the persistence of this incident in the story. Mankind (no longer a mere individual human sacrifice) had become sinful and rebellious (the act of rebellion being complaints that the king or god was growing old) and had to be destroyed as a punishment for this treason. The Great Mother continued to act as the avenger of the king or god. But the enemies of the god were also punished by Horus in the legend of Horus and Set. The two stories hence became confused the one with the other. The king Horus took the place of the Great Mother as the avenger of the gods. As she was identified with the moon, he became the Sun-god, and assumed many of the Great Mother's attributes, and also became her son. In the further development of the myth, when the Sun-god had completely usurped his mother's place, the infamy of her deeds of destruction seems to have led to her being confused with the rebellious men who were now called the followers of Set, Horus's enemy. Thus an evil dragon emerged from this blend of the attributes of the Great Mother and Set. This is the Babylonian Tiamat. From the amazingly complex jumble of this tissue of confusion all the incidents of the dragon-myth were derived.

When attributes of the Water-god or his enemy became assimilated with those of the Great Mother and the Warrior Sun-god, the animals with which these deities were identified came to be regarded individually and collectively as concrete expressions of the Water-god's powers. Thus the cow and the gazelle, the falcon and the eagle, the lion and the serpent, the fish and the crocodile became symbols of the life-giving and the life-destroying powers of water, and composite monsters or dragons were invented by combining parts of these various creatures to express the different manifestations of the vital powers of water. The process of elaboration of the attributes of these monsters led to the development of an amazingly complex myth: but the story became still further involved when the dragon's life-controlling powers became confused with man's vital spirit and identified with the good or evil genius which was regarded as the guest, welcome or unwelcome, of every individual's body, and the arbiter of his destiny. In my remarks on the ka and the fravashi I have merely hinted at the vast complexity of these elements of confusion.

Had I been familiar with [Archbishop] Söderblom's important monograph,[2] when I was writing Chapters I and III, I might have attempted to indicate how vital a part the confusion of the individual genius with the mythical wonder-beast has played in the history of the myths relating to the latter. For the identification of the dragon with the vital spirit of the individual explains why the stories of the former appealed to the selfish interest of every human being. At the time the lecture on "Incense and Libations" was written, I had no idea that the problems of the ka and the fravashi had any connexion with those relating to the dragon. But in the third chapter a quotation from Professor Langdon's account of "A Ritual of Atonement for a Babylonian King" indicates that the Babylonian equivalent of the ka and the fravashi, "my god who walks at my side," presents many points of affinity to a dragon.

When in the lecture on "Incense and Libations" I ventured to make the daring suggestion that the ideas underlying the Egyptian conception of the ka were substantially identical with those entertained by the Iranians in reference to the fravashi, I was not aware of the fact that such a comparison had already been made. In [Archbishop] Söderblom's monograph, which contains a wealth of information in corroboration of the views set forth in Chapter I, the following statement occurs: "L'analyse, faite par M. Brede-Kristensen (Ægypternes forestillinger om livet efter döden, 14 ss. Kristiania, 1896) du ka égyptien, jette une vive lumière sur notre question, par la frappante analogie qui semble exister entre le sens originaire de ces deux termes ka et fravashi" (p. 58, note 4). "La similitude entre le ka et la fravashi a été signalée dejà par Nestor Lhote, Lettres écrites d'Égypte, note, selon Maspero, Études de mythologie et d'archéologie égyptiennes, I, 47, note 3."

In support of the view, which I have submitted in Chapter I, that the original idea of the fravashi, like that of the ka, was suggested by the placenta and the fœtal membranes, I might refer to the specific statement (Farvardin-Yasht, XXIII, 1) that "les fravashis tiennent en ordre l'enfant dans le sein de sa mère et l'enveloppent de sorte qu'il ne meurt pas" (op. cit., Söderblom, p. 41, note 1). The fravashi "nourishes and protects" (p. 57): it is "the nurse" (p. 58): it is always feminine (p. 58). It is in fact the placenta, and is also associated with the functions of the Great Mother. "Nous voyons dans fravashi une personification de la force vitale, conservée et exercée aussi après la mort. La fravashi est le principe de vie, la faculté qu'a l'homme de se soutenir par la nourriture, de manger, d'absorber et ainsi d'exister et de se développer. Cette étymologie et le rôle attributé à la fravashi dans le développement de l'embryon, des animaux, des plantes rappellent en quelque sorte, comme le remarque M. Foucher, l'idée directrice de Claude Bernard. Seulement la fravashi n'a jamais été une abstraction. La fravashi est une puissance vivante, un homunculus in homine, un être personnifié comme du reste toutes les sources de vie et de mouvement que l'homme non civilisé aperçoit dans son organisme.

"Il ne faut pas non plus considérer la fravashi comme un double de l'homme, elle en est plutôt une partie, un hôte intime qui continue son existence après la mort aux mêmes conditions qu'avant, et qui oblige les vivants à lui fournir les aliments nécessaires" (op. cit., p. 59).

Thus the fravashi has the same remarkable associations with nourishment and placental functions as the ka. As a further suggestion of its connexion with the Great Mother as the inaugurator of the year, and in virtue of her physiological (uterine) functions the moon-controlled measurer of the month, it is important to note that "Le 19^e jour de chaque mois est également consecré aux fravashis en général. Le premier mois porte aussi le nom de Farvardîn. Quant aux formes des fêtes mensuelles, elles semblent conformes à celles que nous allons rappeler [les fêtes célébrées en l'honneur des mortes]" (op. cit., p. 10).

But the fravashi was not only associated with the Great Mother, but also with the Water-god or Good Dragon, for it controlled the waters of irrigation and gave fertility to the soil (op. cit., p. 36). The fravashi was also identified with the third member of the primitive Trinity, the Warrior Sun-god, not merely in the general sense as the adversary of the powers of evil, but also in the more definite form of the Winged Disk (op. cit., pp. 67 and 68).

In all these respects the fravashi is brought into close association with the dragon, so that in addition to being "the divine and immortal element" (op. cit., p. 51), it became the genius or spirit that possesses a man and shapes his conduct and regulates his behaviour. It was in fact the expression of a crude attempt on the part of the early psychologists of Iran to explain the working of the instinct of self-preservation.

In the text of Chapters I and III I have referred to the Greek, Babylonian, Chinese, and Melanesian variants of essentially the same conception.