قراءة كتاب Punch, or the London Charivari, Volume 103, December 10, 1892

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Punch, or the London Charivari, Volume 103, December 10, 1892

Punch, or the London Charivari, Volume 103, December 10, 1892

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دار النشر: Project Gutenberg
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servants entirely superseded by them.

"Prompt and accurate delivery of any object may be effected by their agency, owing to their marvellous powers of precipitation.

"Full instructions for working, and instruments for repairing, supplied with each specimen.

"Not liable to get out of order.

"Safe in the hands of a child. Yet they are not toys.

"Procurable of any respectable Lunatic Asylum.

"Ask for Our Brand, and see that you get none other.

"Beware of worthless foreign imitations, which dishonest dealers will try to foist upon you.

"Of Mahatmas young, and Mahatmas old,
Of Mahatmas meek, and Mahatmas bold,
Of Mahatmas gentle, and Mahatmas rough,
We lay long odds that we'll sell enough."

The financial column of the Journal of the Future, we may expect, will read somewhat as follows:—"Mahatmas opened weak, but slowly advanced a third. Later they became stronger, and closed firm at 8-1/4. Latest—Mahatmas fell rapidly."

Tempora mutantur, nos et mutamur in illis.


Charity Begins Abroad.—The following advertisement (which recently appeared in the Times) has been sent for solution:—

GENTLEMAN, with knowledge of business and disposing of 100,000 francs, is desirous of REPRESENTING, either in Europe, Africa, America, or elsewhere, a serious FIRM, capable of giving important profits. Offers to be addressed, &c.

In reply to this appeal, Mr. Punch begs to say that "the gentleman with knowledge of business" seems to be anxious to act as an alter ego to a serious (not a jocular) firm "capable of giving profits." "Gentleman" does not specify whose profits the serious firm is capable of giving, and thus it may be presumed that the 100,000 francs would form the capital with which the charitable transaction would be conducted. This is the more probable as "Gentleman" says he knows how to dispose of them.


ALL ROUND THE FAIR.

No. IV.

The Irish Giant Baby "At Home."

The exterior of the Show is painted to represent a Cottage, and bears the highly improbable name of "Polly O'Gracious," with an even less credible announcement that this is the identical "little cot where she was born." Inside is an ordinary tent, with a rough platform at the further end, whereon is an empty chair, at which a group of small Boys, two or three young Women, and some middle-aged Farm-labourers, have been solemnly and patiently staring for the last quarter of an hour.

First Farm Labourer (to Second). I bin in 'ere 'bout erf an hour, I hev, and ain't seed nowt so fur!

Second F. L. Same 'ere! Seems to take 'em a proper good time a-gittin' o' this 'ere baby claned up!

First F. L. Ah, it do. But look at the size on her!

Second F. L. Size! They cudn't be no slower not with a hellyphant!

[The tedium is relieved by a very audible dispute outside between the Driver of the Baby's Caravan and the Wife of the Conjuror next door, who appears to have excited the Driver's displeasure by consenting to take the money in the absence of the Baby's proprietress.

The Driver (with dignity). I consider it a bloomin' liberty, and a downright piece of himpertinence, you comin' 'ere interferin' with with my business—and so I tell yer!

The Lady (with more dignity). I'm not taking no liberties with nobody—she ast me to it, or I shoudn't be 'ere—I don't want to take the money, not without bein' ast to do so. She come and ast me to take her place while she was away, and in course I wasn't goin' to say no.

Driver. Don't you tork to me. I know what you are, puttin' yerself forward whenever yer can—a goin' tellin' the people on the road as you was the Baby's mother!

The Lady. I never said no such thing! Why should I want to tell sech a story for?

Driver. Arsk yourself—not me. And p'raps you never said you 'ad valuable property in our waggin' neither.

Lady (apparently cut to the heart by this accusation). It's a false'ood! I never 'ad no valuable property in your waggin', nor yet nobody else's; and I'll thank you to keep your distance, and not go raggin' me.

Driver (edging nearer), I'll keep my distance. But don't you make no mistake—I'm not to be played with! I'm sick o' your goin's on. And then(reviving a rankling and mysterious grievance) to think o' you a comin' mincin' up on the road with yer(mimicking), "Oh, yus, Mrs. Fairchild, there's a blacksmith jest across the way!" What call 'ad you got to shove your nose in like that, eh? you're a interferin' cat, that's what you are!

[The Conjuror's Lady is moved to the verge of tears and assault, and her wrath is only assuaged by the arrival of the missing Proprietress, who patches up a temporary peace; presently the hangings at the back are parted, and an immensely stout child, dressed in an infant's frock, waddles in, hoists herself on the platform and into the chair, from which she regards the Spectators with stolid composure; the small boys edge back, nudge one another and snigger furtively; the girls say "Oh, lor!" in a whisper, and a painful silence follows.

A Middle-aged Labourer (feeling the awkwardness of the situation). 'Ow old may you be, Missy?

The Giant Baby (with a snap). Ten!

[She gazes all round with the hauteur peculiar to a phenomenon, and her visitors are only relieved from the strain by the timely appearance of the Exhibitor, a Mulatto lady, who gives a brief biographical sketch of the Infant's career, with details of her weight and measurements. Then Miss Polly sings a stanza of "Little Annie Rooney" in a phonographic manner, dances a few ponderous steps, and identifies the most sheepish youth in the audience—much to his embarrassment—as her sweetheart, after which her audience is permitted to shake hands with her and depart.


A Prize Lottery.

A Young Man in a light suit, and a paste pin in a dirty white necktie, has arrived with a chest, from which he extracts a quantity of small parcels in coloured tissue-paper.

The Young Man (as a group collects around him). Now, I'm 'ere to orfer those among yer who 'ave the courage to embark in speckilation an unrivalled opportunity of enriching themselves at next to no expense. Concealed in each o' these small porcels is a prize o' more or less value, amongst them bein', I may tell yer, two 'undred threepenny pieces, not to mention 'igher coins up to 'arf a sov'rin. Mind, I promise nothing—I only say this: that those who show confidence in me I'll reward beyond their utmost expectations.( To an Agricultural Labourer in the circle.) 'Ere, you Sir, 'ave you ever seen me before in all your life?

"Concealed in each o' these small porcels is a prize o' more or less value."

The Agricultural Labourer (with a

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