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قراءة كتاب Critical Miscellanies (Vol. 3 of 3) Essay 5: On Pattison's Memoirs

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Critical Miscellanies (Vol. 3 of 3)
Essay 5: On Pattison's Memoirs

Critical Miscellanies (Vol. 3 of 3) Essay 5: On Pattison's Memoirs

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دار النشر: Project Gutenberg
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'mistake for sober sense And wise reserve, the plea of indolence.' On the contrary, his industry and spirit of laborious acquisition were his best credentials. He was invested to our young imaginations with the attraction of the literary explorer, who had 'voyaged through strange seas of thought alone,' had traversed broad continents of knowledge, had ransacked all the wisdom of printed books, and had by native courage and resource saved himself from the engulfing waters of the great Movement.

The Memoirs of such a man may not be one of the monuments of literature. His little volume is not one of those romantic histories of the soul, from the Confessions of Augustine to the Confessions of Jean Jacques, by which men and women have been beguiled, enlightened, or inspired in their pilgrimage. It is not one of those idealised and highly embellished versions of an actual existence, with which such superb artists as George Sand, Quinet, and Renan, have delighted people of good literary taste. What the Rector has done is to deliver a tolerably plain and unvarnished tale of the advance of a peculiar type of mind along a path of its own, in days of intellectual storm and stress. It stirs no depths, it gives no powerful stimulus to the desire after either knowledge or virtue—in a word, it does not belong to the literature of edification. But it is an instructive account of a curious character, and contains valuable hints for more than one important chapter in the mental history of the century.

Mark Pattison, born in 1813, passed his youthful days at the rectory of Hauxwell, a village in Wensleydale, on the edge of the great uplands that stretch northwards towards Richmond and Barnard Castle, and form an outwork of the Pennine range and the backbone of northern England. The scene has been described in that biography of his Sister Dora, which he here so unceremoniously despatches as a romance. 'Hauxwell is a tiny village lying on the southern slope of a hill, from whence an extensive view of the moors and Wensleydale is obtained. It contains between two and three hundred inhabitants. The rectory is a pretty little dwelling, some half-mile from the church, which is a fine old building much shut in by trees. The whole village, even on a bright summer day, gives the traveller an impression of intense quiet, if not of dulness; but in winter, when the snow lies thickly for weeks together in the narrow lane, the only thoroughfare of the place; when the distant moors also look cold in their garment of white, and the large expanse of sky is covered with leaden-coloured clouds; when the very streams with which the country abounds are frozen into silence—then indeed may Hauxwell be called a lonely village.'

Pattison's father had been educated, badly enough, at Brasenose, but though his own literary instincts were of the slightest, he had social ambition enough to destine his son from the first to go to Oxford and become the fellow of a college. But nothing systematic was done towards making the desired consummation a certainty or even a probability. The youth read enormously, but he did not remember a tenth of what he read, nor did he even take in the sense of half of it as he went along. 'Books as books,' he says, 'were my delight, irrespective of their contents. I was already marked out for the life of a student, yet little that was in the books I read seemed to find its way into my mind.' He found time for much besides reading. He delighted in riding, in shooting rooks in the Hall rookery, and in fishing for trout with clumsy tackle and worm. Passion for country sports was followed by passion for natural history in the ordinary shape of the boy's fancy for collecting insects and observing birds. He fell in with White's Natural History of Selborne, read it over and over again, and knew it by heart.

The love of birds, moths, butterflies, led on to the love of landscape; and altogether, in the course of the next six or seven years, grew and merged in a conscious and declared poetical sentiment and a devoted reading of the poets. I don't suppose the temperament was more inclined to æsthetic emotion in me than in other youths; but I was highly nervous and delicate, and having never been at school had not had sentiment and delicacy crushed out of me; also, living on the borderland of oak woods, with green lanes before me, and an expanse of wild heather extending into Northumberland behind, I was favourably placed for imbibing a knowledge by contrast of the physical features of England. My eye was formed to take in at a glance, and to receive delight from contemplating, as a whole, a hill and valley formation. Geology did not come in till ten years later to complete the cycle of thought, and to give that intellectual foundation which is required to make the testimony of the eye, roaming over an undulating surface, fruitful and satisfying. When I came in after years to read The Prelude I recognised, as if it were my own history which was being told, the steps by which the love of the country-boy for his hills and moors grew into poetical susceptibility for all imaginative presentations of beauty in every direction (pp. 34, 35).

Perhaps it may be added that this was a preparation for something more than merely poetical susceptibility. By substituting for the definite intellectual impressions of a systematic education, vague sensibilities as the foundation of character, this growth of sentiment, delicacy, and feeling for imaginative presentations of beauty, laid him peculiarly open to the religious influences that were awaiting him in days to come at Oxford.

In 1832 Pattison went up as a freshman to Oriel. His career as an undergraduate was externally distinguished by nothing uncommon, and promised nothing remarkable. He describes himself as shy, awkward, boorish, and mentally shapeless and inert. In 1833, however, he felt what he describes as the first stirrings of intellectual life within him. 'Hitherto I have had no mind, properly so-called, merely a boy's intelligence, receptive of anything I read or heard. I now awoke to the new idea of finding the reason of things; I began to suspect that I might have much to unlearn, as well as to learn, and that I must clear my mind of much current opinion which had lodged there. The principle of rationalism was born in me, and once born it was sure to grow, and to become the master idea of the whole process of self-education on which I was from this time forward embarked.' In other words, if he could have interpreted and classified his own intellectual type, he would have known that it was the Reflective. Reflection is a faculty that ripens slowly; the prelude of its maturity is often a dull and apparently numb-witted youth. Though Pattison conceived his ideal at the age of twenty, he was five-and-forty before he finally and deliberately embraced it and shaped his life in conformity to it. The principle of rationalism, instead of growing, seemed for twelve whole years to go under, and to be completely mastered by the antagonistic principles of authority, tradition, and transcendental faith.

The secret is to be found in what is the key to Pattison's whole existence, and of what he was more conscious at first than he seems to have been in later days. He was affected from first to last by a profound weakness of will and character. Few men of eminence have ever lived so destitute of nerve as Pattison was—of nerve for the ordinary demands of life, and of nerve for those large enterprises in literature for which by talent and attainment he was so admirably qualified. The stamp of moral défaillance was set upon his brow from the beginning. It was something deeper in its roots than the temporary self-consciousness

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