bully her boy.

"Perhaps you will play for us, Cecilia, if I do a bit of your work for you?"

Sissy knew it was coming. Mrs. Pemberton always asked her to play, and playing for company was pure show-off from a Madigan point of view. Split would hear and taunt her with it later, she knew. But though she scorned the servile and downtrodden Crosby, Sissy, no more than he, dared disobey that grenadier, his mother. She took her seat at the piano, opened a Beethoven that Mrs. Pemberton had given her the last Christmas, under the impression that she was fostering a taste for the classical, and, with a revengeful little hand that couldn't reach the octaves, she began to murder the "Funeral March."

Just as the performer let her hands fall upon the last somber chord (her puritanical soul enjoying the double dissipation of pretending to herself while she afflicted others), she lifted her eyes to the mirror over the piano and saw Irene out in the hall. In the mirror their eyes met, and the mockery in Irene's was unmistakable as Sissy rose, agitated, caught in the very act of showing off, convicted of being affected.

"Very pretty; very pretty, indeed!" said Mrs. Pemberton, absent-mindedly. "Now play another little waltz."

"Aunt Anne says, Mrs. Pemberton," put in Irene, entering, "will you come to her room?"

Mrs. Pemberton rose, her deft hands still calling forth the perfection of fruit from the stubborn linen soil upon which Sissy could make nothing grow, and sailed across the hall. Crosby immediately jumped from his chair.

"I say, Sissy," he cried, "I know an awful swell way to cut paper-doll dresses."

Sissy looked at him. For all her sins (and in a hidden corner of her heart that she rarely looked into, she knew herself for the hypocrite she was, despite all her self-righteous pretense) this girl-boy's devotion was her punishment. She did not envy Split her successes; in fact, she often disapproved the methods by which they were attained. Her pride would permit her neither to make such conquests, nor to enjoy them when they were made; but she cursed her fate that Crosby Pemberton had fallen to her share. For the love of a really bad boy Sissy felt she could have sacrificed much—for a fellow quite out of the pale, a bold, wicked pirate of a boy who would say "Darn," and even smoke a cigarette; a daredevil, whose people could do nothing with him; a fellow with a swagger and a droop to his eyelid and something deliciously sinister in his lean, firm jaw and saucy black eye—a boy like Jack Cody, for instance, for whom a whole world of short-skirted femininity divided itself naturally into two classes: just girls—and Split Madigan. But that a forthright, practical, severe person like herself should be made ridiculous by Crosby's worship, and that Split, her arch-enemy, should be there to hear her adorer make his sexless declaration, was too much! Even a Madigan could not bear up under it. When Sissy looked from "Miss Crosby" (as the very girls who played with him called him) to Split, there were tears of rage trembling in her eyes.

But, with a generosity suspiciously unlike her, Split ignored the signal of distress. "What time this afternoon will the party begin, Crosby?" she asked.

"Oh, two o'clock. But you'll come early, won't you—Sissy?"

Sissy did not answer. She was waiting to see what Split's next move would be.

"I don't know that I can go," said Split, gently. "I haven't any gloves—unless—won't you ask father for some, Sissy?"

There was a prompt refusal upon Sissy's lips, but she did not utter it; the Pembertons' visit had given the enemy too much material with which to regale her fellow-Madigans at the dinner-table in the evening. Sissy looked questioningly into Split's eyes, and silently the bargain was struck: to so much refraining from ridicule in public on the part of one, a certain indebtedness which the other might discharge by facing Francis Madigan with a demand for money. It was hard, but Sissy shut her teeth and got to her feet.

"Can I come with you, Sissy?" asked Crosby, following her to the door. "If you'll let me have your tissue-paper and the scissors, I'll show—"

Sissy's hands flew to her breast. "I wish—I wish you'd never speak to me again!" she exclaimed, and Crosby dodged as though he were apprehensive that she might beat him.

"It's so kind of you to go the very minute I ask," giggled Split, gleefully.

But Sissy shut the door behind her on Crosby's woeful face and Split's radiantly happy one, and went to her fate.

"Of the design and construction of which he was quite vain"

Francis Madigan's room was his castle. It was his castle and his workshop and his boudoir, his kitchen, his library, and his pantry in one. The laxness of the family housekeeping had led him to distrust all hands and heads but his own. Everything that he wanted, or that he might want in the near future, he kept under his eyes, within reach of his hands, where none might borrow or lose or destroy. In order to provide for the needs which grew and changed daily, he fitted up rude shelf above shelf, till the corners of the room were transformed into rough bric-à-brac stands. Mr. Madigan had the unsuccessful man's pride in trifling successes in amateur carpentering, in husbandry of any sort unrelated to the real issues of his life; and every tool he needed for the exercise of his skill he kept under lock and key. He believed in, he trusted no Madigan. He had been known to lend his penknife to Sissy, but that was when she was ailing long ago. He laid in supplies as though he had inside information of a famine near at hand; and his pipes and his great cans of tobacco were piled up with his cards and his books on the table where he played solitaire all day and read half the night. The sweets he liked occasionally, and the day's provision of fruit (for he ate fruit only and at this time looked upon a vegetarian as a coarse creature who belonged to a dead era), were packed in a small home-made pantry of the design and construction of which he was quite vain. His bed swathed in sheets; his blankets sewed securely together, as though he feared they might escape; a device all his own of great wooden wedges raising the lower end of the mattress so that his feet were on a level with his pillowed head; the chest of little drawers which his daughters called "father's hobby," nailed high on the wall and filled with all sorts of odds and ends, the detritus and possible repair-material of years of housekeeping—all this Sissy took in with the unseeing eyes one has for the familiar.

She did not expect her father's room to be like any one else's; neither did she look for an easy and successful termination to her quest. Sometimes she got what she asked for, but she asked for little. And to-day Francis Madigan had been tinkering at the old house, hammering here and patching there, a process that specially tried his temper, being a threatening indication of change, which he resented by declaring that "everything goes to the devil."

"Father," began Sissy, carefully, as she met his inquiring eye, "do you approve of dancing?"

He looked up from his cards. "What nonsense are you talking