tag="{http://www.w3.org/1999/xhtml}a">236
Giordano's Personal Appearance and Character, |
237 |
Giordano's Riches, |
238 |
Giordano's Wonderful Facility of Hand, |
239 |
Giordano's Powers of Imitation, |
240 |
Giordano's Fame and Reputation, |
240 |
Remarkable Instance of Giordano's Rapidity of Execution, |
242 |
Revival of Painting in Italy, |
244 |
Giovanni Cimabue, |
251 |
Cimabue's Passion for Art, |
252 |
Cimabue's Famous Picture of the Virgin, |
253 |
The Works of Cimabue, |
255 |
Death of Cimabue, |
256 |
Giotto, |
257 |
Giotto's St. Francis Stigmata, |
259 |
Giotto's Invitation to Rome, |
260 |
Giotto's Living Model, |
262 |
Giotto and the King of Naples, |
264 |
Giotto and Dante, |
266 |
Death of Giotto, |
266 |
Buonamico Buffalmacco, |
267 |
Buffalmacco and his Master, |
267 |
Buffalmacco and the Nuns of the Convent of Faenza, |
270 |
Buffalmacco and the Nun's Wine, |
272 |
Buffalmacco, Bishop Guido and his Monkey, |
273 |
Buffalmacco's Trick on the Bishop of Arezzo, |
277 |
Origin of Label Painting, |
278 |
Utility of Ancient Works, |
280 |
Buffalmacco and the Countryman, |
282 |
Buffalmacco and the People of Perugia, |
283 |
Buffalmacco's Novel Method of Enforcing Payment, |
285 |
Stefano Fiorentino, |
286 |
Giottino, |
286 |
Paolo Uccello, |
287 |
Ucello's Enthusiasm, |
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