قراءة كتاب How to Write Clearly Rules and Exercises on English Composition
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How to Write Clearly Rules and Exercises on English Composition
twelve or thirteen, provided he has first been fairly trained in English grammar.
The "Continuous Extracts" present rather more difficulty, and are intended for boys somewhat older than those for whom the Exercises are intended. The attempt to modernize, and clarify, so to speak, the style of Burnet, Clarendon, and Bishop Butler,[3] may appear ambitious, and perhaps requires some explanation. My object has, of course, not been to improve upon the style of these authors, but to show how their meaning might be expressed more clearly in modern English. The charm of the style is necessarily lost, but if the loss is recognized both by teacher and pupil, there is nothing, in my opinion, to counterbalance the obvious utility of such exercises. Professor Bain speaks to the same effect:[4] "For an English exercise, the matter should in some way or other be supplied, and the pupil disciplined in giving it expression. I know of no better method than to prescribe passages containing good matter, but in some respects imperfectly worded, to be amended according to the laws and the proprieties of style. Our older writers might be extensively, though not exclusively, drawn upon for this purpose."
To some of the friends whose help has been already acknowledged in "English Lessons for English People," I am indebted for further help in revising these pages. I desire to express especial obligations to the Rev. J. H. Lupton, late Fellow of St. John's College, Cambridge, and Second Master of St. Paul's School, for copious and valuable suggestions; also to several of my colleagues at the City of London School, among whom I must mention in particular the Rev. A. R. Vardy, Fellow of Trinity College, Cambridge.
* * * * *
Before electrotyping the Fourth and Revised Edition, I wish to say one word as to the manner in which this book has been used by my highest class, as a collection of Rules for reference in their construing lessons. In construing, from Thucydides especially, I have found Rules 5, 30, 34, 36, 37, and 40_a_, of great use. The rules about Metaphor and Climax have also been useful in correcting faults of taste in their Latin and Greek compositions. I have hopes that, used in this way, this little book may be of service to the highest as well as to the middle classes of our schools.
FOOTNOTES:
[1] Punctuation is fully discussed in most English Grammars, and is therefore referred to in this book only so far as is necessary to point out the slovenly fault of trusting too much to punctuation, and too little to arrangement.
[2] Before meeting with Professor Bain's rule, I had shown that the difference between the Relatives is generally observed by Shakespeare. See "Shakespearian Grammar," paragraph 259.
[3] Sir Archibald Alison stands on a very different footing. The extracts from this author are intended to exhibit the dangers of verbosity and exaggeration.
[4] "English Composition and Rhetoric," p. vii.
CONTENTS.
PAGE
INDEX OF RULES 11-13
RULES 14-40
SHORT EXERCISES 41-63
CONTINUOUS EXERCISES—CLARENDON 64-70
" " BURNET 70-73
" " BUTLER 74-75
" " SIR ARCHIBALD ALISON 76-78
INDEX OF RULES.
I. CLEARNESS AND FORCE.
WORDS.
1. Use words in their proper sense.
2. Avoid exaggerations.
3. Avoid useless circumlocution and "fine writing."
4. Be careful in the use of "not … and," "any," "but," "only," "not … or," "that."
4 a. Be careful in the use of ambiguous words, e.g. "certain."
5. Be careful in the use of "he," "it," "they," "these," &c.
6. Report a speech in the First Person, where necessary to avoid ambiguity.
6 a. Use the Third Person where the exact words of the speaker are not intended to be given.
6 b. Omission of "that" in a speech in the Third Person.
7. When you use a Participle implying "when," "while," "though," or "that," show clearly by the context what is implied.
8. When using the Relative Pronoun, use "who" or "which," if the meaning is "and he" or "and it," "for he" or "for it." In other cases use "that," if euphony allows. Exceptions.
9. Do not use "and which" for "which."
10. Equivalents for the Relative: (a) Participle or Adjective; (b) Infinitive; (c) "Whereby," "whereto," &c.; (d) "If a man;" (e) "And he," "and this," &c.; (f) "what;" (g) omission of Relative.
10 a'. Repeat the Antecedent before the Relative, where the non-repetition causes any ambiguity. See 38.
11. Use particular for general terms. Avoid abstract Nouns.
11 a. Avoid Verbal Nouns where Verbs can be used.
12. Use particular persons instead of a class.
13. Use metaphor instead of literal statement.
14. Do not confuse metaphor.
14 a. Do not mix metaphor with literal statement.
14 b. Do not use poetic metaphor to illustrate a prosaic subject.
ORDER OF WORDS IN A SENTENCE.
15. Emphatic words must stand in emphatic positions; i.e., for the most part, at the beginning or the end of the sentence.
15 a. Unemphatic words must, as a rule, be kept from the end. Exceptions.
15 b. An interrogation sometimes gives emphasis.
16. The Subject, if unusually emphatic, should often be transferred from the beginning of the sentence.
17. The Object is sometimes placed before the Verb for emphasis.
18. Where several words are emphatic, make it clear which is the most emphatic. Emphasis can sometimes be given by adding an epithet, or an intensifying word.
19. Words should be as near as possible to the words with which they are grammatically connected.
20. Adverbs should be placed next to the words they are intended to qualify.
21. "Only"; the strict rule is that "only" should be placed before the word it affects.
22. When "not only" precedes "but also," see that each is followed by the same part of speech.
23. "At least," "always," and other adverbial adjuncts, sometimes produce ambiguity.
24. Nouns should be placed near the Nouns that they define.
25. Pronouns should follow the Nouns to which they refer, without the intervention of any other Noun.
26. Clauses that are grammatically connected should be kept as close together as possible. Avoid parentheses. But see 55.
27. In conditional sentences, the antecedent or "if-clauses" must be kept distinct from the consequent clauses.
28. Dependent clauses preceded by "that" should be kept distinct from those that are independent.
29. Where there are several infinitives, those that are dependent on