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قراءة كتاب White Lilac; or the Queen of the May

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‏اللغة: English
White Lilac; or the Queen of the May

White Lilac; or the Queen of the May

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دار النشر: Project Gutenberg
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and the desolate condition of the widow, poor Jem’s many virtues made it impressive and lamentable. Everyone had something to say in his praise, no one remembered anything but good about him; he was a brave chap, and one of the right sort, said the men, when they talked of it in the public-house; he was a good husband, said the women, steady and sober, fond of his wife, a pattern to others. They shook their heads and sighed mournfully; it was strange as well as pitiful that Jem White should a been took. “There might a been some as we could mention as wouldn’t a been so much missed.”

Then came the funeral; the bunch of white lilac, still fresh, which he had brought from Cuddingham, was put on Jem’s newly-made grave, and his widow, passing silently through the people gathered in the churchyard, toiled patiently back to her lonely home.

They watched the solitary figure as it showed black against the steep chalky road in the distance.

“Yon’s an afflicted woman,” said one, “for all she carries herself so high under it.”

“She’s the only widder among all the Whites hereabouts,” remarked Mrs Pinhorn. “We needn’t call her ‘Mrs White on the hill’ no longer, poor soul.”

“It’s a mercy she’s got the child,” said another neighbour, “if the Lord spares it to her.”

“The christening’s to be on Sunday,” added a third. “I do wonder if she’ll call it that outlandish name now.”

There was not much time to wonder, for Sunday soon came, and the Widow White, as she was to be called henceforth, was at the church, stern, sad, and calm, with her child in her arms. It was an April morning, breezy and soft; the uncertain sunshine darted hither and thither, now touching the newly turned earth of Jem’s grave, and now peering through the church window to rest on the tiny face of his little daughter in the rector’s arms at the font. All the village had come to see, for this christening was felt to be one of more than common interest, and while the service went on there was not one inattentive ear.

Foremost stood Mrs Greenways, her white handkerchief displayed for immediate use, and the expression in her face struggling between real compassion and an eager desire to lose nothing that was passing; presently she craned her neck forward a little, for an important point was reached—

“Name this child,” said the rector.

There was such deep silence in the church that the lowest whisper would have been audible, and Mrs Leigh’s voice was heard distinctly in the farthest corner, when she answered “Lilac.”


“Not that it matters,” said Mrs Greenways on her way home afterwards, “what they call the poor little thing—Lilac White, or White Lilac, or what you will, for she’ll never rear it, never. It’ll follow its father before we’re any of us much older. You mark my words, Greenways: I’m not the woman to discourage Mary White by naming it to her now she’s so deep in trouble, but you mark my words, she’ll never rear that child.”



Chapter Two.

The Cousins.

“For the apparel oft proclaims the man.”—Shakespeare.

But Mrs Greenways was wrong. Twelve more springs came and went, cold winds blew round the cottage on the hill, winter snow covered it, summer sun blazed down on its unsheltered roof, but the small blossom within grew and flourished. A weak tender-looking little plant at first, but gathering strength with the years until it became hardy and bold, fit to face rough weather as well as to smile in the sunshine.

It was twelve years since James White’s death, twelve years since he had brought the bunch of lilac from Cuddingham which had given his little daughter her name—that name which had once sounded so strangely in Mrs White’s ears. It had come to mean so much to her now, so many memories of the past, so much sweetness in the present, that she would not have changed it for the world, and indeed no one questioned its fitness, for as time went on it seemed to belong naturally to the child; it was even made more expressive by putting the surname first, so that she was often called “White Lilac.”

For the distinguishing character of her face was its whiteness—“A wonderful white skin”, as her mother had said, which did not tan, or freckle, or flush with heat, and which shone out in startling contrast amongst the red and brown cheeks of her school companions. This small white face was set upon a slender neck, and a delicately-formed but upright little figure, which looked all the straighter and more like the stalk of a flower, because it was never adorned with any flounces or furbelows. Lilac was considered in the village to be very old-fashioned in her dress; she wore cotton frocks, plain in the skirt with gathers all round the waist, long pinafores or aprons, and sunbonnets. This attire was always spotless and freshly clean, but garments of such a shape and cut were lamentably wanting in fashion to the general eye, and were the subject of constant ridicule. Not in the hearing of the widow, for most people were a good deal in awe of her, but Lilac herself heard quite enough about her clothes to be conscious of them and to feel ashamed of looking “different.” And this was specially the case at school, for there she met Agnetta Greenways every day, and Agnetta was the object of her highest admiration; to be like her in some way was the deep and secret longing in her mind. It was, she knew well, a useless ambition, but she could not help desiring it, Agnetta was such a beautiful object to look upon, with her red cheeks and the heavy fringe of black hair which rested in a lump on her forehead. On Sundays, when she wore her blue dress richly trimmed with plush, a long feather in her hat, and a silver bangle on her arm, Lilac could hardly keep her intense admiration silent; it was a pain not to speak of it, and yet she knew that nothing would have displeased her mother so much, who was never willing to hear the Greenways praised. So she only gazed wistfully at her cousin’s square gaily-dressed figure, and felt herself a poor washed-out insignificant child in comparison.

This was very much Agnetta’s own view of the case; but nevertheless there were occasions when she was glad of this insignificant creature’s assistance, for she was slow and stupid at her lessons, books were grief and pain to her, and Lilac, who was intelligent and fond of learning, was always ready to help and explain. This service, given most willingly, was received by Agnetta as one to whom it was due, and indeed the position she held among her schoolfellows made most of them eager to call her friend. She lived at Orchards Farm, which was the biggest in the parish; her two elder sisters had been to a finishing school, and one of them was now in a millinery establishment in London, where she wore a silk dress every day. This was sufficient to excuse airs of superiority in anyone. It was natural, therefore, to repay Lilac’s devotion by condescending patronage, and to look down on her from a great height; nevertheless it was extremely agreeable to Agnetta to be worshipped, and this made her seek her cousin’s companionship, and invite her often to Orchards Farm. There she could display her smart frocks, dwell on the extent of her father’s possessions, on her sister Bella’s stylishness, on the last fashion Gusta had sent from London, while Lilac, meek and admiring, stood by with wonder in her eyes. Orchards Farm was the most beautiful place her imagination could picture, and to live there must be, she thought, perfect happiness. There was a largeness about it, with its blossoming fruit trees, its broad green meadows, its barns and stacks, its flocks of sheep and herds of cattle; even the shiny-leaved magnolia which covered part of the house seemed to Lilac to speak of peace and plenty. It was all so different from her

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