when the strings jangled aimlessly, and seemed to have no soul in them; days when it appeared that the cloud could not lift, as though light and music together were dead in the world—but these days were few; and Paul growing active and strong, caring little what he ate and drank, tasting no wine, because it fevered him at first, and then left him ill at ease, knowing no evil or luxurious thoughts, sleeping lightly and hardly, found his spirits very pure and plentiful; or if he was sad, it was a clear sadness that had something beautiful within it, and dwelt not on any past grossness of his own, but upon the thought that all beautiful things can but live for a time, and must then be laid away in the darkness and in the cold.

So Paul grew up knowing neither friendship nor love, only stirred at the sight of a beautiful face, a shapely hand, or a slender form; by a grateful wonder for what was so fair; untainted by any desire to master it, or make it his own; living only for his art, and with a sort of blind devotion to Mark, whom he soon excelled, though he knew it not. Mark once said to him, when Paul had made a song of some old forgotten sorrow, "How do you know all this, boy? You have not suffered, you have not lived!" "Oh," said Paul gaily, knowing it to be praise, "my heart tells me it is so."

Paul, too, as he grew to manhood, found himself with a voice that was not loud, but true—a voice that thrilled those who heard it through and through; but it seemed strange that he felt not what he made other men feel; rather his music was like a still pool that can reflect all that is above it, the sombre tree, the birds that fly over, the starry silence of the night, the angry redness of the dawn.

It was on one of his journeys with Mark that the news of Mistress Alison's death reached him. Mark told him very carefully and tenderly, and while he repeated the three or four broken words in which Mistress Alison had tried to send a last message to Paul—for the end had come very suddenly—Mark himself found his voice falter, and his eyes fill with tears. Paul had, at that sight, cried a little; but his life at the House of Heritage seemed to have faded swiftly out of his thoughts; he was living very intently in the present, scaling, as it were, day by day, with earnest effort, the steep ladder of song. He thought a little upon Mistress Alison, and on all her love and goodness: but it was with a tranquil sorrow, and not with the grief and pain of loss. Mark was very gentle with him for awhile; and this indeed did shame Paul a little, to find himself being used so lovingly for a sorrow which he was hardly feeling. But he said to himself that sorrow must come unbidden, and that it was no sorrow that was made with labour and intention. He was a little angered with himself for his dullness—but then song was so beautiful, that he could think of nothing else; he was dazzled.

A little while after, Mark asked him whether, as they were near at hand, he would turn aside to see Mistress Alison's grave. And Paul said, "No; I would rather feel it were all as it used to be!"—and then seeing that Mark looked surprised and almost grieved, Paul, with the gentle hypocrisy of childhood, said, "I cannot bear it yet," which made Mark silent, and he said no more, but used Paul more gently than ever.

One day Mark said to him, very gravely, as if he had long been pondering the matter, "It is time for me to take another pupil, Paul. I have taught you all I know; indeed you have learned far more than I can teach." Then he told him that he had arranged all things meetly. That there was a certain Duke who lacked a minstrel, and that Paul should go and abide with him. That he should have his room at the castle, and should be held in great honour, making music only when he would. And then Mark would have added some words of love, for he loved Paul as a son. But Paul seemed to have no hunger in his heart, no thought of the days they had spent together; so Mark said them not. But he added very gently, "And one thing, Paul, I must tell you. You will be a great master—indeed you are so already—and I can tell you nothing about the art that you do not know. But one thing I will tell you—that you have a human heart within you that is not yet awake: and when it awakes, it will be very strong; so that a great combat, I think, lies before you. See that it overcome you not!" And Paul said wondering, "Oh, I have a heart, but it is altogether given to song." And so Mark was silent.

Then Paul went to the Duke's Castle of Wresting and abode with him year after year. Here, too, he made no friend; he was gracious with all, and of a lofty courtesy, so that he was had in reverence; and he made such music that the tears would come into the eyes of those who heard him, and they would look at each other, and wonder how Paul could thus tell the secret hopes of the heart. There were many women in the castle, great ladies, young maidens, and those that attended on them. Some of these would have proffered love to Paul, but their glances fell before a certain cold, virginal, almost affronted look, that he turned to meet any smile or gesture that seemed to hold in it any personal claim, or to offer any gift but that of an equal and serene friendship. As a maiden of the castle once said, provoked by his coldness, "Sir Paul seems to have everything to say to all of us, but nothing to any one of us." He was kind to all with a sort of great and distant courtesy that was too secure even to condescend. And so the years passed away.

III

It was nearly noon at the Castle of Wresting, and the whole house was deserted, for the Duke had ridden out at daybreak to the hunt; and all that could find a horse to ride had gone with him; and, for it was not far afield, all else that could walk had gone afoot. So bright and cheerful a day was it that the Duchess had sent out her pavilion to be pitched in a lawn in the wood, and the Duke with his friends were to dine there; none were left in the castle save a few of the elder serving-maids, and the old porter, who was lame. About midday, however, it seemed that one had been left; for Paul, now a tall man, strongly built and comely, yet with a somewhat dreamful air, as though he pondered difficult things within himself, and a troubled brow, under which looked out large and gentle eyes, came with a quick step down a stairway. He turned neither to right nor left, but passed through the porter's lodge. Here the road from the town came up into the castle on the left, cut steeply in the hill, and you could see the red roofs laid out like a map beneath, with the church and the bridge; to the right ran a little terrace under the wall. Paul came through the lodge, nodding gravely to the porter, who returned his salute with a kind of reverence; then he walked on to the terrace, and stood for a moment leaning against the low wall that bounded it; below him lay for miles the great wood of Wresting, now all ablaze with the brave gold of autumn leaves; here was a great tract of beeches all rusty red; there was the pale gold of elms. The forest lay in the plain, here and there broken by clearings or open glades; in one or two places could be seen the roofs of villages, with the tower of a church rising gravely among trees. On the horizon ran a blue line of downs, pure and fine above the fretted gold of the forest. The air was very still, with a fresh sparkle in it, and the sun shone bright in a cloudless heaven; it was a day when the heaviest heart grows light, and when it seems the bravest thing that can be designed to be alive.

Once or twice, as Paul leaned to look, there came from the wood, very far away, the faint notes of a horn; he smiled to