Subjects,
93 |
| Flagellation of Salvator Rosa, |
95 |
| Salvator Rosa and the Higgling Prince, |
96 |
| Salvator Rosa's Opinion of his own Works, |
98 |
| Salvator Rosa's Banditti, |
98 |
| Salvator Rosa and Massaniello, |
100 |
| Salvator Rosa and Cardinal Sforza, |
100 |
| Salvator Rosa's Manifesto Concerning his Satirical Picture, La Fortuna, |
101 |
| Salvator Rosa's Banishment from Rome, |
102 |
| Salvator Rosa's Wit, |
103 |
| Salvator Rosa's Reception at Florence, |
103 |
| Histrionic Powers of Salvator Rosa, |
104 |
| Salvator Rosa's Reception at the Palazzo Pitti, |
105 |
| Satires of Salvator Rosa, |
105 |
| Salvator Rosa's Harpsichord, |
106 |
| Rare Portrait by Salvator Rosa, |
106 |
| Salvator Rosa's Return to Rome, |
109 |
| Salvator Rosa's Love of Magnificence, |
109 |
| Salvator Rosa's Last Works, |
111 |
| Salvator Rosa's Desire to be Considered an Historical Painter, |
112 |
| Don Mario Ghigi, his Physician, and Salvator Rosa, |
113 |
| Death of Salvator Rosa, |
115 |
| Domenichino, |
121 |
| The Dulness of Domenichino in Youth, |
121 |
| Domenichino's Scourging of St. Andrew, |
123 |
| The Communion of St. Jerome, |
124 |
| Domenichino's Enemies at Rome, |
125 |
| Decision of Posterity on the Merits of Domenichino, |
126 |
| Proof of the Merits of Domenichino, |
127 |
| Domenichino's Caricatures, |
127 |
| Intrigues of the Neapolitan Triumvirate of Painters, |
128 |
| Giuseppe Ribera, called Il Spagnoletto—his early Poverty and Industry, |
133 |
| Ribera's Marriage, |
134 |
