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A Damsel in Distress

A Damsel in Distress

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The Project Gutenberg EBook of A Damsel in Distress, by P. G. Wodehouse

This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org

Title: A Damsel in Distress

Author: P. G. Wodehouse

Posting Date: September 12, 2012 [EBook #2233] Release Date: June, 2000 Last Updated: February 7, 2013 Last Updated: October 20, 2014

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK A DAMSEL IN DISTRESS ***

Produced by Jim Tinsley

[Transcriber's Note for edition 11: in para. 4 of Chapter 19, the word "leafy" has been changed to "leaky". "leafy" was the word used in the printed edition, but was an obvious misprint. Some readers have noted that other editions have slightly different punctuation, notably some extra commas, and semi-colons where there are colons in this edition; but the punctuation herein does follow at least one printed text.—jt]

A DAMSEL IN DISTRESS

by Pelham Grenville Wodehouse

CHAPTER 1.

Inasmuch as the scene of this story is that historic pile, Belpher Castle, in the county of Hampshire, it would be an agreeable task to open it with a leisurely description of the place, followed by some notes on the history of the Earls of Marshmoreton, who have owned it since the fifteenth century. Unfortunately, in these days of rush and hurry, a novelist works at a disadvantage. He must leap into the middle of his tale with as little delay as he would employ in boarding a moving tramcar. He must get off the mark with the smooth swiftness of a jack-rabbit surprised while lunching. Otherwise, people throw him aside and go out to picture palaces.

I may briefly remark that the present Lord Marshmoreton is a widower of some forty-eight years: that he has two children—a son, Percy Wilbraham Marsh, Lord Belpher, who is on the brink of his twenty-first birthday, and a daughter, Lady Patricia Maud Marsh, who is just twenty: that the chatelaine of the castle is Lady Caroline Byng, Lord Marshmoreton's sister, who married the very wealthy colliery owner, Clifford Byng, a few years before his death (which unkind people say she hastened): and that she has a step-son, Reginald. Give me time to mention these few facts and I am done. On the glorious past of the Marshmoretons I will not even touch.

Luckily, the loss to literature is not irreparable. Lord Marshmoreton himself is engaged upon a history of the family, which will doubtless be on every bookshelf as soon as his lordship gets it finished. And, as for the castle and its surroundings, including the model dairy and the amber drawing-room, you may see them for yourself any Thursday, when Belpher is thrown open to the public on payment of a fee of one shilling a head. The money is collected by Keggs the butler, and goes to a worthy local charity. At least, that is the idea. But the voice of calumny is never silent, and there exists a school of thought, headed by Albert, the page-boy, which holds that Keggs sticks to these shillings like glue, and adds them to his already considerable savings in the Farmers' and Merchants' Bank, on the left side of the High Street in Belpher village, next door to the Oddfellows' Hall.

With regard to this, one can only say that Keggs looks far too much like a particularly saintly bishop to indulge in any such practices. On the other hand, Albert knows Keggs. We must leave the matter open.

Of course, appearances are deceptive. Anyone, for instance, who had been standing outside the front entrance of the castle at eleven o'clock on a certain June morning might easily have made a mistake. Such a person would probably have jumped to the conclusion that the middle-aged lady of a determined cast of countenance who was standing near the rose-garden, talking to the gardener and watching the young couple strolling on the terrace below, was the mother of the pretty girl, and that she was smiling because the latter had recently become engaged to the tall, pleasant-faced youth at her side.

Sherlock Holmes himself might have been misled. One can hear him explaining the thing to Watson in one of those lightning flashes of inductive reasoning of his. "It is the only explanation, my dear Watson. If the lady were merely complimenting the gardener on his rose-garden, and if her smile were merely caused by the excellent appearance of that rose-garden, there would be an answering smile on the face of the gardener. But, as you see, he looks morose and gloomy."

As a matter of fact, the gardener—that is to say, the stocky, brown-faced man in shirt sleeves and corduroy trousers who was frowning into a can of whale-oil solution—was the Earl of Marshmoreton, and there were two reasons for his gloom. He hated to be interrupted while working, and, furthermore, Lady Caroline Byng always got on his nerves, and never more so than when, as now, she speculated on the possibility of a romance between her step-son Reggie and his lordship's daughter Maud.

Only his intimates would have recognized in this curious corduroy-trousered figure the seventh Earl of Marshmoreton. The Lord Marshmoreton who made intermittent appearances in London, who lunched among bishops at the Athenaeum Club without exciting remark, was a correctly dressed gentleman whom no one would have suspected of covering his sturdy legs in anything but the finest cloth. But if you will glance at your copy of Who's Who, and turn up the "M's", you will find in the space allotted to the Earl the words "Hobby—Gardening". To which, in a burst of modest pride, his lordship has added "Awarded first prize for Hybrid Teas, Temple Flower Show, 1911". The words tell their own story.

Lord Marshmoreton was the most enthusiastic amateur gardener in a land of enthusiastic amateur gardeners. He lived for his garden. The love which other men expend on their nearest and dearest Lord Marshmoreton lavished on seeds, roses and loamy soil. The hatred which some of his order feel for Socialists and Demagogues Lord Marshmoreton kept for roseslugs, rose-beetles and the small, yellowish-white insect which is so depraved and sinister a character that it goes through life with an alias—being sometimes called a rose-hopper and sometimes a thrips. A simple soul, Lord Marshmoreton—mild and pleasant. Yet put him among the thrips, and he became a dealer-out of death and slaughter, a destroyer in the class of Attila the Hun and Genghis Khan. Thrips feed on the underside of rose leaves, sucking their juice and causing them to turn yellow; and Lord Marshmoreton's views on these things were so rigid that he would have poured whale-oil solution on his grandmother if he had found her on the underside of one of his rose leaves sucking its juice.

The only time in the day when he ceased to be the horny-handed toiler and became the aristocrat was in the evening after dinner, when, egged on by Lady Caroline, who gave him no rest in the matter—he would retire to his private study and work on his History of the Family, assisted by his able secretary, Alice Faraday. His progress on that massive work was, however, slow. Ten hours in the open air made a man drowsy, and too often Lord Marshmoreton would fall asleep in mid-sentence to the annoyance of Miss Faraday, who was a conscientious girl and liked to earn her salary.

The couple on the terrace had turned. Reggie Byng's face, as he bent over Maud, was earnest and animated, and even from a

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