single word.

“But you said—I understood you to say—”

Brown Eyes turned fiercely upon her, and fairly snapped in indignation.

“I don’t care what I said, or what you understood. Can’t you see I want to be quiet? Can’t you leave me alone? If I am a new girl, I don’t want to howl before all the others, do I! Very well, then! don’t make me talk! Read your book, and let me read mine.”

“I beg your pardon!” said Rhoda, in her most stately manner. She took up her magazine obediently, but now it was more impossible than ever to read it, for she was tingling with mortification. Such a snub from a stranger, and when she was trying to be friendly too! It would be a long time before she troubled Brown Eyes again. Her thoughts went back regretfully to Ella, the loyal, the sympathetic, the faithfully admiring. If Ella were only here now, how different it would be! Why had she not thought of it before, and asked her parents to pay Ella’s fees, so that she might have the solace of her presence? They would have done it gladly, but, alas! Ella could not have been spared from home. She had to help her mother; to be governess as well as pupil, teaching the younger children for part of every day. No! Ella was impossible; but the craving for companionship grew so intense that it even conquered the dread inspired by her other companion, and strengthened her to make yet another effort.

The train had just left a station whose name was familiar in her ears, and she realised that they had crossed the boundary between two counties, and were now in Blankshire, in which Hurst Manor itself was situated. To remark on this fact seemed an innocent and natural manner of opening a conversation, so she turned towards Square Face, and said brightly, “Now we are in Blankshire, I see! I have never been here before. The country looks very pretty and undulating.”

The girl turned and stared at her with a wooden stolidity of feature. Seen at close quarters she appeared to Rhoda as at once the most extraordinarily ugly and comical-looking creature she had ever beheld. Her little eyes blinked, and the thin lips flapped up and down in an uncanny fashion that refused to be likened to any ordinary thing. There was a moment’s silence, then she repeated in a tone of the utmost solemnity—

“The country is very pretty and undulating—you are quite right. Your remark is most apt! May I ask if you would object to my repeating it to my friend over here? She would be so very much interested.”

She was so preternaturally grave, that for a moment Rhoda was taken in by the pretence, the next she flushed angrily, and tilted her head in the air, but it was of no avail, for already the next girl was tittering over the quotation, and turning to repeat it in her turn. The simple words must surely contain some hidden joke, for on hearing it each listener was seized with a paroxysm of laughter, and face after face peered forward to stare at the originator, and chuckle with renewed mirth. It was a good ten minutes before it had travelled round the carriage and been digested by each separate traveller, and then, so far from dying out, it acquired fresh life from being adapted to passing circumstances, as when the train having stopped at a junction and moved on again with a jerk, Square Face fell prone into her companion’s arms, and excused herself with a bland—

“Excuse me, dear. It’s my little way. I am so pretty and undulating,” and instantly the titters burst out afresh.

Rhoda’s face was a study, but even as she sat fuming with passion, a voice spoke in her ear from the side where Brown Eyes still studied her advertisements.

“Laugh, can’t you?” said the voice. “Laugh, too, as if you enjoyed the joke. It’s the only way. They will go on all the more if they see you are angry.”

“I hate them all!” hissed Rhoda savagely, and the other heaved a sigh.

“Ah, so do I, but they shan’t hate me if I know it! I’m sorry I snapped, but I’ll talk now, and for pity’s sake don’t look so dismal. Let us look over this paper together, and make remarks, and smile as if we were enjoying ourselves too.”

“I don’t feel as if I should ever enjoy myself again. It’s hateful going to school. If I had known it was as bad as this I would never have come.”

“There’s a lake in the grounds. We will drown ourselves together after tea, but in the meantime do please keep up appearances. Don’t give yourself away before all these girls!”

Rhoda looked at her curiously, and felt a thrill of comfort at finding a friend in the midst of her desolation. “What is your name?” she queried eagerly, and the dark eyes met hers in a solemn stare.

“Marah, for bitterness. That’s how I feel to-day, anyhow. My godmothers and godfather christened me Dorothy, and in festive moments I have even answered to ‘Doll,’ but I’d murder any one who called me that to-day. Now, I’ll show you something interesting... I’ve travelled on this line before, and if you look out of the window you can catch a glimpse of Hurst Manor as we pass the next station. It stands in its own grounds with nothing between it and the line. Over there to the right—you can’t miss it if you keep your eyes open. Now! There! That gaunt, grey building.”

Rhoda looked, and there it lay—a gaunt building, indeed, with row upon row of tall, bare windows staring like so many eyes, and out-standing wings flanked like sentinels on either side. The poor recruit’s face lengthened with horror.

“It looks,” she said dismally, “like a prison! It looks as if when you once got in, you would never never get out any more!”