قراءة كتاب The Works of Robert Louis Stevenson - Swanston Edition, Vol. 1

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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 1

The Works of Robert Louis Stevenson - Swanston Edition, Vol. 1

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دار النشر: Project Gutenberg
الصفحة رقم: 10

in his "Footnote to History." My conjectures as to the romantic side of his dealings with the rightful king are vague and need not be recorded. "You can be in a new conspiracy every day," said an Irishman with zest, but conspiracies are better things in fiction than in real life; and Stevenson had no personal ambitions, and, withal, as much common sense as Shelley displayed in certain late events of his life. He turned to the half-finished "Wrecker" and completed it.

When the story began to appear in "Scribner's Magazine" it seemed full of vivacity and promise. The opening scenes in the Pacific were like Paradise, as the author said, to dwellers in Brixton, or other purlieus of London. The financial school at which Loudon Dodd was educated in Stock Exchange flutters was rather less convincing than any dream of Paradise, but none the less amusing. At home in Edinburgh, with the old Scottish master of jerry-building and of "plinths," the atmosphere was truly Scots, tea-coseys and all, while the reminiscences of Paris and Fontainebleau, and the grandeurs et misères of "the young Americo-Parisienne sculptor" were perfectly fresh to the world, though some of the anecdotes were known to Stevenson's intimates. Mr. James Pinkerton is a laudable creation, with his loyalty, his innocence, his total ignorance and complete lack of taste, and his scampers too near the wind of commercial probity. The spirit of hustle incarnate in a man otherwise so innocent, the ideals caught from heaven knows what American works for the young, and the inspired patriotism, the blundering enthusiastic affection, make the early Pinkerton a study as original as it is entertaining.

The sale by auction of the wreck, which, by arrangement, is to be Pinkerton's prey, the mysterious opposition of the other bidder, so determined to win an object apparently so worthless, is no less thrilling than the sale of the fur coat in Boisgobey's "Crime de l'Opéra." But the reader knows why the fur coat is so much desired, whereas I remember being driven so wild by curiosity about the value of the wreck that I wrote to Louis, desiring to learn the secret. He would not divulge it, and when, after the voyage to the island and the excitement of knocking the wreck to pieces were over—when the secret came out, it was neither pleasant nor probable. That a mild British amateur of water-colour drawing should have taken part in a massacre of men, shot painfully with cheap revolvers, was an example of "the possible improbable," and much more of a tax on belief than the transformation of Dr. Jekyll. When I mildly urged this criticism, I learned, by return of post, from a correspondent usually as dilatory as Wordsworth, that I was a stay-at-home person ignorant of the world, and of life as it is lived by full-blooded men on the high seas. That was very true, but the amateur in water-colour was also a mild kind of good being. "What would I have done with the crew who were such compromising witnesses, and were butchered?" I would have marooned them.

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