قراءة كتاب The Art of Modern Lace Making

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The Art of Modern Lace Making

The Art of Modern Lace Making

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دار النشر: Project Gutenberg
الصفحة رقم: 6

Stitch.

No. 34.

No. 34.—Open Lace Bars.

No. 34.—Open Lace Bars.—Pass a thread from right to left. Make it firm by working a second stitch into the braid; work 2 button-hole stitches on this line of thread, close together. Then work 1 button-hole stitch on the lower thread at the left hand side, and draw it close to the 2 stitches on the line of thread. Miss the space of 2 and repeat.

Nos. 35 and 36.—Sorrento Bars.—Each of the bars is worked from right to left, a straight thread being carried across and fastened securely with a stitch. The return consists of a simple twist under and over the straight thread; three of these bars are usually placed close together at equal distances between the groups. The thread is sewn carefully over the braid in passing from one spot to another.

No. 35.

No. 35.—Sorrento Bars.

No. 36.

No. 36.—Sorrento Bars.

Nos. 37 and 38.—Venetian Bars.—The bar at No. 37 is so simple that it really needs no description. It is worked over two straight threads in reverse button-hole stitch. No. 38 shows the Venetian bar used as the veining of a leaf and worked upon Sorrento bars.

No. 37.

No. 37.—Venetian Bars.

No. 38.

No. 38.—Venetian Bars.

No. 39.—Point d'Anvers Bars.—Two upright bars form the foundation. The thread is carried over and under them as seen in the engraving, the side loops being added by the method depicted at the top of the point.

The over and under work in point d'Anvers bars, without the side loops, is often used for plain bars for filling in odd spaces or wheels in heavy lace.

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