experiments in the art of cooking fish, with specimens in sufficient number for all his audience to taste, I have no doubt his lecture will be well attended, and a repetition earnestly desired.

The Rev. Dr. Opimian. I am afraid the lecture will not have the aid of such pleasant adventitious attractions. It will be a pure scientific exposition, carefully classified, under the several divisions and subdivisions of Ichthyology, Entomology, Herpetology, and Conchology. But I agree with Doctor Johnson, that little is to be learned from lectures. For the most part those who do not already understand the subject will not understand the lecture, and those who do will learn nothing from it. The latter will hear many things they would like to contradict, which the bienséance of the lecture-room does not allow. I do not comprehend how people can find amusement in lectures. I should much prefer a tenson of the twelfth century, when two or three masters of the Gai Saber discussed questions of love and chivalry.

Miss Gryll. I am afraid, doctor, our age is too prosy for that sort of thing. We have neither wit enough, nor poetry enough, to furnish the disputants. I can conceive a state of society in which such tensons would form a pleasant winter evening amusement: but that state of society is not ours.

The Rev. Dr. Opimian. Well, Miss Gryll, I should like, some winter evening, to challenge you to a tenson, and your uncle should be umpire. I think you have wit enough by nature, and I have poetry enough by memory, to supply a fair portion of the requisite materials, without assuming an absolute mastery of the Gai Saber.

Miss Gryll. I shall accept the challenge, doctor. The wit on one side will, I am afraid, be very shortcoming; but the poetry on the other will no doubt be abundant.

Mr. Gryll. Suppose, doctor, you were to get up a tenson a little more relative to our own wise days. Spirit-rapping, for example, is a fine field. Nec pueri credunt... Sed tu vera puta.{1} You might go beyond the limits of a tenson. There is ample scope for an Aristophanic comedy. In the contest between the Just and the Unjust in the Clouds, and in other scenes of Aristophanes, you have ancient specimens of something very like tensons, except that love has not much share in them. Let us for a moment suppose this same spirit-rapping to be true—dramatically so, at least. Let us fit up a stage for the purpose: make the invoked spirits visible as well as audible: and calling before us some of the illustrious of former days, ask them what they think of us and our doings? Of our astounding progress of intellect? Our march of mind? Our higher tone of morality? Our vast diffusion of education? Our art of choosing the most unfit man by competitive examination?