denoting the family are in residence—take a sudden curve in the road, and find yourself in front of the Norwich gates, admitting to the principal entrance. A solitary policeman is here on guard, but he knows his business, and knows every member of the household by sight; and though his duty consists in merely opening and shutting the gates, you may be quite sure he will not open to the wrong one.

These gates are worthy of more than a passing glance, for they are a veritable masterpiece of design and mechanism. They were, in fact, one of the features of the 1862 Exhibition, and were afterwards presented to the Prince by the County of Norwich. On the top is the golden crown, supported by the Prince's feathers. Underneath, held by bronzed griffins, are heraldic shields representing the various titles of the Prince, while the remainder is composed of flowers, sprays, and creeping vines. They are connected with the palisading by rose, shamrock and thistle. The maker was Barnard, of Norwich.

From a Photo. by Bedford Lemere.
THE MAIN ENTRANCE.

Although this is the chief entrance, it is necessary to proceed up the avenue and diverge to the left, before the front of the building comes into view; then it will be seen to be of modernized Elizabethan architecture; exterior, red brick, with Ketton-stone dressing. Over the door is a carved inscription as follows: "This house was built by Albert Edward Prince of Wales and Alexandra his wife, in the year of Our Lord, 1870." As a matter of fact, the estate had been purchased nine years previous to that date, for a sum of £220,000, but the Old Manor House was in such a condition that, after vainly trying to patch up and add on to, it was found desirable to pull it all down, and build an entirely new residence. Not only did the mansion need re-building, but also the cottages of the tenants and labourers: and much to the honour of the Prince and Princess, these cottages were their first care, and were all re-built and several new ones erected before they took possession of their own home.

An invitation to Sandringham is an honour which few would lightly regard: and if it is your first visit you are in a flutter of anticipation and expectation, making it somewhat difficult to preserve the calm exterior that society demands of you. Now there are two distinct sets invited there; one from Friday to Monday, and one from Monday or Tuesday to Friday; the former generally including a bishop, dean, or canon for the Sunday service, two or three eminent statesmen, and a sprinkling of musical, literary, and artistic celebrities. To this list I will suppose you to belong.

You have found carriages and baggage vans awaiting what is known as the "Royal train"—a special run just when the Prince is in residence—and you and your fellow-visitors have driven up to the principal entrance. There you alight, and are ushered by the footmen into a spacious hall or saloon, where you are received with the distinguished grace and courtesy for which your Royal host and hostess are so justly celebrated.

From a Photo. by Bedford Lemere.
THE SALOON.

You have only time for a rapid glance at the massive oak carving and valuable paintings (chief of which is one portraying the family at afternoon tea, by Zichy) before you find yourself being conducted to the handsome suite of apartments you will occupy during your visit. A cup of tea and some light refreshment, and the dinner-hour being 7.30 it is time to prepare. If you have not been here before, let me give you a word of warning, or you will commit the dreadful sin of unpunctuality. Every clock on the place, from the loud-voiced one over the stables to the tiniest of continental masterpieces, is kept half an hour fast. The ringing-out of the hour thirty minutes before you expect it is startling in the extreme; and your maid or man has a bad time of it until you discover the discrepancy.

At last, however, you are ready, and in due time find yourself amidst the company in the grand dining saloon, where dinner is served in state, although not with the frigid formality one is inclined to expect. A certain degree of nervousness must be felt by all on the first occasion they dine with Royalty; but your host and hostess are so extremely affable, and have such a happy gift of putting people at their ease, that you insensibly forget their august position, and find yourself chatting with comfort and enjoyment. You will notice the splendid proportions of this saloon, and the priceless Spanish tapestry with which it is hung—this was the gift of the King of Spain to the Prince. There is also a magnificent display of plate, much of it presentation. The tables are oblong, the Prince and Princess facing each other at the centre; the floor—as are most of them—is of polished oak, this one being freely scattered with costly Turkish rugs. I may here mention that adjoining this saloon is a spacious ante-room, containing a fine collection of tigers' skins, elephants' tusks, etc.: a good record of the travels of His Royal Highness, of much interest to travellers and sportsmen.

From a Photo. by Bedford Lemere.
THE DINING-ROOM, WITH TABLE SET FOR LUNCHEON.

When you presently adjourn to the drawing-rooms—of which there are a suite of small ones in addition to the large one—you will find there is no lack of entertainment and amusement; such, indeed, as must suit the most varied tastes. First, however, we will take some note of the rooms themselves. These (the drawing-rooms) are all connected with the entrance-hall by a broad corridor, which is ornamented with pieces of armour, ancient china, stuffed birds, etc.: they face the lakes, and are on the western or front of the building, opening on to the terrace.

The large drawing-room is of beautiful construction, fitted with windows reaching from ceiling to floor. The walls are panelled with pink and blue, with mouldings of gold and cream. The furniture is upholstered in pale blue, with threads of deep crimson and gold; the hangings are of rich chenille; the floor of polished oak, with rich Indian rugs distributed here and there. A plentiful scattering of music and books gives it a home-like appearance, while hand embroidery, sketches, painting on china, and feather screens show the variety of talent and skill of the ladies of the family. In the very centre of the room is a large piece of rockwork, with a tasteful arrangement (carried out under the care of the Princess herself) of choice ferns and beautiful roses in bloom, while rising out of the midst is a marble figure of Venus. The principal conservatory opens from this room. It is rich in palms and ferns, and contains a monument of art to Madame Jerichau, the sculptress, in the shape of a group of bathing girls.

Meanwhile, whatever amusement is to be the order has by this time commenced: perhaps it is music—the ladies of the family are all good musicians—perhaps it is tableaux vivants, or possibly a carpet dance. If your tastes do not lie in these directions, or after you have enjoyed them for a sufficient time, you have the choice of using the billiard-room, the American bowling alley, or the smoking-rooms. The billiard-room will interest you vastly: it is literally lined with arms of all descriptions. The tables, of course, are of the best.