Instead, he lay a-bed, taking an indolent satisfaction in the thought that no bustling duty beckoned him, and amusing himself by a leisurely survey of the various corners of his bed-room.

It was scarcely eight feet in height, and the heavy, whitewashed beams made it look still [Pg 20] lower. In the narrow space between the ceiling and wainscot, the wall was covered with an old-fashioned paper, florid of design, and musty of odor. On the mantel-shelf stood two brass candle-sticks with snuffer and extinguisher. As Flint stared idly at them, wondering what varied scenes their candles had shone upon, his eyes were drawn above them to a picture which, once having seen, he wondered that he could ever have overlooked so long. It was a portrait of great beauty. He propped himself on his elbows to study it more closely.

"It looks like a Copley," he said to himself, "or perhaps a Gilbert Stuart. How the devil could such a picture get here, and how could I have failed to see it last year? I must have it—of course I must! It is absurd that it should be wasted here! I wonder if Marsden knows anything of its value?"

Here Flint fell back upon his pillow and found, to his disgust, that his metaphysical conscience was already at work on the problem of the equity of a bargain in which the seller is ignorant of facts known to the buyer, and whether the buyer is in honor bound not to take advantage of his professional training.

The picture which had given rise to this long and complicated train of thought was the portrait of a young woman in Quaker dress, her [Pg 21] hair rolled back above a low and subtle brow, her lace kerchief demurely folded over a white neck. Her head was bent a little to one side, and rested upon her hand. At her breast sparkled a ruby,—a spot of rich, luminous flame.

"That is odd," thought Flint. "I fancied Quakers never wore jewels—conscientiously opposed to them, and all that sort of thing. Perhaps this damsel was a renegade from the faith, or perhaps this was some heirloom,—a protest against the colorless limitations of the creed. Queer thing the human soul. Can't be formulated, not even to ourselves. Sometimes I've seen people show more of their real selves to utter strangers at odd moments than their nearest and dearest get at in a life-time."

This disjointed philosophy beguiled so much time, that Flint was late to breakfast. His fellow-boarders, a pedler and a fisherman, had gone about their business, and he sat down alone at the oilcloth-covered table, and twirled the pewter caster while he waited for his egg to be boiled. It was one of his beliefs that a merciful Heaven had granted eggs and oranges to earth for the benefit of fastidious travellers who could wreak their appetites in comparative security, especially if they did their own cracking and peeling. At length the breakfast [Pg 22] appeared, and with it the innkeeper, who sat down opposite Flint.

He had many weighty questions to put.

Should oakum or putty be used in the seams of "The Aquidneck"?

Should he pack the dinner-basket with beef or ham sandwiches?

Would Flint take lines for fishing, or a net for crabbing?

When all these were settled, Flint's thoughts drifted back to the portrait in the bed-room overhead. He began his questioning somewhat warily. "I suppose you've lived in this house for some time?"

"Wall, ever since I wuz born."

"And your father before you?"

"Yes, and my gran'father before him, and hisn fust."

"Ah, I see—an old homestead; and that portrait in my room is the wife of 'hisn'?"

"Not exactly—we never had no womenfolks in our family ez looked like that—stronger built is ourn, with more backbone, and none of that lackadaisical look raound the eyes."

"Pre-cisely," answered Flint. "And how does it happen that this lackadaisical-eyed portrait has hung so long without getting packed off to the garret?"

"Wall, you see," began Marsden, slowly and [Pg 23] with evident relish, "thet's quite a story about thet theer."

"Yes?" said Flint, with a rising inflection which invited further confidence.

"Yes, indeed," answered Marsden, expanding still further and stroking his chin-whisker as he proceeded. "You see 't wuz this way—Captain Wagstaff—he wuz the portrait's uncle—wall, he wuz in command of a fleet that lay in the harbor up yonder, in the Revolutionary War. When he wuz ashore, he spent most of his time to this haouse; and when his sister down to Philadelphy died, leavin' this daughter and no one to take care on her, he brought her on here to live with him. He'd been brought up a Quaker,—'Friend,' he called it,—though he did fight for his country, and right enough, sez I. Wall, this girl,—Ruth, her name wuz,—she came here and stopped awhile; and then there wuz a fight off the shore between the Captain's ship and a British cruiser. The cruiser wuz run down and sunk; but one of the officers they picked up waounded and brought ashore, to this house, and Miss Ruth she set to work takin' care on him.

"Wall, what with cossettin' of him, and all sorts of philanderin', she got kinder soft on him, and one day, fust any one knowed, she'd jest run off with him."

"And what did the Captain say to that?" [Pg 24] asked Flint, more interested than he was wont to be in Marsden's narratives.

"The Captain? Oh, they say he took on about it like thunder, and swore he'd never forgive her. But Ruth, she sent him her marriage lines, and wrote him what a good husband she'd got; and after the war wuz over, she kep' a-beggin' the Captain to come over and live with them. He wouldn't go; and I don't know ez I blame him any. Europe is so fur off, and such a wicked place—seems onsafer ez you get old. New England's the best place in the world to die in, and so he thought.

"Howsumever, she kep' a-sendin' him money and things; and one day ther came this here box—I've often heard my gran'mother tell how she looked on when 't wuz opened, and this picter turned out. Gran'ma wuz only a little thing, and she didn't know what to make of it all; for the Cap'n, he cried like a baby when he seen it. He had it taken up right away to his room (thet's whar you're a-sleepin') and hung over the mantel jest whar he could see it from his bed. Thar it stayed ez long ez he stayed on airth, and when he lay a-dyin',—He died, you know, in that very bed you're a-sleepin' in—only o' course the mattress is new—the old one wuz a feather-bed. My gran'mother wuz with him at the end, and she said he stretched out his arms to the pictur, [Pg 25] same ez ef 't ed been his niece herself; and he sort o' cried out, 'God bless you, Ruth! I wish I'd 'a' understood you better!' Wuzn't that a queer thing for him to say when he wuz a-dyin'?"

"Poor Ruth!" murmured Flint, with that placid, mild melancholy born of a sad story heard under comfortable circumstances. His fancy travelled back to the damsel in her Quaker dress, and he fell to wondering if the garb had been donned, with innocent hypocrisy, to please her old uncle, or if she always wore it in her faraway new home.

When he had got so far in his musings, his host recalled him to the present by continuing, "I dunno ez we've a very good claim to the pictur; but there ain't no heirs turned up, so ez the Cap'n wuz a little behind in his board bills, we sort o' kep' it."

Flint sat drumming with his fingers on the table, while his host still maundered on after the fashion of old age, which has so few topics that it cannot drop them with the light touch-and-go of youth.

Flint had already firmly determined that he would be the possessor of that portrait; but he was too shrewd to make any further advances now.

Instead, he turned again to the subject of "The Aquidneck,"