incapable of giving pain.

In 1766, he returned to Havre; but his relations were by this time dead or dispersed, and after six years of exile, he found himself once more in his own country, without employment and destitute of pecuniary resources.

The Baron de Breteuil at length obtained for him a commission as Engineer to the Isle of France, whence he returned in 1771. In this interval, his heart and imagination doubtless received the germs of his immortal works. Many of the events, indeed, of the "Voyage a l'Ile de France," are to be found modified by imagined circumstances in "Paul and Virginia." He returned to Paris poor in purse, but rich in observation and mental resources, and resolved to devote himself to literature. By the Baron de Breteuil he was recommended to D'Alembert, who procured a publisher for his "Voyage," and also introduced him to Mlle. de l'Espinasse. But no one, in spite of his great beauty, was so ill calculated to shine or please in society as St. Pierre. His manners were timid and embarrassed, and, unless to those with whom he was very intimate, he scarcely appeared intelligent.

It is sad to think, that misunderstanding should prevail to such an extent, and heart so seldom really speak to heart, in the intercourse of the world, that the most humane may appear cruel, and the sympathizing indifferent. Judging of Mlle. de l'Espinasse from her letters, and the testimony of her contemporaries, it seems quite impossible that she could have given pain to any one, more particularly to a man possessing St. Pierre's extraordinary talent and profound sensibility. Both she and D'Alembert were capable of appreciating him; but the society in which they moved laughed at his timidity, and the tone of raillery in which they often indulged was not understood by him. It is certain that he withdrew from their circle with wounded and mortified feelings, and, in spite of an explanatory letter from D'Alembert, did not return to it. The inflictors of all this pain, in the meantime, were possibly as unconscious of the meaning attached to their words, as were the birds of old of the augury drawn from their flight.

St. Pierre, in his "Preambule de l'Arcadie," has pathetically and eloquently described the deplorable state of his health and feelings, after frequent humiliating disputes and disappointments had driven him from society; or rather, when, like Rousseau, he was "self-banished" from it.

"I was struck," he says, "with an extraordinary malady. Streams of fire, like lightning, flashed before my eyes; every object appeared to me double, or in motion: like OEdipus, I saw two suns. . . In the finest day of summer, I could not cross the Seine in a boat without experiencing intolerable anxiety. If, in a public garden, I merely passed by a piece of water, I suffered from spasms and a feeling of horror. I could not cross a garden in which many people were collected: if they looked at me, I immediately imagined they were speaking ill of me." It was during this state of suffering, that he devoted himself with ardour to collecting and making use of materials for that work which was to give glory to his name.

It was only by perseverance, and disregarding many rough and discouraging receptions, that he succeeded in making acquaintance with Rousseau, whom he so much resembled. St. Pierre devoted himself to his society with enthusiasm, visiting him frequently and constantly, till Rousseau departed for Ermenonville. It is not unworthy of remark, that both these men, such enthusiastic admirers of Nature and the natural in all things, should have possessed factitious rather than practical virtue, and a wisdom wholly unfitted for the world. St. Pierre asked Rousseau, in one of their frequent rambles, if, in delineating St. Preux, he had not intended to represent himself. "No," replied Rousseau, "St. Preux is not what I have been, but what I wished to be." St. Pierre would most likely have given the same answer, had a similar question been put to him with regard to the Colonel in "Paul and Virginia." This at least, appears the sort of old age he loved to contemplate, and wished to realize.

For six years, he worked at his "Etudes," and with some difficulty found a publisher for them. M. Didot, a celebrated typographer, whose daughter St. Pierre afterwards married, consented to print a manuscript which had been declined by many others. He was well rewarded for the undertaking. The success of the "Etudes de la Nature" surpassed the most sanguine expectation, even of the author. Four years after its publication, St. Pierre gave to the world "Paul and Virginia," which had for some time been lying in his portfolio. He had tried its effect, in manuscript, on persons of different characters and pursuits. They had given it no applause; but all had shed tears at its perusal: and perhaps, few works of a decidedly romantic character have ever been so generally read, or so much approved. Among the great names whose admiration of it is on record, may be mentioned Napoleon and Humboldt.

In 1789, he published "Les Veoeux d'un Solitaire," and "La Suite des Voeux." By the Moniteur of the day, these works were compared to the celebrated pamphlet of Sieyes,—"Qu'est-ce que le tiers etat?" which then absorbed all the public favour. In 1791, "La Chaumiere Indienne" was published: and in the following year, about thirteen days before the celebrated 10th of August, Louis XVI. appointed St. Pierre superintendant of the "Jardin des Plantes." Soon afterwards, the King, on seeing him, complimented him on his writings and told him he was happy to have found a worthy successor to Buffon.

Although deficient in the exact knowledge of the sciences, and knowing little of the world, St. Pierre was, by his simplicity, and the retirement in which he lived, well suited, at that epoch, to the situation. About this time, and when in his fifty-seventh year, he married Mlle. Didot.

In 1795, he became a member of the French Academy, and, as was just, after his acceptance of this honour, he wrote no more against literary societies. On the suppression of his place, he retired to Essonne. It is delightful to follow him there, and to contemplate his quiet existence. His days flowed on peaceably, occupied in the publication of "Les Harmonies de la Nature," the republication of his earlier works, and the composition of some lesser pieces. He himself affectingly regrets an interruption to these occupations. On being appointed Instructor to the Normal School, he says, "I am obliged to hang my harp on the willows of my river, and to accept an employment useful to my family and my country. I am afflicted at having to suspend an occupation which has given me so much happiness."

He enjoyed in his old age, a degree of opulence, which, as much as glory, had perhaps been the object of his ambition. In any case, it is gratifying to reflect, that after a life so full of chance and change, he was, in his latter years, surrounded by much that should accompany old age. His day of storms and tempests was closed by an evening of repose and beauty.

Amid many other blessings, the elasticity of his mind was preserved to the last. He died at Eragny sur l'Oise, on the 21st of January, 1814. The stirring events which then occupied France, or rather the whole world, caused his death to be little noticed at the time. The Academy did not, however, neglect to give him the honour due to its members. Mons. Parseval Grand Maison pronounced a deserved eulogium on his talents, and Mons. Aignan, also, the customary tribute, taking his seat as his successor.

Having himself contracted the habit of confiding his griefs and sorrows to the public, the sanctuary of his private life was open alike to the discussion of friends and enemies. The biographer, who wishes to be exact, and yet set down nought in malice, is forced to the contemplation of his errors. The secret of many of these, as well as of his miseries, seems revealed by himself in this sentence: "I experience more pain from a single thorn, than pleasure from a thousand roses." And