align="left">The Parthenon at Athens,
170 |
| The Elgin Marbles, |
171 |
| The first Odeon at Athens, |
182 |
| Perpetual Lamps, |
182 |
| The Skull of Raffaelle, |
183 |
| The Four Finest Pictures in Rome, |
183 |
| The Four Carlos of the 17th Century, |
184 |
| Pietro Galletti and the Bolognese Students, |
184 |
| Ætion's Picture of the Nuptials of Alexander and Roxana, |
184 |
| Ageladas, |
185 |
| The Porticos of Agaptos, |
185 |
| The Group of Niobe and her Children, |
185 |
| Statue of the Fighting Gladiator, |
187 |
| The Group of Laocoön in the Vatican, |
187 |
| Michael Angelo's Opinion of the Laocoön, |
190 |
| Discovery of the Laocoön, |
190 |
| Sir John Soane, |
191 |
| Soane's Liberality and Public Munificence, |
192 |
| The Belzoni Sarcophagus, |
194 |
| Tasso's "Gerusalemme Liberata," |
195 |
| George Morland, |
197 |
| Morland's Early Talent |
198 |
| Morland's Early Fame, |
199 |
| Morland's Mental and Moral Education under an Unnatural Parent, |
200 |
| Morland's Escape from the Thraldom of his Father, |
201 |
| Morland's Marriage and Temporary Reform, |
202 |
| Morland's Social Position, |
203 |
| An Unpleasant Dilemma, |
204 |
| Morland at the Isle of Wight, |
205 |
| A Novel Mode of Fulfilling Commissions, |
206 |
| Hassel's First Interview with Morland, |
206 |
| Morland's Drawings in the Isle of Wight, |
207 |
| Morland's Freaks, |
208 |
| A Joke on Morland, |
|
