Ribera's Rise to Eminence, |
135 |
Ribera's Discovery of the Philosopher's Stone, |
135 |
Ribera's Subjects, |
136 |
Ribera's Disposition, |
137 |
Singular Pictorial Illusions, |
137 |
Raffaelle's Skill in Portraits, |
138 |
Jacopo da Ponte, |
139 |
Giovanni Rosa, |
139 |
Cav. Giovanni Centarini, |
139 |
Guercino's Power of Relief, |
140 |
Bernazzano, |
140 |
Invention of Oil Painting, |
141 |
Foreshortening, |
145 |
Method of Transferring Paintings from Walls and Panels to Canvass, |
146 |
Works in Scagliola, |
147 |
The Golden Age of Painting, |
149 |
Golden Age of the Fine Arts in Ancient Rome, |
152 |
Nero's Golden Palace, |
155 |
Names of Ancient Architects Designated by Reptiles, |
156 |
Triumphal Arches, |
157 |
Statue of Pompey the Great, |
159 |
Antique Sculptures in Rome, |
159 |
Ancient Map of Rome, |
160 |
Julian the Apostate, |
160 |
The Tomb of Mausolus, |
161 |
Mandrocles' Bridge Across the Bosphorus, |
162 |
The Colossus of the Sun at Rhodes, |
162 |
Statues and Paintings at Rhodes, |
164 |
Sostratus' Light-House on the Isle of Pharos, |
164 |
Dinocrates' Plan for Cutting Mount Athos into a |
Statue of Alexander the Great, |
165 |
Pope's idea of Forming Mount Athos into a Statue of Alexander the Great, |
166 |
Temple with an Iron Statue Suspended in the Air by Loadstone, |
168 |
The Temple of Jupiter Olympius at Athens, |
168 |
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