanence but its progress as long as the good and the true have any influence whatever upon our society. That we have had, until a comparatively late period, no art among us, is the result not of a lack of capacity to comprehend the beautiful, but of the intense and all-absorbing passion for gain which has so nearly proved the bane of our society by shutting out the consideration of better things: that art has so suddenly revived in our midst is a proof that, so far from having our humanity, our political position, our very civilization itself swallowed up in the love of the almighty dollar, as has been predicted of us by foreign wiseacres, we have been aroused to our danger and to a true appreciation of the better part of existence; which is itself an evidence of the elasticity and the recuperative energy of our social system.

In literature our progress is not so flattering. In its effects upon civilization a literature can only be judged by that portion of it which touches the popular heart, which descends to the humblest fireside, and is most eagerly sought after by the ploughboy and the operative. All other, however brilliant it may be—and the more brilliant or profound the farther it is generally removed from the minds of the masses—is to them but as the stars of a winter night, cold and distant, radiating little warmth to the longing soul, too far away to awaken more than a faintly reflected admiration. He who said, 'Give me to write the songs of a people, and I care not who makes their laws,' touched the tender spot in the great heart of humanity; he was a sage in that truest of philosophy, the study of human nature. Though we have our princes in every branch of literature, who are the result of and an honor to our civilization, yet for their own results in moulding the tastes, the habits, and the intellects of the common people, in contributing to their advancement, they fall far below the efforts of the veriest penny-a-liner. It is a lamentable fact of our society that while the more solid literature scarcely pays, the flashiest of so-called 'flash literature' brings down the golden shower. The writer of the lowest possible order of literary productions is enriched, and his name is familiar in the remotest corners of the land, while our monarchs of literature are oftentimes poverty stricken and comparatively obscure; and that because the latter is confined to a comparatively small audience and patronage, while the former speaks to and for the masses; and, as a natural consequence, the former controls the tastes of the greater portion of the reading community, and that too for anything but good, since he reaps his golden harvest by pandering to the basest of appetites, the lowest of sensibilities and sympathies; thus retarding rather than accelerating the intellectual advancement of the people, this being his material interest.

And how great is the responsibility of those who thus speak to the ear of the simple and the unlearned! how terrible the retribution they are heaping up for themselves in the great hereafter, for thus prostituting talent which might be made eminently useful in leading the minds of the common people to the highest and noblest of truths; in making purer and better in every sense of the word! The idea that the province of literature, even of fiction, is simply to amuse, is exploded in the light of advancing civilization. Every writer has a higher mission, and accordingly as he discharges the duty which his faculty lays upon him, is he true or false to the true end of his existence, a success or a failure in the world of intellect and morality. The mission of all literature is to make mankind both wiser and better,